{"id":963369,"name":"(US) Personalisierte Leinwand \"250 years freedom\"","label_available_product":null,"field_positions":null,"product_display_type":"radio","product_tags":null,"featured_image_url":null,"featured_image_thumbnail":null,"show_first_campaign_mockup_id":null,"artworks":[{"id":1210972,"name":"(US) Canvas \"250 years freedom\" 16x24","description":null,"width":2657,"height":3839,"thumbnail":"users\/6885\/artworks\/6a31d4b4cebcd_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2623462,"design_format":"rgb","status":0,"data":[{"id":"template-359345","name":"Default template","addons":[],"layers":[{"id":"layer-626529","top":0,"url":"users\/6885\/image-layers\/6a2f0b1c0a119_large.webp","left":0,"name":"back 2","type":"clipart","width":2657.03,"height":3842.46,"locked":false,"rotate":0,"effects":[{"id":"id-976540","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium personalized patriotic family canvas poster inspired by a Mount Rushmore-style American monument scene.\n\nUse the uploaded family photo only as an identity reference for each person\u2019s facial features, age, hairstyle, and overall family-member recognition.\n\nDo not use the uploaded family photo as a pose reference, body-position reference, hand reference, arm reference, composition reference, or interaction reference.\n\nDo not preserve the original pose, hugging pose, leaning pose, arm placement, hand placement, shoulder overlap, or body arrangement from the uploaded family photo.\n\nThe uploaded family photo should only help identify who each person is. The final monument composition must be newly generated in a Mount Rushmore-style layout.\n\n---\n\n## Very Important Character-Count Rule\n\nThe number of carved stone portraits in the final artwork must be exactly equal to the number of people visible in the uploaded family photo.\n\nDo not add any extra carved faces, extra statues, extra heads, extra people, background people, or additional monument figures.\n\n---\n\n## Identity Reference Only \u2014 Very Important\n\nUse the uploaded family photo only to preserve each person\u2019s recognizable identity:\n- facial structure\n- age difference\n- hairstyle\n- general expression character\n- family-member distinction\n\nDo not copy or preserve:\n- the original pose\n- the original body posture\n- the original arm placement\n- the original hand placement\n- the original shoulder overlap\n- the original leaning arrangement\n- the original family grouping pose\n- the original crop or framing of the photo\n\nThe final monument must be a new composition, not a stone-translated version of the uploaded photo.\n\n---\n\n## Monument Structure \u2014 Very Important\n\nCreate the family as separate monumental carved stone portraits integrated into the mountain cliff, in the spirit of Mount Rushmore.\n\nThe final composition should feature only the carved heads and upper bust \/ upper chest areas of the family members.\n\nDo not show full bodies.\n\nDo not show natural human pose interaction.\n\nDo not show the family lying forward, leaning on rocks, hugging each other, crossing arms, resting hands, or stacking their bodies together.\n\nDo not include hands as a major visible element.\n\nAvoid showing elbows, forearms, clasped hands, or casual family-photo pose language.\n\nEach person should appear as an individual monumental carved portrait, arranged side-by-side or slightly staggered across the cliff face, unified as one heroic monument composition.\n\nThe result should feel like a true national stone monument with sculpted heads emerging from the mountain, not like a family portrait that has been converted into stone.\n\n---\n\n## Main Composition Priority \u2014 Very Important\n\nThe mountain cliff and the carved family portraits must be the main spotlight of the image.\n\nThe carved stone family portraits should be the dominant visual subject, not the typography.\n\nMake the mountain and carved portraits occupy approximately 60\u201370% of the total poster height.\n\nReduce the top typography area to approximately 25\u201330% of the total poster height.\n\nPlace the carved family portraits in the central-middle area of the poster, slightly higher than the current layout, so they feel like the main focus immediately after the headline.\n\nThe carved family portraits should appear large, heroic, highly visible, and clearly integrated into the mountain.\n\nDo not push the carved portraits too low in the frame.\n\nDo not allow the headline to take up half of the poster.\n\n---\n\n## Background \/ Reference Use\n\nUse the uploaded background\/reference image as the composition and mood reference:\n\n- Dramatic blue sky with soft clouds\n- Large rugged stone mountain cliffs\n- Pine trees at the bottom\n- American patriotic atmosphere\n- Vintage poster-style layout\n\nAdjust the layout so the mountain cliff and family carvings receive more visual emphasis than the sky and typography.\n\nThe sky should remain visible, but it should not dominate the poster.\n\nThe final artwork should look like a personalized Independence Day \/ 250 years of freedom family poster.\n\n---\n\n## Stone Carving Style \u2014 Very Important\n\nThe family portraits must look like they are physically carved directly into the mountain, similar to the real Mount Rushmore monument.\n\nDo not make the faces look like normal photo portraits with a stone filter.\n\nDo not make the faces look soft, smooth, painterly, or human-skin-like.\n\nThe carved faces must have:\n\n- Hard chiseled stone geometry\n- Strong angular planes on the forehead, nose, cheekbones, lips, chin, and jaw\n- Simplified facial anatomy like a real stone monument\n- Deep carved eye sockets with shadowed stone eyes, not realistic human eyes\n- Strong protruding nose bridge and carved nostrils\n- Lips carved as solid stone forms, not soft human lips\n- Clear stone-cut edges around the face and neck\n- Visible hammer-and-chisel marks\n- Rough granite texture\n- Cracks, vertical stone seams, scratches, weathering, chips, and broken stone edges\n- Strong shadows inside carved grooves and under facial features\n- The same rock material and color as the surrounding mountain\n\nKeep the eyes simplified as stone-carved forms, but preserve each person\u2019s recognizable eye shape and facial identity.\n\n---\n\n## Statue Face Direction and Composition \u2014 Very Important\n\nThe carved portraits must be shown as monumental stone heads in a unified heroic composition.\n\nDo not make them front-facing like a family portrait.\n\nDo not make them look directly at the viewer.\n\nEach face should be turned in a natural three-quarter view or slight side-facing monument angle, with subtle variation, as if looking toward the future.\n\nMost faces should look slightly upward and toward the same general direction.\n\nKeep the composition sculptural, formal, and monument-like rather than casual, intimate, or photo-like.\n\n---\n\n## Stone Color and Material Consistency \u2014 Very Important\n\nThe carved portraits and the surrounding mountain cliff must share the same granite color, brightness, warmth, saturation, texture density, weathering, cracks, and dustiness.\n\nDo not make the carved portraits look cleaner, whiter, brighter, smoother, or more polished than the surrounding cliff.\n\nDo not make the faces look like separate statue material placed onto the mountain.\n\nThe portraits must feel carved from the exact same rock mass as the mountain, with no visible color separation between the faces and the cliff.\n\nUse only subtle tonal differences for lighting, shadows, and sculptural depth, while keeping the overall stone color unified.\n\nThe faces, hair, neck, bust areas, and surrounding cliff should visually merge into one continuous granite mountain surface.\n\n---\n\n## Hair Treatment\n\nConvert all hair into carved stone masses.\n\nHair should not look like real hair strands.\n\nUse blocky sculpted stone shapes, rough carved grooves, chipped edges, and simplified hair volume.\n\nThe hair must feel like part of the same granite mountain.\n\n---\n\n## Integration With Mountain\n\nEach portrait should emerge from the rock face as a monumental bas-relief carving.\n\nThe lower parts of the busts should blend naturally into the cliff.\n\nThe carved faces must share the same lighting, rock color, cracks, and surface texture as the mountain.\n\nThe mountain and portraits should feel like one continuous piece of stone.\n\nThe surrounding cliff should remain visible around and between the carved portraits, so the figures feel embedded into a massive rock wall rather than placed in front of it.\n\nDo not make the family appear posed in front of the mountain.\n\nDo not create a scene where the family is physically lying on, leaning on, or resting their arms on the cliff.\n\nThe family members must appear sculpted into the mountain itself as a formal monument.\n\n---\n\n## Lighting\n\nUse dramatic sunlight from above\/front-side, creating strong contrast.\n\nAdd deep shadows in the eye sockets, under the nose, under the lips, around the jawline, and in carved cracks.\n\nMake the faces look heavy, dimensional, and monumental.\n\nUse stronger sculptural light-and-shadow contrast on the carved portraits, but keep the stone color, brightness, texture, and material consistent with the surrounding cliff.\n\n---\n\n## Poster Typography\n\nAt the top, include bold vintage patriotic typography:\n\n\"250\"\n\n\"YEARS OF\"\n\n\"FREEDOM,\"\n\n\"One Legendary Family.\"\n\nThe typography must support the composition without overpowering the carved family monument.\n\nKeep the headline readable, compact, and premium, but do not let it occupy more visual weight than the mountain and portraits.\n\nThe word \u201cFREEDOM\u201d should remain bold and clear, but it must not cover, crowd, or visually compete with the family carvings.\n\nAt the bottom, include a red vintage banner with:\n\n\"1776\u20132026\"\n\n---\n\n## Style\n\n- Vintage Americana poster\n- Patriotic July 4th atmosphere\n- Cinematic but realistic\n- Premium canvas poster look\n- Highly detailed granite carving\n- Sharp print-ready quality\n- High resolution\n- Strong visual hierarchy\n- Mountain and family carvings as the main hero subject\n\n---\n\n## Negative Prompt\n\nno soft human skin, no realistic skin texture, no smooth faces, no photo overlay, no painted portrait effect, no normal hair strands, no glossy skin, no cute cartoon style, no wax statue, no marble statue, no plastic look, no blurred facial features, no extra people, no extra faces, no floating heads, no separate busts placed in front of the mountain, no flat 2D face texture, no realistic human eyes, no teeth detail, no soft smile lines, no overly smooth stone, no oversized typography, no typography dominating the poster, no tiny family portraits, no portraits pushed too low, no excessive empty sky, no mountain hidden behind text, no weak focal point, no mismatched stone color, no bright white statue faces, no separate statue material, no cleaner faces than the cliff, no portraits looking pasted onto darker rock, no color separation between portraits and mountain, no preserved original pose, no family-photo pose, no hugging pose, no leaning pose, no arms resting on rocks, no hands prominently visible, no crossed arms, no stacked family pose, no casual portrait arrangement, no photo composition translated into stone, no people lying forward, no busts posed like a studio portrait, no human body interaction pose","image_filter_ref_img":"users\/6885\/images\/6a2f0cec46a16.png","color_sketch_image_filter":"#000000","image_filter_enable_ref_img":true}],"visible":false,"fit_mode":"contain","required":false,"form_type":"photo","masked_url":null,"photo_editor":"image_cropper","use_hd_layer":false,"masked_enable":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-291412","top":375.93,"url":"users\/6885\/image-layers\/6a2bed5fe5001_large.webp","left":540.82,"name":"magnific_WMOgsJucXe","type":"clipart","width":1653.15,"height":1102.1,"locked":false,"rotate":0,"visible":false,"fit_mode":"contain","use_hd_layer":false,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-933434","top":0.01,"url":"users\/6885\/image-layers\/6a31cadd3ea85_large.webp","left":-66.89,"name":"[Upload] Photo (live)","type":"clipart","width":2790.78,"height":3908.22,"locked":false,"rotate":0,"effects":[{"id":"id-974801","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"\"\"\"# Image Generation Prompt\n\nCreate a premium personalized family monument image inspired by a Mount Rushmore-style American mountain monument scene.\n\nUse the uploaded family photo only as an identity reference for the people. Generate the full landscape, monument, sky, mountain cliff, rocky slope, and pine forest entirely from this prompt.\n\nDo not use any uploaded background or reference scene.\n\nDo not generate any text, headline, typography, quote, number, logo, badge, banner, ribbon, plaque, date, slogan, lettering, flag, or decorative graphic element.\n\nThe final artwork should look like a premium realistic commemorative poster with strong natural color, controlled contrast, detailed stone carving, and subtle canvas\/poster texture.\n\n---\n\n## 1. Uploaded Photo Usage \u2014 Identity Reference Only\n\nUse the uploaded family photo only to preserve each visible person\u2019s recognizable identity:\n\n* facial structure\n* apparent age\n* hairstyle and hair volume\n* general facial proportions\n* family-member distinction\n* recognizable identity impression\n\nDo not use the uploaded family photo as a reference for:\n\n* pose\n* body posture\n* arm placement\n* hand placement\n* shoulder overlap\n* hugging or leaning arrangement\n* family-photo grouping\n* original crop or framing\n* original background\n* original lighting\n* original clothing\n* original interaction\n\nThe final artwork must be a newly generated stone monument composition, not a stone-translated version of the uploaded photo.\n\n---\n\n## 2. Character Count Rule\n\nThe number of carved stone portraits in the final artwork must exactly match the number of people visible in the uploaded family photo.\n\nIf the uploaded family photo contains 3 people, create exactly 3 carved stone portraits.\n\nIf the uploaded family photo contains 4 people, create exactly 4 carved stone portraits.\n\nNo more, no less.\n\nDo not add extra faces, extra heads, extra statues, extra people, background people, or additional monument figures.\n\n---\n\n## 3. Poster Composition and Safe Zones\n\nCreate a vertical image composition with a clear visual hierarchy:\n\n1. Upper sky area reserved for external typography overlay\n2. Carved family monument in the lower-middle area\n3. Natural cliff, rocky slope, and pine forest at the bottom\n\nThe upper 45% of the poster is reserved for external typography overlay.\n\nTreat the upper 45% as a strict no-portrait zone.\n\nNo carved face, forehead, hair mass, eye area, nose, cheek, mouth, chin, jawline, neck, shoulder, bust, or important statue detail may enter the upper 45% of the image.\n\nAll carved family portraits must stay below the 45% horizontal safety line.\n\nThe top of the tallest carved statue head should sit around 46\u201348% of the total image height.\n\nThe visual center of the carved faces should sit around 58\u201366% of the total image height.\n\nThe lower busts should blend into the cliff and rocky slope around 72\u201378% of the total image height.\n\nLeave a strong clean visual gap between the upper typography area and the tallest carved statue head.\n\nThe upper sky area must remain clean, spacious, open, readable, and visually clear.\n\nDo not place carved portraits, important cliff details, pine trees, flags, banners, foreground elements, or decorative elements inside the upper typography-safe area.\n\n---\n\n## 4. Horizontal Safe Margins \/ Canvas Wrap Safety\n\nKeep the entire carved family monument group inside a centered horizontal safe zone.\n\nReserve the outer left 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nReserve the outer right 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nThese side safety zones should contain only non-essential scenery such as sky, clouds, mountain rock, cliff texture, and forest.\n\nNo carved face, forehead, hair mass, temple, eye area, nose, cheek, lips, chin, jawline, ear, neck, shoulder, or bust edge may enter the outer side safety zones.\n\nKeep all important facial elements fully inside the central safe area.\n\nThe full group of carved portraits should occupy approximately 50\u201360% of the total image width.\n\nLeave visible mountain rock on both sides of the outermost portraits as a protective buffer.\n\nDo not let the monument group stretch across the full width of the poster.\n\n---\n\n## 5. Color Direction \u2014 Area-Specific Rules\n\nUse clear area-specific color rules instead of a global vintage color wash.\n\nThe sky, stone, and forest should each have their own controlled color treatment while still feeling part of one unified poster.\n\n### Sky Color\n\nThe sky must look like a rich natural royal-blue commercial poster sky, not a raw photographic landscape sky.\n\nUse a strong vertical blue gradient with clear color density:\n\n- very top sky: deep rich royal blue, darker, denser, and more saturated\n- upper sky: strong natural blue with commercial poster depth\n- middle sky: medium vibrant blue, not pale or airy\n- lower sky near the horizon: lighter blue, but still clearly saturated blue\n\nThe top 60% of the sky must remain visibly darker and richer than the rest of the sky.\n\nThe sky must not become too bright, too airy, too pastel, or too photographic.\n\nIncrease blue density across the full sky while keeping it clean and natural.\n\nKeep the center sky open, smooth, readable, and clean for external typography overlay.\n\nUse only very subtle canvas\/poster grain in the sky.\n\nThe texture must not make the sky look vintage, dusty, faded, dirty, sepia, or aged.\n\nClouds should be minimal, soft, natural white with a slight warm tint, placed mostly near the outer edges or corners.\n\nDo not place strong cloud shapes in the center typography area.\n\nAvoid pale blue, pastel blue, washed-out blue, gray-blue, teal-heavy blue, turquoise, cyan, faded blue, overexposed sky, weak sky contrast, raw photographic sky, and flat single-color sky.\n\n### Stone Color\n\nThe mountain cliff and carved portraits should use warm aged monument stone tones with a classic printed poster feeling:\n\n- warm ochre-beige\n- golden tan-gray\n- dusty sandstone brown\n- muted honey-brown highlights\n- sepia-brown midtones\n- weathered umber-gray shadows\n- deep brown-black shadow accents\n\nThe stone should lean noticeably more yellow-brown and ochre than neutral gray.\n\nThe carved portraits and cliff should feel like aged sunlit sandstone-granite printed on a classic commemorative poster.\n\nShift the stone color away from pale limestone, clean beige-gray, and cold gray.\n\nAdd more warm ochre, dusty tan, muted golden brown, and sepia-brown into the stone midtones.\n\nThe stone should look older, warmer, dustier, heavier, and more monumental.\n\nKeep the stone realistic, but give it a classic vintage American monument poster warmth.\n\nReduce pale cream and ivory highlights on the carved faces.\n\nHighlights on the forehead, nose, cheekbones, lips, chin, and bust should be muted ochre-beige, dusty tan, or honey-brown, never bright cream, ivory, white, or glowing.\n\nIncrease sculptural shadow depth using warm brown-gray shadows in:\n\n- eye sockets\n- under the brow\n- under the nose\n- under the lips\n- around the jawline\n- neck grooves\n- carved hair grooves\n- cliff cracks\n- bust-to-rock transitions\n\nThe carved faces should not look newly carved, clean, pale, polished, marble-like, or overlit.\n\nThe portraits and cliff must share the same warm ochre-brown stone palette, texture density, dustiness, weathering, and printed poster finish.\n\nDo not use bright white stone, ivory highlights, pale cream faces, cold silver-gray stone, neutral gray granite, marble-white stone, clean limestone tones, or overexposed stone highlights.\n\n### Forest Color\n\nThe pine forest should be visually subdued and darker than a fresh landscape photo.\n\nUse muted dark natural greens:\n\n- dark olive green\n- deep pine green\n- brown-green\n- black-green shadow tones\n- muted dry green accents only in small amounts\n\nDarken the forest and reduce fresh green saturation.\n\nThe forest should feel like printed poster foliage, not crisp raw photographic greenery.\n\nThe trees should support the monument and stay secondary in visual importance.\n\nTree details may remain readable, but they should be slightly softened by poster color compression and subtle canvas texture.\n\nAvoid bright fresh green, vivid natural green, neon green, saturated modern green, glossy foliage, crisp photographic tree detail, and overly sharp individual tree needles.\n\n---\n## 5.5 Commercial Poster Color Tuning\n\nThe final image should look like not a raw landscape photograph.\n\nUse clean but strong poster color contrast:\n\n- richer royal-blue sky with a stronger top-to-bottom gradient\n- warm beige-gray stone with deeper brown-gray shadows\n- muted dark olive forest, not fresh green\n- controlled highlights, no overexposed stone or sky\n- subtle canvas texture, but not a heavy vintage or aged effect\n\nThe image should feel bold, readable, and high-contrast from a distance, while still looking realistic and premium.\nThe sky should keep a strong natural royal-blue gradient, while the stone and forest should carry slightly stronger shadow density.\n\nUse commercial poster contrast instead of raw photographic contrast.\n---\n## 6. Monument Structure\n\nCreate the family as separate monumental carved stone portraits integrated into the mountain cliff, in the spirit of Mount Rushmore.\n\nShow only carved heads and upper bust \/ upper chest areas.\n\nDo not show full bodies.\n\nDo not show natural human pose interaction.\n\nDo not show hugging, leaning, crossed arms, hands resting on rocks, stacked family-photo posing, or casual portrait arrangements.\n\nHands, elbows, and forearms should not be visible as major elements.\n\nEach person should appear as an individual monumental carved portrait, arranged side-by-side or slightly staggered across the cliff face.\n\nThe result should feel like a true national stone monument with sculpted heads emerging from the mountain, not like a family portrait converted into stone.\n\n---\n\n## 7. Unified Statue Face Direction\n\nAll carved stone portraits must face the same general direction, like a unified heroic monument.\n\nEvery statue head should turn toward the upper-right side of the poster using a consistent three-quarter side-facing angle.\n\nAll faces must look diagonally upward and to the right, as if proudly gazing toward the upper-right horizon.\n\nThe gaze direction should feel elevated, heroic, dignified, and future-facing.\n\nDo not make any statue face directly forward toward the viewer.\n\nDo not make any statue look left, downward, sideways in another direction, or toward the opposite side.\n\nDo not create mixed gaze directions.\n\nAll statue heads should share the same clear direction: three-quarter view, looking diagonally upward toward the upper-right.\n\nSubtle natural variation in head angle is allowed, but the overall gaze direction must clearly remain unified toward the upper-right.\n\nExpressions must feel proud, noble, calm, heroic, dignified, and monumental.\n\nAvoid casual smiles, playful expressions, sad expressions, fearful expressions, blank photo-like expressions, or intimate family-photo emotion.\n\n---\n\n## 8. Stone Carving Style\n\nThe family portraits must look physically carved directly into the mountain.\n\nDo not make the faces look like normal photo portraits with a stone filter.\n\nDo not make the faces look soft, smooth, painterly, waxy, plastic, or human-skin-like.\n\nThe carved faces must have:\n\n* hard chiseled stone geometry\n* strong angular planes on the forehead, nose, cheekbones, lips, chin, and jaw\n* simplified facial anatomy like a real stone monument\n* deep carved eye sockets with shadowed stone eyes\n* simplified stone-carved eye forms, not realistic human eyes\n* strong protruding nose bridge and carved nostrils\n* lips carved as solid stone forms\n* clear stone-cut edges around the face and neck\n* visible hammer-and-chisel marks\n* rough granite texture\n* cracks, vertical stone seams, scratches, weathering, chips, and broken stone edges\n* strong shadows inside carved grooves and under facial features\n\nPreserve each person\u2019s recognizable identity through the carved facial structure, age impression, hairstyle volume, and facial proportions, while still making them look like true granite carvings.\n\nConvert all hair into carved stone masses.\n\nHair should not look like real hair strands.\n\nUse blocky sculpted stone shapes, rough carved grooves, chipped edges, and simplified hair volume.\n\nThe hair must feel carved from the same granite as the mountain.\n\n---\n\n## 9. Portrait-to-Cliff Blending\n\nThe carved portraits and surrounding mountain cliff must share the same granite material, color, brightness, warmth, saturation, texture density, weathering, cracks, and dustiness.\n\nDo not make the carved portraits cleaner, whiter, brighter, smoother, or more polished than the surrounding cliff.\n\nDo not make the faces look like separate statue material placed onto the mountain.\n\nThe portraits must feel carved from the exact same rock mass as the mountain.\n\nThe transition between the carved portraits and the surrounding cliff must feel natural, structural, and believable.\n\nDo not make the statues look pasted onto the cliff.\n\nDo not create clean cut-out silhouettes around the busts.\n\nThe carved portraits must emerge organically from the same cliff mass.\n\nSurrounding rock planes should flow naturally into the neck, shoulders, chest, and lower bust areas.\n\nThe lower bust and side edges of each portrait should gradually dissolve into the mountain through continuous stone surfaces, broken rock planes, chiseled transitions, cracks, ledges, and natural cliff geometry.\n\nPreserve visible mountain texture around, between, beneath, and beside the portraits so the monument feels like one integrated rock formation.\n\n---\n\n## 10. Natural Landscape Details\n\nGenerate the mountain cliff as a believable natural granite formation.\n\nThe cliff must look geologically believable, rugged, irregular, and naturally weathered.\n\nUse realistic granite cliff structure with natural variation in rock strata, fractured vertical walls, erosion marks, chipped edges, ledges, crevices, shadow pockets, irregular stone surfaces, natural slope transitions, and tonal variation within the same warm stone family.\n\nThe background rock areas that do not contain portraits must still look like authentic natural cliff surfaces.\n\nMake the mountain and carved portraits feel like one continuous geological formation.\n\nGenerate a realistic natural pine forest along the lower slope and bottom foreground.\n\nUse varied tree heights, varied tree spacing, irregular natural silhouettes, believable depth, organic distribution, and natural overlap between trees, rocks, and terrain.\n\nThe tree line should integrate naturally with the rocky lower slope.\n\nSome trees may partially overlap the lower rocks, but they must not cover important carved faces.\n\nKeep the forest readable but not overly noisy.\n\n---\n\n## 11. Unified Lighting and Finish\n\nUse one coherent natural lighting environment across the entire image.\n\nUse natural sunlight from above\/front-side, creating strong monument depth.\n\nThe sky, cliff, carved portraits, lower rocky slope, and pine forest must share the same lighting direction and color temperature.\n\nThe lighting and color grading should create:\n\n- warm muted highlights on the stone and cliff\n- stronger deep brown-gray shadows in eye sockets, under the nose, under the lips, around the jawline, in carved cracks, and in cliff crevices\n- controlled stone highlights without white or glowing areas\n- clear natural light behavior in the sky\n- richer blue depth in the upper sky, without bleaching or fading the blue\n- stronger commercial poster contrast across the full image\n- subtle canvas\/poster print texture without making the sky faded or dirty\n- strong sculptural depth on the carved portraits\n- slightly darker stone midtones without losing carved detail\n- reduced pale cream highlights on the carved faces\n- deeper shadow density in facial relief and cliff crevices\n- richer commercial royal-blue density in the sky\n- muted darker forest tones that stay secondary to the monument\n- a premium printed poster finish rather than a raw outdoor photo look\n\nThe lighting must not bleach, fade, soften, or over-brighten the blue sky. The top sky must remain rich, darker, saturated, and clearly blue.\n\nThe upper sky should keep a strong deeper blue at the top.\n\nApply only subtle poster\/canvas texture across the final artwork.\n\nThe texture should support print quality but should not strongly alter the sky color.\n\nAvoid artificial HDR, fake glow, mismatched lighting, over-sharpened contrast, sterile digital realism, glossy digital light, clean white highlights, or separate-layer lighting.\n\n---\n\n## 12. Final Style Direction\n\n* premium personalized family monument image\n* Mount Rushmore-style American mountain monument scene\n* realistic monumental stone carving\n* warm beige-gray \/ tan-gray \/ dusty brown-gray granite\n* fresh natural rich royal-blue sky with strong top-to-bottom gradient and deeper blue density at the top\n* deeper darker blue at the top, lighter but still blue near the horizon\n* muted dark olive \/ deep pine green \/ brown-green forest\n* heroic national monument atmosphere\n* proud, dignified, future-facing statue expressions\n* clean upper sky reserved for external typography overlay\n* subtle canvas\/poster texture\n* commercial poster contrast, not raw photographic contrast\n* sharp print-ready quality\n* high resolution\n* unified natural lighting\n* strong visual hierarchy\n* believable landscape realism\n\n---\n##13 Poster Finish \/ Color Compression\n\nApply a premium commercial poster finish across the full image.\n\nThe final image should not look like a raw camera photograph.\n\nUse subtle printed-canvas color compression:\n\n- slightly deeper blues in the sky\n- slightly darker and warmer stone midtones\n- stronger shadow density in carved details\n- muted dark olive forest tones\n- controlled highlights with no bright white clipping\n- subtle texture visible across sky, stone, and forest\n\nThe poster finish should make the image feel bold, rich, premium, and print-ready from a distance.\n\nDo not use a heavy vintage wash.\n\nDo not add yellow aging, sepia haze, dirty paper texture, faded ink, or distressed antique effects.\n\nThe image should remain realistic, clean, premium, and natural, but with stronger commercial poster color density than a raw landscape photograph.\n---\n\n## Classic Printed Poster Treatment\n\nApply a controlled classic printed poster treatment to the image.\n\nThe final artwork should feel like a premium vintage-inspired American commemorative image, not a raw digital landscape photo.\n\nUse selective warm vintage color grading mainly on the stone, cliff, rocky slope, and forest.\n\nThe stone and foreground should carry a warm ochre-brown printed poster tone.\n\nThe sky must keep its rich royal-blue gradient and should not turn yellow, gray, dusty, faded, or sepia.\n\nUse a subtle aged print warmth in the stone areas only:\n\n- warmer ochre-brown stone midtones\n- muted golden tan highlights\n- sepia-brown weathering in cracks and carved grooves\n- darker umber shadows\n- slightly muted forest greens\n- gentle printed canvas grain across the full image\n\nThe poster effect should feel classic, warm, premium, and nostalgic, but still clean and commercially polished.\n\nDo not use a heavy vintage wash over the entire image.\n\nDo not add strong yellow haze, dirty paper texture, faded ink, distressed stains, old paper borders, or antique damage.\n\nThe result should be a clean premium poster with classic warmth, not an old damaged poster.\n---\n## Negative Prompt\n\nno text, no typography, no headline, no quote, no slogan, no logo, no lettering, no numbers, no date text, no banner, no ribbon, no plaque, no badge, no emblem, no flag, no flagpole, no stars and stripes, no decorative graphic elements, no background reference image, no copied background, no pasted reference scene, no separate-layer look, no carved faces entering the upper 45% typography-safe area, no statue heads above the 45% safety line, no portrait touching or invading the top sky area, no faces in the upper half of the poster, no monument too high, no portraits too low near the tree line, no monument cluster off-center, no monument stretched across the full width, no carved faces near the left edge, no carved faces near the right edge, no side-cropped statues, no face placed in bleed area, no important facial features inside the outer side margins, no soft human skin, no realistic skin texture, no smooth human faces, no photo overlay, no painted portrait effect, no normal hair strands, no glossy skin, no wax statue, no marble statue, no plastic look, no realistic human eyes, no teeth detail, no soft smile lines, no blurred facial features, no extra people, no extra faces, no floating heads, no separate busts placed in front of the mountain, no flat 2D face texture, no mismatched stone color, no bright white statue faces, no ivory statue highlights, no pale cream stone, no bright cream stone, no overlit statue faces, no cleaner faces than the cliff, no separate statue material, no pasted statue edges, no abrupt cut-out bust boundaries, no detached shoulder transition, no preserved original pose, no family-photo pose, no hugging pose, no leaning pose, no crossed arms, no hands prominently visible, no casual portrait arrangement, no full bodies, no mixed face directions, no opposite gaze directions, no front-facing family portrait look, no statue looking directly at the viewer, no statue looking left, no statue looking downward, no statue looking in different directions, no casual smiling expression, no playful expression, no sad expression, no fearful expression, no pale blue sky, no pastel blue sky, no washed-out sky, no faded sky, no weak blue sky, no overly bright sky, no overexposed blue sky, no dusty light-blue sky, no beige color cast over the sky, no sepia wash over the sky, no teal-heavy sky, no turquoise sky, no cyan sky, no gray-blue sky, no flat single-color sky, no sky without top-to-bottom gradient, no weak top-sky saturation, no sky that becomes nearly white near the horizon, no pure white clouds, no bright glowing clouds, no heavy clouds, no storm clouds, no clouds covering the center, no cold silver-gray stone, no cold gray stone, no clean limestone look, no marble-white stone, no fresh carved statue look, no oversaturated colors, no fresh green forest, no bright fresh green forest, no saturated natural greens, no crisp photographic foliage, no glossy foliage, no fake forest texture, no repetitive trees, no clumpy tree pattern, no artificial rock pattern, no plastic cliff texture, no unrealistic cliff surface, no digital backdrop,no weak sky contrast, no sky too light overall, no airy pale blue sky, no low-saturation sky, no sky lacking dark rich blue at the top, no soft pastel commercial background, no over-bright horizon sky, no flat low-contrast poster, no pale overlit stone faces, no weak stone shadows, no fresh bright forest, no overly photographic trees,no raw photographic sky, no overly clean landscape photo, no sky with weak blue density, no sky too bright in the upper area, no sky lacking deep royal blue at the top, no low-contrast blue gradient, no pale overlit stone faces, no newly carved clean statue, no weak stone shadows, no glossy green foliage, no overly photographic trees, no image without subtle canvas texture,no raw camera-photo color grading, no untouched landscape photography look, no tourist photo look, no overly clean digital photo finish, no pale cream statue highlights, no ivory face highlights, no stone faces that look too bright, no weak facial relief shadows, no shallow eye socket shadows, no forest competing with the monument, no bright natural green trees, no overly crisp tree needles, no sky that looks like a plain landscape photo, no weak poster color density, no missing poster finish, no overly smooth digital sky,no neutral gray stone, no cold gray granite, no pale limestone color, no clean beige-gray stone, no white cream highlights, no marble-like statue, no overly modern digital color grading, no raw landscape photo color, no full-image yellow filter, no sepia sky, no dusty faded sky, no gray vintage sky, no dirty old paper effect, no damaged poster texture, no heavy antique filter, no stone lacking ochre-brown warmth, no stone without golden tan midtones, no foreground without warm poster tone\n\n```\n```\n\"\"\"# Image Generation Prompt\n\nCreate a premium personalized family monument image inspired by a Mount Rushmore-style American mountain monument scene.\n\nUse the uploaded family photo only as an identity reference for the people. Generate the full landscape, monument, sky, mountain cliff, lower rocky slope, and pine forest entirely from this prompt.\n\nDo not use any uploaded background or reference scene.\n\nDo not generate any text, headline, typography, quote, number, logo, badge, banner, ribbon, plaque, date, slogan, lettering, flag, or decorative graphic element.\n\n---\n\n## 1. Uploaded Photo Usage \u2014 Identity Reference Only\n\nUse the uploaded family photo only to preserve each visible person\u2019s recognizable identity:\n\n- facial structure\n- apparent age\n- hairstyle and hair volume\n- general facial proportions\n- family-member distinction\n- recognizable identity impression\n\nDo not use the uploaded family photo as a reference for:\n\n- pose\n- body posture\n- arm placement\n- hand placement\n- shoulder overlap\n- hugging or leaning arrangement\n- family-photo grouping\n- original crop or framing\n- original background\n- original lighting\n- original clothing\n- original interaction\n\nThe final artwork must be a newly generated stone monument composition, not a stone-translated version of the uploaded photo.\n\n---\n\n## 2. Character Count Rule\n\nThe number of carved stone portraits in the final artwork must exactly match the number of people visible in the uploaded family photo.\n\nIf the uploaded family photo contains 3 people, create exactly 3 carved stone portraits.\n\nIf the uploaded family photo contains 4 people, create exactly 4 carved stone portraits.\n\nNo more, no less.\n\nDo not add extra faces, extra heads, extra statues, extra people, background people, or additional monument figures.\n\n---\n\n## 3. Overall Poster Composition\n\nCreate a vertical image composition with a clear visual hierarchy:\n\n1. Upper sky area reserved for external typography overlay\n2. Carved family monument in the lower-middle area\n3. Natural cliff, rocky slope, and pine forest at the bottom\n\nThe scene should include:\n\n- a clean rich blue sky in the upper portion\n- a massive rugged granite mountain cliff in the middle and lower portion\n- family portraits carved directly into the cliff face\n- natural rocky slope and pine forest at the bottom\n- heroic national-monument atmosphere\n- cinematic natural sunlight\n- realistic geological landscape\n- premium print-ready canvas poster quality\n\nThe entire environment must feel generated as one unified scene, not assembled from separate layers.\n\nThe sky, cliff, carved portraits, rocky slope, and forest must share the same camera perspective, lighting direction, atmospheric depth, color temperature, and realism level.\n\n---\n\n## 4. Top Typography Safe Zone \u2014 Extremely Important\n\nThe upper 45% of the poster is reserved for an external typography overlay.\n\nThis upper area must remain clean, spacious, open, readable, and visually clear.\n\nTreat the upper 45% of the image as a strict no-portrait zone.\n\nNo carved face, forehead, hair mass, eye area, nose, cheek, mouth, chin, jawline, neck, shoulder, bust, or important statue detail may enter the upper 45% of the image.\n\nAll carved family portraits must stay below the 45% horizontal safety line.\n\nThe top of the tallest carved statue head should sit around 46\u201348% of the total image height.\n\nLeave a strong clean visual gap between the upper typography area and the top of the tallest carved statue head.\n\nPrioritize text safety over statue size.\n\nIf necessary, make the statue group slightly smaller and lower rather than allowing it to enter the typography area.\n\nThe upper 45% should mainly contain clean clear blue sky, with only subtle natural white clouds near the outer edges or corners.\n\nKeep the center of the upper sky area open, uncluttered, and readable.\n\nDo not place carved portraits, important cliff details, pine trees, flags, banners, foreground elements, or decorative elements inside the upper typography-safe area.\n\n---\n\n## 5. Portrait Placement and Scale\n\nPosition the carved family portraits in the lower-middle monument zone.\n\nRecommended vertical placement:\n\n- all important portrait details stay below 45% of the image height\n- tallest head begins around 46\u201348%\n- visual center of the carved faces sits around 58\u201366%\n- lower busts blend into the cliff and rocky slope around 72\u201378%\n\nThe family monument should be large, heroic, highly visible, and clearly integrated into the mountain, but never too high.\n\nDo not place the portraits near the bottom tree line.\n\nDo not crop, overlay, or hide the statue heads.\n\nThe monument group must feel balanced, centered, and clearly readable as the main focal point below the sky area.\n\n---\n\n## 6. Horizontal Safe Margins \/ Canvas Wrap Safety\n\nKeep the entire carved family monument group inside a strict centered horizontal safe zone.\n\nAssume the final artwork will be cropped slightly and wrapped around canvas edges.\n\nReserve the outer left 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nReserve the outer right 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nThese outer side safety zones should contain only non-essential scenery such as sky, clouds, mountain rock, cliff texture, and forest.\n\nNo carved face, forehead, hair mass, temple, eye area, nose, cheek, lips, chin, jawline, ear, neck, shoulder, or bust edge may enter the outer side safety zones.\n\nKeep all important facial elements fully inside the central safe area.\n\nThe full group of carved portraits should occupy approximately 50\u201360% of the total image width.\n\nLeave visible mountain rock on both sides of the outermost portraits as a protective buffer.\n\nDo not let the monument group stretch across the full width of the poster.\n\n---\n\n## 7. Monument Structure\n\nCreate the family as separate monumental carved stone portraits integrated into the mountain cliff, in the spirit of Mount Rushmore.\n\nShow only carved heads and upper bust \/ upper chest areas.\n\nDo not show full bodies.\n\nDo not show natural human pose interaction.\n\nDo not show hugging, leaning, crossed arms, hands resting on rocks, stacked family-photo posing, or casual portrait arrangements.\n\nHands, elbows, and forearms should not be visible as major elements.\n\nEach person should appear as an individual monumental carved portrait, arranged side-by-side or slightly staggered across the cliff face.\n\nThe result should feel like a true national stone monument with sculpted heads emerging from the mountain, not like a family portrait converted into stone.\n\n---\n\n## 8. Unified Statue Face Direction\n\nAll carved stone portraits must face the same general direction, like a unified heroic monument.\n\nEvery statue head should turn toward the upper-right side of the poster using a consistent three-quarter side-facing angle.\n\nAll faces must look diagonally upward and to the right, as if proudly gazing toward the upper-right horizon.\n\nThe gaze direction should feel elevated, heroic, and future-facing.\n\nDo not make any statue face directly forward toward the viewer.\n\nDo not make any statue look left, downward, sideways in another direction, or toward the opposite side.\n\nDo not create mixed gaze directions.\n\nDo not make one person look left while another person looks right.\n\nAll statue heads should share the same clear direction: three-quarter view, looking diagonally upward toward the upper-right.\n\nSubtle natural variation in head angle is allowed, but the overall gaze direction must clearly remain unified toward the upper-right.\n\nExpressions must feel proud, noble, calm, heroic, dignified, and monumental.\n\nAvoid casual smiles, playful expressions, sad expressions, fearful expressions, blank photo-like expressions, or intimate family-photo emotion.\n\n---\n\n## 9. Stone Carving Style\n\nThe family portraits must look physically carved directly into the mountain.\n\nDo not make the faces look like normal photo portraits with a stone filter.\n\nDo not make the faces look soft, smooth, painterly, waxy, plastic, or human-skin-like.\n\nThe carved faces must have:\n\n- hard chiseled stone geometry\n- strong angular planes on the forehead, nose, cheekbones, lips, chin, and jaw\n- simplified facial anatomy like a real stone monument\n- deep carved eye sockets with shadowed stone eyes\n- simplified stone-carved eye forms, not realistic human eyes\n- strong protruding nose bridge and carved nostrils\n- lips carved as solid stone forms\n- clear stone-cut edges around the face and neck\n- visible hammer-and-chisel marks\n- rough granite texture\n- cracks, vertical stone seams, scratches, weathering, chips, and broken stone edges\n- strong shadows inside carved grooves and under facial features\n\nPreserve each person\u2019s recognizable identity through the carved facial structure, age impression, hairstyle volume, and facial proportions, while still making them look like true granite carvings.\n\n---\n\n## 10. Hair Treatment\n\nConvert all hair into carved stone masses.\n\nHair should not look like real hair strands.\n\nUse blocky sculpted stone shapes, rough carved grooves, chipped edges, and simplified hair volume.\n\nThe hair must feel carved from the same granite as the mountain.\n\nPreserve each person\u2019s recognizable hairstyle silhouette, but translate it into sculpted stone form.\n\n---\n\n## 11. Stone Material Consistency\n\nThe carved portraits and the surrounding mountain cliff must share the same granite color, brightness, warmth, saturation, texture density, weathering, cracks, and dustiness.\n\nDo not make the carved portraits cleaner, whiter, brighter, smoother, or more polished than the surrounding cliff.\n\nDo not make the faces look like separate statue material placed onto the mountain.\n\nThe portraits must feel carved from the exact same rock mass as the mountain.\n\nUse only subtle tonal differences for lighting, shadows, and sculptural depth.\n\nThe faces, hair, neck, bust areas, and surrounding cliff should visually merge into one continuous granite mountain surface.\n\n---\n\n## 12. Portrait-to-Cliff Blending\n\nThe transition between the carved portraits and the surrounding cliff must feel natural, structural, and believable.\n\nDo not make the statues look pasted onto the cliff.\n\nDo not create clean cut-out silhouettes around the busts.\n\nDo not create isolated statue shapes detached from the rock wall.\n\nThe carved portraits must emerge organically from the same cliff mass.\n\nSurrounding rock planes should flow naturally into the neck, shoulders, chest, and lower bust areas.\n\nThe lower bust and side edges of each portrait should gradually dissolve into the mountain through:\n\n- continuous stone surfaces\n- broken rock planes\n- chiseled transitions\n- cracks\n- ledges\n- natural cliff geometry\n\nPreserve visible mountain texture around, between, beneath, and beside the portraits so the monument feels like one integrated rock formation.\n\nAvoid abrupt value shifts, material shifts, or contour boundaries that separate the portraits from the cliff.\n\n---\n\n## 13. Natural Mountain Cliff\n\nGenerate the mountain cliff as a realistic natural granite formation.\n\nThe cliff must look geologically believable, rugged, irregular, and naturally weathered.\n\nUse realistic granite cliff structure with natural variation in:\n\n- rock strata\n- fractured vertical walls\n- erosion marks\n- chipped edges\n- ledges\n- crevices\n- shadow pockets\n- irregular stone surfaces\n- natural slope transitions\n- tonal variation within the same rock family\n\nThe background rock areas that do not contain portraits must still look like authentic natural cliff surfaces.\n\nMake the mountain and carved portraits feel like one continuous geological formation.\n\nAvoid fake-looking cliff texture, repetitive AI rock patterns, painterly rock surfaces, plastic-looking stone, overly stylized mountain forms, or digital backdrop appearance.\n\n---\n\n## 14. Natural Pine Forest\n\nGenerate a realistic natural pine forest along the lower slope and bottom foreground.\n\nThe forest must look like part of the same mountain environment, not an added texture or decorative pattern.\n\nUse realistic pine forest details:\n\n- varied tree heights\n- varied tree spacing\n- irregular natural silhouettes\n- believable depth between front and back trees\n- realistic pine needle massing\n- natural shadowing\n- subtle atmospheric depth\n- organic distribution across the rocky slope\n- natural overlap between trees, rocks, and terrain\n\nThe tree line should integrate naturally with the rocky lower slope.\n\nSome trees may partially overlap the lower rocks, but they must not cover important carved faces.\n\nKeep the forest detailed but not overly noisy.\n\nAvoid brushy, smeared, clumpy, repetitive, cut-out, muddy, or artificially patterned trees.\n\n---\n\n## 15. Clear Blue Sky\n\nThe upper 45% of the artwork should contain a clean, clear, naturally rich blue sky reserved for external typography placement.\n\nThe sky must look like a bright clear day with crisp atmosphere, excellent visibility, and fresh natural blue color.\n\nUse a natural sky gradient:\n\n- slightly deeper blue toward the top\n- slightly lighter blue toward the horizon\n\nKeep the sky clean, open, and distinctly blue.\n\nAdd only a few soft white clouds, placed mostly near the outer edges or corners of the sky area.\n\nKeep the central sky area open and uncluttered for readability.\n\nClouds should be bright white, soft, natural, lightly defined, and believable.\n\nDo not make the sky pale, hazy, foggy, washed-out, milky, dusty, gray-blue, overexposed, flat white, dull, polluted, smoky, or low-contrast.\n\nDo not make the clouds heavy, stormy, dense, gray, dominant, or spread across the center.\n\n---\n\n## 16. Unified Landscape Lighting\n\nUse one coherent natural lighting environment across the entire image.\n\nUse dramatic sunlight from above\/front-side, creating strong contrast and sculptural depth.\n\nThe sky, cliff, carved portraits, lower rocky slope, and pine forest must all share the same lighting direction and color temperature.\n\nAdd deep shadows in:\n\n- eye sockets\n- under the nose\n- under the lips\n- around the jawline\n- carved cracks\n- natural cliff crevices\n\nMake the faces feel heavy, dimensional, and monumental.\n\nUse stronger sculptural light-and-shadow contrast on the carved portraits, while keeping the stone color and material consistent with the surrounding cliff.\n\nAvoid artificial HDR, fake glow, mismatched lighting, over-sharpened contrast, or separate-layer lighting.\n\n---\n\n## 17. Final Style Direction\n\n- heroic national monument atmosphere\n- cinematic but realistic\n- highly detailed granite carving\n- realistic natural granite cliff\n- realistic pine forest\n- sharp print-ready quality\n- high resolution\n- strong visual hierarchy\n- proud, dignified, future-facing monument mood\n- clean patriotic-inspired color mood without flags\n- open rich blue sky reserved for external typography overlay\n- unified scene generation\n- believable landscape realism\n\n---\n\n## Negative Prompt\n\nno text, no typography, no headline, no quote, no slogan, no logo, no lettering, no numbers, no date text, no banner, no ribbon, no plaque, no badge, no emblem, no flag, no flagpole, no stars and stripes, no decorative graphic elements, no background reference image, no copied background, no pasted reference scene, no separate-layer look, no carved faces entering the upper 45% typography-safe area, no statue heads above the 45% safety line, no portrait touching or invading the top sky area, no insufficient gap above the statue heads, no faces in the upper half of the poster, no monument too high, no portraits too low near the tree line, no monument cluster off-center, no monument stretched across the full width, no carved faces near the left edge, no carved faces near the right edge, no side-cropped statues, no face placed in bleed area, no important facial features inside the outer side margins, no soft human skin, no realistic skin texture, no smooth human faces, no photo overlay, no painted portrait effect, no normal hair strands, no glossy skin, no wax statue, no marble statue, no plastic look, no realistic human eyes, no teeth detail, no soft smile lines, no blurred facial features, no extra people, no extra faces, no floating heads, no separate busts placed in front of the mountain, no flat 2D face texture, no mismatched stone color, no bright white statue faces, no cleaner faces than the cliff, no separate statue material, no pasted statue edges, no abrupt cut-out bust boundaries, no detached shoulder transition, no preserved original pose, no family-photo pose, no hugging pose, no leaning pose, no crossed arms, no hands prominently visible, no casual portrait arrangement, no full bodies, no mixed face directions, no opposite gaze directions, no front-facing family portrait look, no statue looking directly at the viewer, no casual smiling expression, no playful expression, no sad expression, no fearful expression, no pale sky, no washed-out sky, no hazy sky, no foggy sky, no milky sky, no overexposed sky, no dull gray-blue sky, no flat white sky, no heavy clouds, no storm clouds, no clouds covering the center, no fake forest texture, no repetitive trees, no clumpy tree pattern, no painted foliage, no artificial rock pattern, no plastic cliff texture, no unrealistic cliff surface, no digital backdrop","image_filter_ref_img":"users\/6885\/images\/6a2fdb58a514f.png","color_sketch_image_filter":"#000000","image_filter_enable_ref_img":false}],"visible":true,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Lade Dein Foto hoch","photo_editor":"static","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"cover","direct_clipart_style":"contain"},{"id":"layer-400786","top":-401.52,"url":"users\/6885\/image-layers\/6a31be2c00eed_large.webp","left":-341.79,"name":"Shadow","type":"clipart","width":3340.57,"height":4829.91,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","form_type":"static","use_hd_layer":false,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-731460","top":503.36,"url":"users\/6885\/image-layers\/6a2f9a77581f4_large.webp","left":271.98,"name":"Flag","type":"clipart","width":2306.41,"height":3459.61,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-901238","top":156,"url":"users\/6885\/image-layers\/6a2f9a770d569_large.webp","left":48.84,"name":"years","type":"clipart","width":2559.33,"height":3839,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-594541","top":-401.53,"url":"users\/6885\/image-layers\/6a31a7b34b7a5_large.webp","left":-352.17,"name":"Typo","type":"clipart","width":3361.34,"height":4859.92,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","use_hd_layer":false,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-920337","top":0,"url":"users\/6885\/image-layers\/6a30f648ea42e_large.webp","left":0.02,"name":"cloud","type":"clipart","width":2656.95,"height":3985.44,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-407281","top":590.97,"url":"users\/6885\/image-layers\/6a0610a734706_large.webp","left":-591.04,"name":"24-X-16-INCH-folded-2cm","type":"clipart","width":3839.08,"height":2657.06,"locked":false,"rotate":90,"visible":false,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"}],"positions":["layer-626529","layer-291412","layer-407281","layer-933434","layer-901238","layer-731460","layer-594541","layer-920337","layer-400786"],"charge_enabled":false}]},{"id":1212944,"name":"(US) Canvas \"250 years freedom\" 8x12","description":null,"width":1476,"height":2067,"thumbnail":"users\/6885\/artworks\/6a31d4578d92b_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2623455,"design_format":"rgb","status":0,"data":[{"id":"template-396062","name":"Default template","addons":[],"layers":[{"id":"layer-981134","top":-0.01,"url":"users\/6885\/image-layers\/6a31cadd3ea85_large.webp","left":0.01,"name":"[Upload] Photo (live)","type":"clipart","width":1479.01,"height":2071.21,"locked":false,"rotate":0,"effects":[{"id":"id-153210","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"\"\"\"# Image Generation Prompt\n\nCreate a premium personalized family monument image inspired by a Mount Rushmore-style American mountain monument scene.\n\nUse the uploaded family photo only as an identity reference for the people. Generate the full landscape, monument, sky, mountain cliff, rocky slope, and pine forest entirely from this prompt.\n\nDo not use any uploaded background or reference scene.\n\nDo not generate any text, headline, typography, quote, number, logo, badge, banner, ribbon, plaque, date, slogan, lettering, flag, or decorative graphic element.\n\nThe final artwork should look like a premium realistic commemorative poster with strong natural color, controlled contrast, detailed stone carving, and subtle canvas\/poster texture.\n\n---\n\n## 1. Uploaded Photo Usage \u2014 Identity Reference Only\n\nUse the uploaded family photo only to preserve each visible person\u2019s recognizable identity:\n\n* facial structure\n* apparent age\n* hairstyle and hair volume\n* general facial proportions\n* family-member distinction\n* recognizable identity impression\n\nDo not use the uploaded family photo as a reference for:\n\n* pose\n* body posture\n* arm placement\n* hand placement\n* shoulder overlap\n* hugging or leaning arrangement\n* family-photo grouping\n* original crop or framing\n* original background\n* original lighting\n* original clothing\n* original interaction\n\nThe final artwork must be a newly generated stone monument composition, not a stone-translated version of the uploaded photo.\n\n---\n\n## 2. Character Count Rule\n\nThe number of carved stone portraits in the final artwork must exactly match the number of people visible in the uploaded family photo.\n\nIf the uploaded family photo contains 3 people, create exactly 3 carved stone portraits.\n\nIf the uploaded family photo contains 4 people, create exactly 4 carved stone portraits.\n\nNo more, no less.\n\nDo not add extra faces, extra heads, extra statues, extra people, background people, or additional monument figures.\n\n---\n\n## 3. Poster Composition and Safe Zones\n\nCreate a vertical image composition with a clear visual hierarchy:\n\n1. Upper sky area reserved for external typography overlay\n2. Carved family monument in the lower-middle area\n3. Natural cliff, rocky slope, and pine forest at the bottom\n\nThe upper 45% of the poster is reserved for external typography overlay.\n\nTreat the upper 45% as a strict no-portrait zone.\n\nNo carved face, forehead, hair mass, eye area, nose, cheek, mouth, chin, jawline, neck, shoulder, bust, or important statue detail may enter the upper 45% of the image.\n\nAll carved family portraits must stay below the 45% horizontal safety line.\n\nThe top of the tallest carved statue head should sit around 46\u201348% of the total image height.\n\nThe visual center of the carved faces should sit around 58\u201366% of the total image height.\n\nThe lower busts should blend into the cliff and rocky slope around 72\u201378% of the total image height.\n\nLeave a strong clean visual gap between the upper typography area and the tallest carved statue head.\n\nThe upper sky area must remain clean, spacious, open, readable, and visually clear.\n\nDo not place carved portraits, important cliff details, pine trees, flags, banners, foreground elements, or decorative elements inside the upper typography-safe area.\n\n---\n\n## 4. Horizontal Safe Margins \/ Canvas Wrap Safety\n\nKeep the entire carved family monument group inside a centered horizontal safe zone.\n\nReserve the outer left 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nReserve the outer right 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nThese side safety zones should contain only non-essential scenery such as sky, clouds, mountain rock, cliff texture, and forest.\n\nNo carved face, forehead, hair mass, temple, eye area, nose, cheek, lips, chin, jawline, ear, neck, shoulder, or bust edge may enter the outer side safety zones.\n\nKeep all important facial elements fully inside the central safe area.\n\nThe full group of carved portraits should occupy approximately 50\u201360% of the total image width.\n\nLeave visible mountain rock on both sides of the outermost portraits as a protective buffer.\n\nDo not let the monument group stretch across the full width of the poster.\n\n---\n\n## 5. Color Direction \u2014 Area-Specific Rules\n\nUse clear area-specific color rules instead of a global vintage color wash.\n\nThe sky, stone, and forest should each have their own controlled color treatment while still feeling part of one unified poster.\n\n### Sky Color\n\nThe sky must look like a rich natural royal-blue commercial poster sky, not a raw photographic landscape sky.\n\nUse a strong vertical blue gradient with clear color density:\n\n- very top sky: deep rich royal blue, darker, denser, and more saturated\n- upper sky: strong natural blue with commercial poster depth\n- middle sky: medium vibrant blue, not pale or airy\n- lower sky near the horizon: lighter blue, but still clearly saturated blue\n\nThe top 60% of the sky must remain visibly darker and richer than the rest of the sky.\n\nThe sky must not become too bright, too airy, too pastel, or too photographic.\n\nIncrease blue density across the full sky while keeping it clean and natural.\n\nKeep the center sky open, smooth, readable, and clean for external typography overlay.\n\nUse only very subtle canvas\/poster grain in the sky.\n\nThe texture must not make the sky look vintage, dusty, faded, dirty, sepia, or aged.\n\nClouds should be minimal, soft, natural white with a slight warm tint, placed mostly near the outer edges or corners.\n\nDo not place strong cloud shapes in the center typography area.\n\nAvoid pale blue, pastel blue, washed-out blue, gray-blue, teal-heavy blue, turquoise, cyan, faded blue, overexposed sky, weak sky contrast, raw photographic sky, and flat single-color sky.\n\n### Stone Color\n\nThe mountain cliff and carved portraits should use warm aged monument stone tones with a classic printed poster feeling:\n\n- warm ochre-beige\n- golden tan-gray\n- dusty sandstone brown\n- muted honey-brown highlights\n- sepia-brown midtones\n- weathered umber-gray shadows\n- deep brown-black shadow accents\n\nThe stone should lean noticeably more yellow-brown and ochre than neutral gray.\n\nThe carved portraits and cliff should feel like aged sunlit sandstone-granite printed on a classic commemorative poster.\n\nShift the stone color away from pale limestone, clean beige-gray, and cold gray.\n\nAdd more warm ochre, dusty tan, muted golden brown, and sepia-brown into the stone midtones.\n\nThe stone should look older, warmer, dustier, heavier, and more monumental.\n\nKeep the stone realistic, but give it a classic vintage American monument poster warmth.\n\nReduce pale cream and ivory highlights on the carved faces.\n\nHighlights on the forehead, nose, cheekbones, lips, chin, and bust should be muted ochre-beige, dusty tan, or honey-brown, never bright cream, ivory, white, or glowing.\n\nIncrease sculptural shadow depth using warm brown-gray shadows in:\n\n- eye sockets\n- under the brow\n- under the nose\n- under the lips\n- around the jawline\n- neck grooves\n- carved hair grooves\n- cliff cracks\n- bust-to-rock transitions\n\nThe carved faces should not look newly carved, clean, pale, polished, marble-like, or overlit.\n\nThe portraits and cliff must share the same warm ochre-brown stone palette, texture density, dustiness, weathering, and printed poster finish.\n\nDo not use bright white stone, ivory highlights, pale cream faces, cold silver-gray stone, neutral gray granite, marble-white stone, clean limestone tones, or overexposed stone highlights.\n\n### Forest Color\n\nThe pine forest should be visually subdued and darker than a fresh landscape photo.\n\nUse muted dark natural greens:\n\n- dark olive green\n- deep pine green\n- brown-green\n- black-green shadow tones\n- muted dry green accents only in small amounts\n\nDarken the forest and reduce fresh green saturation.\n\nThe forest should feel like printed poster foliage, not crisp raw photographic greenery.\n\nThe trees should support the monument and stay secondary in visual importance.\n\nTree details may remain readable, but they should be slightly softened by poster color compression and subtle canvas texture.\n\nAvoid bright fresh green, vivid natural green, neon green, saturated modern green, glossy foliage, crisp photographic tree detail, and overly sharp individual tree needles.\n\n---\n## 5.5 Commercial Poster Color Tuning\n\nThe final image should look like not a raw landscape photograph.\n\nUse clean but strong poster color contrast:\n\n- richer royal-blue sky with a stronger top-to-bottom gradient\n- warm beige-gray stone with deeper brown-gray shadows\n- muted dark olive forest, not fresh green\n- controlled highlights, no overexposed stone or sky\n- subtle canvas texture, but not a heavy vintage or aged effect\n\nThe image should feel bold, readable, and high-contrast from a distance, while still looking realistic and premium.\nThe sky should keep a strong natural royal-blue gradient, while the stone and forest should carry slightly stronger shadow density.\n\nUse commercial poster contrast instead of raw photographic contrast.\n---\n## 6. Monument Structure\n\nCreate the family as separate monumental carved stone portraits integrated into the mountain cliff, in the spirit of Mount Rushmore.\n\nShow only carved heads and upper bust \/ upper chest areas.\n\nDo not show full bodies.\n\nDo not show natural human pose interaction.\n\nDo not show hugging, leaning, crossed arms, hands resting on rocks, stacked family-photo posing, or casual portrait arrangements.\n\nHands, elbows, and forearms should not be visible as major elements.\n\nEach person should appear as an individual monumental carved portrait, arranged side-by-side or slightly staggered across the cliff face.\n\nThe result should feel like a true national stone monument with sculpted heads emerging from the mountain, not like a family portrait converted into stone.\n\n---\n\n## 7. Unified Statue Face Direction\n\nAll carved stone portraits must face the same general direction, like a unified heroic monument.\n\nEvery statue head should turn toward the upper-right side of the poster using a consistent three-quarter side-facing angle.\n\nAll faces must look diagonally upward and to the right, as if proudly gazing toward the upper-right horizon.\n\nThe gaze direction should feel elevated, heroic, dignified, and future-facing.\n\nDo not make any statue face directly forward toward the viewer.\n\nDo not make any statue look left, downward, sideways in another direction, or toward the opposite side.\n\nDo not create mixed gaze directions.\n\nAll statue heads should share the same clear direction: three-quarter view, looking diagonally upward toward the upper-right.\n\nSubtle natural variation in head angle is allowed, but the overall gaze direction must clearly remain unified toward the upper-right.\n\nExpressions must feel proud, noble, calm, heroic, dignified, and monumental.\n\nAvoid casual smiles, playful expressions, sad expressions, fearful expressions, blank photo-like expressions, or intimate family-photo emotion.\n\n---\n\n## 8. Stone Carving Style\n\nThe family portraits must look physically carved directly into the mountain.\n\nDo not make the faces look like normal photo portraits with a stone filter.\n\nDo not make the faces look soft, smooth, painterly, waxy, plastic, or human-skin-like.\n\nThe carved faces must have:\n\n* hard chiseled stone geometry\n* strong angular planes on the forehead, nose, cheekbones, lips, chin, and jaw\n* simplified facial anatomy like a real stone monument\n* deep carved eye sockets with shadowed stone eyes\n* simplified stone-carved eye forms, not realistic human eyes\n* strong protruding nose bridge and carved nostrils\n* lips carved as solid stone forms\n* clear stone-cut edges around the face and neck\n* visible hammer-and-chisel marks\n* rough granite texture\n* cracks, vertical stone seams, scratches, weathering, chips, and broken stone edges\n* strong shadows inside carved grooves and under facial features\n\nPreserve each person\u2019s recognizable identity through the carved facial structure, age impression, hairstyle volume, and facial proportions, while still making them look like true granite carvings.\n\nConvert all hair into carved stone masses.\n\nHair should not look like real hair strands.\n\nUse blocky sculpted stone shapes, rough carved grooves, chipped edges, and simplified hair volume.\n\nThe hair must feel carved from the same granite as the mountain.\n\n---\n\n## 9. Portrait-to-Cliff Blending\n\nThe carved portraits and surrounding mountain cliff must share the same granite material, color, brightness, warmth, saturation, texture density, weathering, cracks, and dustiness.\n\nDo not make the carved portraits cleaner, whiter, brighter, smoother, or more polished than the surrounding cliff.\n\nDo not make the faces look like separate statue material placed onto the mountain.\n\nThe portraits must feel carved from the exact same rock mass as the mountain.\n\nThe transition between the carved portraits and the surrounding cliff must feel natural, structural, and believable.\n\nDo not make the statues look pasted onto the cliff.\n\nDo not create clean cut-out silhouettes around the busts.\n\nThe carved portraits must emerge organically from the same cliff mass.\n\nSurrounding rock planes should flow naturally into the neck, shoulders, chest, and lower bust areas.\n\nThe lower bust and side edges of each portrait should gradually dissolve into the mountain through continuous stone surfaces, broken rock planes, chiseled transitions, cracks, ledges, and natural cliff geometry.\n\nPreserve visible mountain texture around, between, beneath, and beside the portraits so the monument feels like one integrated rock formation.\n\n---\n\n## 10. Natural Landscape Details\n\nGenerate the mountain cliff as a believable natural granite formation.\n\nThe cliff must look geologically believable, rugged, irregular, and naturally weathered.\n\nUse realistic granite cliff structure with natural variation in rock strata, fractured vertical walls, erosion marks, chipped edges, ledges, crevices, shadow pockets, irregular stone surfaces, natural slope transitions, and tonal variation within the same warm stone family.\n\nThe background rock areas that do not contain portraits must still look like authentic natural cliff surfaces.\n\nMake the mountain and carved portraits feel like one continuous geological formation.\n\nGenerate a realistic natural pine forest along the lower slope and bottom foreground.\n\nUse varied tree heights, varied tree spacing, irregular natural silhouettes, believable depth, organic distribution, and natural overlap between trees, rocks, and terrain.\n\nThe tree line should integrate naturally with the rocky lower slope.\n\nSome trees may partially overlap the lower rocks, but they must not cover important carved faces.\n\nKeep the forest readable but not overly noisy.\n\n---\n\n## 11. Unified Lighting and Finish\n\nUse one coherent natural lighting environment across the entire image.\n\nUse natural sunlight from above\/front-side, creating strong monument depth.\n\nThe sky, cliff, carved portraits, lower rocky slope, and pine forest must share the same lighting direction and color temperature.\n\nThe lighting and color grading should create:\n\n- warm muted highlights on the stone and cliff\n- stronger deep brown-gray shadows in eye sockets, under the nose, under the lips, around the jawline, in carved cracks, and in cliff crevices\n- controlled stone highlights without white or glowing areas\n- clear natural light behavior in the sky\n- richer blue depth in the upper sky, without bleaching or fading the blue\n- stronger commercial poster contrast across the full image\n- subtle canvas\/poster print texture without making the sky faded or dirty\n- strong sculptural depth on the carved portraits\n- slightly darker stone midtones without losing carved detail\n- reduced pale cream highlights on the carved faces\n- deeper shadow density in facial relief and cliff crevices\n- richer commercial royal-blue density in the sky\n- muted darker forest tones that stay secondary to the monument\n- a premium printed poster finish rather than a raw outdoor photo look\n\nThe lighting must not bleach, fade, soften, or over-brighten the blue sky. The top sky must remain rich, darker, saturated, and clearly blue.\n\nThe upper sky should keep a strong deeper blue at the top.\n\nApply only subtle poster\/canvas texture across the final artwork.\n\nThe texture should support print quality but should not strongly alter the sky color.\n\nAvoid artificial HDR, fake glow, mismatched lighting, over-sharpened contrast, sterile digital realism, glossy digital light, clean white highlights, or separate-layer lighting.\n\n---\n\n## 12. Final Style Direction\n\n* premium personalized family monument image\n* Mount Rushmore-style American mountain monument scene\n* realistic monumental stone carving\n* warm beige-gray \/ tan-gray \/ dusty brown-gray granite\n* fresh natural rich royal-blue sky with strong top-to-bottom gradient and deeper blue density at the top\n* deeper darker blue at the top, lighter but still blue near the horizon\n* muted dark olive \/ deep pine green \/ brown-green forest\n* heroic national monument atmosphere\n* proud, dignified, future-facing statue expressions\n* clean upper sky reserved for external typography overlay\n* subtle canvas\/poster texture\n* commercial poster contrast, not raw photographic contrast\n* sharp print-ready quality\n* high resolution\n* unified natural lighting\n* strong visual hierarchy\n* believable landscape realism\n\n---\n##13 Poster Finish \/ Color Compression\n\nApply a premium commercial poster finish across the full image.\n\nThe final image should not look like a raw camera photograph.\n\nUse subtle printed-canvas color compression:\n\n- slightly deeper blues in the sky\n- slightly darker and warmer stone midtones\n- stronger shadow density in carved details\n- muted dark olive forest tones\n- controlled highlights with no bright white clipping\n- subtle texture visible across sky, stone, and forest\n\nThe poster finish should make the image feel bold, rich, premium, and print-ready from a distance.\n\nDo not use a heavy vintage wash.\n\nDo not add yellow aging, sepia haze, dirty paper texture, faded ink, or distressed antique effects.\n\nThe image should remain realistic, clean, premium, and natural, but with stronger commercial poster color density than a raw landscape photograph.\n---\n\n## Classic Printed Poster Treatment\n\nApply a controlled classic printed poster treatment to the image.\n\nThe final artwork should feel like a premium vintage-inspired American commemorative image, not a raw digital landscape photo.\n\nUse selective warm vintage color grading mainly on the stone, cliff, rocky slope, and forest.\n\nThe stone and foreground should carry a warm ochre-brown printed poster tone.\n\nThe sky must keep its rich royal-blue gradient and should not turn yellow, gray, dusty, faded, or sepia.\n\nUse a subtle aged print warmth in the stone areas only:\n\n- warmer ochre-brown stone midtones\n- muted golden tan highlights\n- sepia-brown weathering in cracks and carved grooves\n- darker umber shadows\n- slightly muted forest greens\n- gentle printed canvas grain across the full image\n\nThe poster effect should feel classic, warm, premium, and nostalgic, but still clean and commercially polished.\n\nDo not use a heavy vintage wash over the entire image.\n\nDo not add strong yellow haze, dirty paper texture, faded ink, distressed stains, old paper borders, or antique damage.\n\nThe result should be a clean premium poster with classic warmth, not an old damaged poster.\n---\n## Negative Prompt\n\nno text, no typography, no headline, no quote, no slogan, no logo, no lettering, no numbers, no date text, no banner, no ribbon, no plaque, no badge, no emblem, no flag, no flagpole, no stars and stripes, no decorative graphic elements, no background reference image, no copied background, no pasted reference scene, no separate-layer look, no carved faces entering the upper 45% typography-safe area, no statue heads above the 45% safety line, no portrait touching or invading the top sky area, no faces in the upper half of the poster, no monument too high, no portraits too low near the tree line, no monument cluster off-center, no monument stretched across the full width, no carved faces near the left edge, no carved faces near the right edge, no side-cropped statues, no face placed in bleed area, no important facial features inside the outer side margins, no soft human skin, no realistic skin texture, no smooth human faces, no photo overlay, no painted portrait effect, no normal hair strands, no glossy skin, no wax statue, no marble statue, no plastic look, no realistic human eyes, no teeth detail, no soft smile lines, no blurred facial features, no extra people, no extra faces, no floating heads, no separate busts placed in front of the mountain, no flat 2D face texture, no mismatched stone color, no bright white statue faces, no ivory statue highlights, no pale cream stone, no bright cream stone, no overlit statue faces, no cleaner faces than the cliff, no separate statue material, no pasted statue edges, no abrupt cut-out bust boundaries, no detached shoulder transition, no preserved original pose, no family-photo pose, no hugging pose, no leaning pose, no crossed arms, no hands prominently visible, no casual portrait arrangement, no full bodies, no mixed face directions, no opposite gaze directions, no front-facing family portrait look, no statue looking directly at the viewer, no statue looking left, no statue looking downward, no statue looking in different directions, no casual smiling expression, no playful expression, no sad expression, no fearful expression, no pale blue sky, no pastel blue sky, no washed-out sky, no faded sky, no weak blue sky, no overly bright sky, no overexposed blue sky, no dusty light-blue sky, no beige color cast over the sky, no sepia wash over the sky, no teal-heavy sky, no turquoise sky, no cyan sky, no gray-blue sky, no flat single-color sky, no sky without top-to-bottom gradient, no weak top-sky saturation, no sky that becomes nearly white near the horizon, no pure white clouds, no bright glowing clouds, no heavy clouds, no storm clouds, no clouds covering the center, no cold silver-gray stone, no cold gray stone, no clean limestone look, no marble-white stone, no fresh carved statue look, no oversaturated colors, no fresh green forest, no bright fresh green forest, no saturated natural greens, no crisp photographic foliage, no glossy foliage, no fake forest texture, no repetitive trees, no clumpy tree pattern, no artificial rock pattern, no plastic cliff texture, no unrealistic cliff surface, no digital backdrop,no weak sky contrast, no sky too light overall, no airy pale blue sky, no low-saturation sky, no sky lacking dark rich blue at the top, no soft pastel commercial background, no over-bright horizon sky, no flat low-contrast poster, no pale overlit stone faces, no weak stone shadows, no fresh bright forest, no overly photographic trees,no raw photographic sky, no overly clean landscape photo, no sky with weak blue density, no sky too bright in the upper area, no sky lacking deep royal blue at the top, no low-contrast blue gradient, no pale overlit stone faces, no newly carved clean statue, no weak stone shadows, no glossy green foliage, no overly photographic trees, no image without subtle canvas texture,no raw camera-photo color grading, no untouched landscape photography look, no tourist photo look, no overly clean digital photo finish, no pale cream statue highlights, no ivory face highlights, no stone faces that look too bright, no weak facial relief shadows, no shallow eye socket shadows, no forest competing with the monument, no bright natural green trees, no overly crisp tree needles, no sky that looks like a plain landscape photo, no weak poster color density, no missing poster finish, no overly smooth digital sky,no neutral gray stone, no cold gray granite, no pale limestone color, no clean beige-gray stone, no white cream highlights, no marble-like statue, no overly modern digital color grading, no raw landscape photo color, no full-image yellow filter, no sepia sky, no dusty faded sky, no gray vintage sky, no dirty old paper effect, no damaged poster texture, no heavy antique filter, no stone lacking ochre-brown warmth, no stone without golden tan midtones, no foreground without warm poster tone\n\n```\n```\n\"\"\"# Image Generation Prompt\n\nCreate a premium personalized family monument image inspired by a Mount Rushmore-style American mountain monument scene.\n\nUse the uploaded family photo only as an identity reference for the people. Generate the full landscape, monument, sky, mountain cliff, lower rocky slope, and pine forest entirely from this prompt.\n\nDo not use any uploaded background or reference scene.\n\nDo not generate any text, headline, typography, quote, number, logo, badge, banner, ribbon, plaque, date, slogan, lettering, flag, or decorative graphic element.\n\n---\n\n## 1. Uploaded Photo Usage \u2014 Identity Reference Only\n\nUse the uploaded family photo only to preserve each visible person\u2019s recognizable identity:\n\n- facial structure\n- apparent age\n- hairstyle and hair volume\n- general facial proportions\n- family-member distinction\n- recognizable identity impression\n\nDo not use the uploaded family photo as a reference for:\n\n- pose\n- body posture\n- arm placement\n- hand placement\n- shoulder overlap\n- hugging or leaning arrangement\n- family-photo grouping\n- original crop or framing\n- original background\n- original lighting\n- original clothing\n- original interaction\n\nThe final artwork must be a newly generated stone monument composition, not a stone-translated version of the uploaded photo.\n\n---\n\n## 2. Character Count Rule\n\nThe number of carved stone portraits in the final artwork must exactly match the number of people visible in the uploaded family photo.\n\nIf the uploaded family photo contains 3 people, create exactly 3 carved stone portraits.\n\nIf the uploaded family photo contains 4 people, create exactly 4 carved stone portraits.\n\nNo more, no less.\n\nDo not add extra faces, extra heads, extra statues, extra people, background people, or additional monument figures.\n\n---\n\n## 3. Overall Poster Composition\n\nCreate a vertical image composition with a clear visual hierarchy:\n\n1. Upper sky area reserved for external typography overlay\n2. Carved family monument in the lower-middle area\n3. Natural cliff, rocky slope, and pine forest at the bottom\n\nThe scene should include:\n\n- a clean rich blue sky in the upper portion\n- a massive rugged granite mountain cliff in the middle and lower portion\n- family portraits carved directly into the cliff face\n- natural rocky slope and pine forest at the bottom\n- heroic national-monument atmosphere\n- cinematic natural sunlight\n- realistic geological landscape\n- premium print-ready canvas poster quality\n\nThe entire environment must feel generated as one unified scene, not assembled from separate layers.\n\nThe sky, cliff, carved portraits, rocky slope, and forest must share the same camera perspective, lighting direction, atmospheric depth, color temperature, and realism level.\n\n---\n\n## 4. Top Typography Safe Zone \u2014 Extremely Important\n\nThe upper 45% of the poster is reserved for an external typography overlay.\n\nThis upper area must remain clean, spacious, open, readable, and visually clear.\n\nTreat the upper 45% of the image as a strict no-portrait zone.\n\nNo carved face, forehead, hair mass, eye area, nose, cheek, mouth, chin, jawline, neck, shoulder, bust, or important statue detail may enter the upper 45% of the image.\n\nAll carved family portraits must stay below the 45% horizontal safety line.\n\nThe top of the tallest carved statue head should sit around 46\u201348% of the total image height.\n\nLeave a strong clean visual gap between the upper typography area and the top of the tallest carved statue head.\n\nPrioritize text safety over statue size.\n\nIf necessary, make the statue group slightly smaller and lower rather than allowing it to enter the typography area.\n\nThe upper 45% should mainly contain clean clear blue sky, with only subtle natural white clouds near the outer edges or corners.\n\nKeep the center of the upper sky area open, uncluttered, and readable.\n\nDo not place carved portraits, important cliff details, pine trees, flags, banners, foreground elements, or decorative elements inside the upper typography-safe area.\n\n---\n\n## 5. Portrait Placement and Scale\n\nPosition the carved family portraits in the lower-middle monument zone.\n\nRecommended vertical placement:\n\n- all important portrait details stay below 45% of the image height\n- tallest head begins around 46\u201348%\n- visual center of the carved faces sits around 58\u201366%\n- lower busts blend into the cliff and rocky slope around 72\u201378%\n\nThe family monument should be large, heroic, highly visible, and clearly integrated into the mountain, but never too high.\n\nDo not place the portraits near the bottom tree line.\n\nDo not crop, overlay, or hide the statue heads.\n\nThe monument group must feel balanced, centered, and clearly readable as the main focal point below the sky area.\n\n---\n\n## 6. Horizontal Safe Margins \/ Canvas Wrap Safety\n\nKeep the entire carved family monument group inside a strict centered horizontal safe zone.\n\nAssume the final artwork will be cropped slightly and wrapped around canvas edges.\n\nReserve the outer left 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nReserve the outer right 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nThese outer side safety zones should contain only non-essential scenery such as sky, clouds, mountain rock, cliff texture, and forest.\n\nNo carved face, forehead, hair mass, temple, eye area, nose, cheek, lips, chin, jawline, ear, neck, shoulder, or bust edge may enter the outer side safety zones.\n\nKeep all important facial elements fully inside the central safe area.\n\nThe full group of carved portraits should occupy approximately 50\u201360% of the total image width.\n\nLeave visible mountain rock on both sides of the outermost portraits as a protective buffer.\n\nDo not let the monument group stretch across the full width of the poster.\n\n---\n\n## 7. Monument Structure\n\nCreate the family as separate monumental carved stone portraits integrated into the mountain cliff, in the spirit of Mount Rushmore.\n\nShow only carved heads and upper bust \/ upper chest areas.\n\nDo not show full bodies.\n\nDo not show natural human pose interaction.\n\nDo not show hugging, leaning, crossed arms, hands resting on rocks, stacked family-photo posing, or casual portrait arrangements.\n\nHands, elbows, and forearms should not be visible as major elements.\n\nEach person should appear as an individual monumental carved portrait, arranged side-by-side or slightly staggered across the cliff face.\n\nThe result should feel like a true national stone monument with sculpted heads emerging from the mountain, not like a family portrait converted into stone.\n\n---\n\n## 8. Unified Statue Face Direction\n\nAll carved stone portraits must face the same general direction, like a unified heroic monument.\n\nEvery statue head should turn toward the upper-right side of the poster using a consistent three-quarter side-facing angle.\n\nAll faces must look diagonally upward and to the right, as if proudly gazing toward the upper-right horizon.\n\nThe gaze direction should feel elevated, heroic, and future-facing.\n\nDo not make any statue face directly forward toward the viewer.\n\nDo not make any statue look left, downward, sideways in another direction, or toward the opposite side.\n\nDo not create mixed gaze directions.\n\nDo not make one person look left while another person looks right.\n\nAll statue heads should share the same clear direction: three-quarter view, looking diagonally upward toward the upper-right.\n\nSubtle natural variation in head angle is allowed, but the overall gaze direction must clearly remain unified toward the upper-right.\n\nExpressions must feel proud, noble, calm, heroic, dignified, and monumental.\n\nAvoid casual smiles, playful expressions, sad expressions, fearful expressions, blank photo-like expressions, or intimate family-photo emotion.\n\n---\n\n## 9. Stone Carving Style\n\nThe family portraits must look physically carved directly into the mountain.\n\nDo not make the faces look like normal photo portraits with a stone filter.\n\nDo not make the faces look soft, smooth, painterly, waxy, plastic, or human-skin-like.\n\nThe carved faces must have:\n\n- hard chiseled stone geometry\n- strong angular planes on the forehead, nose, cheekbones, lips, chin, and jaw\n- simplified facial anatomy like a real stone monument\n- deep carved eye sockets with shadowed stone eyes\n- simplified stone-carved eye forms, not realistic human eyes\n- strong protruding nose bridge and carved nostrils\n- lips carved as solid stone forms\n- clear stone-cut edges around the face and neck\n- visible hammer-and-chisel marks\n- rough granite texture\n- cracks, vertical stone seams, scratches, weathering, chips, and broken stone edges\n- strong shadows inside carved grooves and under facial features\n\nPreserve each person\u2019s recognizable identity through the carved facial structure, age impression, hairstyle volume, and facial proportions, while still making them look like true granite carvings.\n\n---\n\n## 10. Hair Treatment\n\nConvert all hair into carved stone masses.\n\nHair should not look like real hair strands.\n\nUse blocky sculpted stone shapes, rough carved grooves, chipped edges, and simplified hair volume.\n\nThe hair must feel carved from the same granite as the mountain.\n\nPreserve each person\u2019s recognizable hairstyle silhouette, but translate it into sculpted stone form.\n\n---\n\n## 11. Stone Material Consistency\n\nThe carved portraits and the surrounding mountain cliff must share the same granite color, brightness, warmth, saturation, texture density, weathering, cracks, and dustiness.\n\nDo not make the carved portraits cleaner, whiter, brighter, smoother, or more polished than the surrounding cliff.\n\nDo not make the faces look like separate statue material placed onto the mountain.\n\nThe portraits must feel carved from the exact same rock mass as the mountain.\n\nUse only subtle tonal differences for lighting, shadows, and sculptural depth.\n\nThe faces, hair, neck, bust areas, and surrounding cliff should visually merge into one continuous granite mountain surface.\n\n---\n\n## 12. Portrait-to-Cliff Blending\n\nThe transition between the carved portraits and the surrounding cliff must feel natural, structural, and believable.\n\nDo not make the statues look pasted onto the cliff.\n\nDo not create clean cut-out silhouettes around the busts.\n\nDo not create isolated statue shapes detached from the rock wall.\n\nThe carved portraits must emerge organically from the same cliff mass.\n\nSurrounding rock planes should flow naturally into the neck, shoulders, chest, and lower bust areas.\n\nThe lower bust and side edges of each portrait should gradually dissolve into the mountain through:\n\n- continuous stone surfaces\n- broken rock planes\n- chiseled transitions\n- cracks\n- ledges\n- natural cliff geometry\n\nPreserve visible mountain texture around, between, beneath, and beside the portraits so the monument feels like one integrated rock formation.\n\nAvoid abrupt value shifts, material shifts, or contour boundaries that separate the portraits from the cliff.\n\n---\n\n## 13. Natural Mountain Cliff\n\nGenerate the mountain cliff as a realistic natural granite formation.\n\nThe cliff must look geologically believable, rugged, irregular, and naturally weathered.\n\nUse realistic granite cliff structure with natural variation in:\n\n- rock strata\n- fractured vertical walls\n- erosion marks\n- chipped edges\n- ledges\n- crevices\n- shadow pockets\n- irregular stone surfaces\n- natural slope transitions\n- tonal variation within the same rock family\n\nThe background rock areas that do not contain portraits must still look like authentic natural cliff surfaces.\n\nMake the mountain and carved portraits feel like one continuous geological formation.\n\nAvoid fake-looking cliff texture, repetitive AI rock patterns, painterly rock surfaces, plastic-looking stone, overly stylized mountain forms, or digital backdrop appearance.\n\n---\n\n## 14. Natural Pine Forest\n\nGenerate a realistic natural pine forest along the lower slope and bottom foreground.\n\nThe forest must look like part of the same mountain environment, not an added texture or decorative pattern.\n\nUse realistic pine forest details:\n\n- varied tree heights\n- varied tree spacing\n- irregular natural silhouettes\n- believable depth between front and back trees\n- realistic pine needle massing\n- natural shadowing\n- subtle atmospheric depth\n- organic distribution across the rocky slope\n- natural overlap between trees, rocks, and terrain\n\nThe tree line should integrate naturally with the rocky lower slope.\n\nSome trees may partially overlap the lower rocks, but they must not cover important carved faces.\n\nKeep the forest detailed but not overly noisy.\n\nAvoid brushy, smeared, clumpy, repetitive, cut-out, muddy, or artificially patterned trees.\n\n---\n\n## 15. Clear Blue Sky\n\nThe upper 45% of the artwork should contain a clean, clear, naturally rich blue sky reserved for external typography placement.\n\nThe sky must look like a bright clear day with crisp atmosphere, excellent visibility, and fresh natural blue color.\n\nUse a natural sky gradient:\n\n- slightly deeper blue toward the top\n- slightly lighter blue toward the horizon\n\nKeep the sky clean, open, and distinctly blue.\n\nAdd only a few soft white clouds, placed mostly near the outer edges or corners of the sky area.\n\nKeep the central sky area open and uncluttered for readability.\n\nClouds should be bright white, soft, natural, lightly defined, and believable.\n\nDo not make the sky pale, hazy, foggy, washed-out, milky, dusty, gray-blue, overexposed, flat white, dull, polluted, smoky, or low-contrast.\n\nDo not make the clouds heavy, stormy, dense, gray, dominant, or spread across the center.\n\n---\n\n## 16. Unified Landscape Lighting\n\nUse one coherent natural lighting environment across the entire image.\n\nUse dramatic sunlight from above\/front-side, creating strong contrast and sculptural depth.\n\nThe sky, cliff, carved portraits, lower rocky slope, and pine forest must all share the same lighting direction and color temperature.\n\nAdd deep shadows in:\n\n- eye sockets\n- under the nose\n- under the lips\n- around the jawline\n- carved cracks\n- natural cliff crevices\n\nMake the faces feel heavy, dimensional, and monumental.\n\nUse stronger sculptural light-and-shadow contrast on the carved portraits, while keeping the stone color and material consistent with the surrounding cliff.\n\nAvoid artificial HDR, fake glow, mismatched lighting, over-sharpened contrast, or separate-layer lighting.\n\n---\n\n## 17. Final Style Direction\n\n- heroic national monument atmosphere\n- cinematic but realistic\n- highly detailed granite carving\n- realistic natural granite cliff\n- realistic pine forest\n- sharp print-ready quality\n- high resolution\n- strong visual hierarchy\n- proud, dignified, future-facing monument mood\n- clean patriotic-inspired color mood without flags\n- open rich blue sky reserved for external typography overlay\n- unified scene generation\n- believable landscape realism\n\n---\n\n## Negative Prompt\n\nno text, no typography, no headline, no quote, no slogan, no logo, no lettering, no numbers, no date text, no banner, no ribbon, no plaque, no badge, no emblem, no flag, no flagpole, no stars and stripes, no decorative graphic elements, no background reference image, no copied background, no pasted reference scene, no separate-layer look, no carved faces entering the upper 45% typography-safe area, no statue heads above the 45% safety line, no portrait touching or invading the top sky area, no insufficient gap above the statue heads, no faces in the upper half of the poster, no monument too high, no portraits too low near the tree line, no monument cluster off-center, no monument stretched across the full width, no carved faces near the left edge, no carved faces near the right edge, no side-cropped statues, no face placed in bleed area, no important facial features inside the outer side margins, no soft human skin, no realistic skin texture, no smooth human faces, no photo overlay, no painted portrait effect, no normal hair strands, no glossy skin, no wax statue, no marble statue, no plastic look, no realistic human eyes, no teeth detail, no soft smile lines, no blurred facial features, no extra people, no extra faces, no floating heads, no separate busts placed in front of the mountain, no flat 2D face texture, no mismatched stone color, no bright white statue faces, no cleaner faces than the cliff, no separate statue material, no pasted statue edges, no abrupt cut-out bust boundaries, no detached shoulder transition, no preserved original pose, no family-photo pose, no hugging pose, no leaning pose, no crossed arms, no hands prominently visible, no casual portrait arrangement, no full bodies, no mixed face directions, no opposite gaze directions, no front-facing family portrait look, no statue looking directly at the viewer, no casual smiling expression, no playful expression, no sad expression, no fearful expression, no pale sky, no washed-out sky, no hazy sky, no foggy sky, no milky sky, no overexposed sky, no dull gray-blue sky, no flat white sky, no heavy clouds, no storm clouds, no clouds covering the center, no fake forest texture, no repetitive trees, no clumpy tree pattern, no painted foliage, no artificial rock pattern, no plastic cliff texture, no unrealistic cliff surface, no digital backdrop","image_filter_ref_img":null,"color_sketch_image_filter":"#000000","image_filter_enable_ref_img":false}],"visible":true,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Lade Dein Foto hoch","photo_editor":"static","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"cover","direct_clipart_style":"contain"},{"id":"layer-616817","top":0,"url":"users\/6885\/image-layers\/6a31be2c00eed_large.webp","left":0.01,"name":"Shadow","type":"clipart","width":1494.73,"height":2161.13,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","form_type":"static","use_hd_layer":false,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-497813","top":412.65,"url":"users\/6885\/image-layers\/6a2f9a77581f4_large.webp","left":230.32,"name":"Flag","type":"clipart","width":1105.36,"height":1658.03,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-663790","top":197.22,"url":"users\/6885\/image-layers\/6a2f9a770d569_large.webp","left":108.21,"name":"years","type":"clipart","width":1264.87,"height":1897.31,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-674075","top":-139.7,"url":"users\/6885\/image-layers\/6a31a7b34b7a5_large.webp","left":-84.86,"name":"Typo","type":"clipart","width":1645.71,"height":2379.42,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","use_hd_layer":false,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-124767","top":295.49,"url":"users\/6885\/image-layers\/6914046a8b872_large.webp","left":-295.5,"name":"12-X-8-INCH-folded-2cm","type":"clipart","width":2067,"height":1476,"locked":true,"rotate":90,"visible":false,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-339581","top":0,"url":"users\/6885\/image-layers\/6a30f648ea42e_large.webp","left":0.01,"name":"cloud","type":"clipart","width":1475.98,"height":2213.97,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"}],"positions":["layer-124767","layer-981134","layer-497813","layer-663790","layer-674075","layer-339581","layer-616817"],"charge_enabled":false}]},{"id":1212953,"name":"(US) Canvas \"250 years freedom\" 12x16","description":null,"width":2067,"height":2657,"thumbnail":"users\/6885\/artworks\/6a31d4ab7395a_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2623461,"design_format":"rgb","status":0,"data":[{"id":"template-840702","name":"Default template","addons":[],"layers":[{"id":"layer-528139","top":-157.82,"url":"users\/6885\/image-layers\/6a31cadd3ea85_large.webp","left":-18.68,"name":"[Upload] Photo (live)","type":"clipart","width":2104.36,"height":2946.95,"locked":false,"rotate":0,"effects":[{"id":"id-153210","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"\"\"\"# Image Generation Prompt\n\nCreate a premium personalized family monument image inspired by a Mount Rushmore-style American mountain monument scene.\n\nUse the uploaded family photo only as an identity reference for the people. Generate the full landscape, monument, sky, mountain cliff, rocky slope, and pine forest entirely from this prompt.\n\nDo not use any uploaded background or reference scene.\n\nDo not generate any text, headline, typography, quote, number, logo, badge, banner, ribbon, plaque, date, slogan, lettering, flag, or decorative graphic element.\n\nThe final artwork should look like a premium realistic commemorative poster with strong natural color, controlled contrast, detailed stone carving, and subtle canvas\/poster texture.\n\n---\n\n## 1. Uploaded Photo Usage \u2014 Identity Reference Only\n\nUse the uploaded family photo only to preserve each visible person\u2019s recognizable identity:\n\n* facial structure\n* apparent age\n* hairstyle and hair volume\n* general facial proportions\n* family-member distinction\n* recognizable identity impression\n\nDo not use the uploaded family photo as a reference for:\n\n* pose\n* body posture\n* arm placement\n* hand placement\n* shoulder overlap\n* hugging or leaning arrangement\n* family-photo grouping\n* original crop or framing\n* original background\n* original lighting\n* original clothing\n* original interaction\n\nThe final artwork must be a newly generated stone monument composition, not a stone-translated version of the uploaded photo.\n\n---\n\n## 2. Character Count Rule\n\nThe number of carved stone portraits in the final artwork must exactly match the number of people visible in the uploaded family photo.\n\nIf the uploaded family photo contains 3 people, create exactly 3 carved stone portraits.\n\nIf the uploaded family photo contains 4 people, create exactly 4 carved stone portraits.\n\nNo more, no less.\n\nDo not add extra faces, extra heads, extra statues, extra people, background people, or additional monument figures.\n\n---\n\n## 3. Poster Composition and Safe Zones\n\nCreate a vertical image composition with a clear visual hierarchy:\n\n1. Upper sky area reserved for external typography overlay\n2. Carved family monument in the lower-middle area\n3. Natural cliff, rocky slope, and pine forest at the bottom\n\nThe upper 45% of the poster is reserved for external typography overlay.\n\nTreat the upper 45% as a strict no-portrait zone.\n\nNo carved face, forehead, hair mass, eye area, nose, cheek, mouth, chin, jawline, neck, shoulder, bust, or important statue detail may enter the upper 45% of the image.\n\nAll carved family portraits must stay below the 45% horizontal safety line.\n\nThe top of the tallest carved statue head should sit around 46\u201348% of the total image height.\n\nThe visual center of the carved faces should sit around 58\u201366% of the total image height.\n\nThe lower busts should blend into the cliff and rocky slope around 72\u201378% of the total image height.\n\nLeave a strong clean visual gap between the upper typography area and the tallest carved statue head.\n\nThe upper sky area must remain clean, spacious, open, readable, and visually clear.\n\nDo not place carved portraits, important cliff details, pine trees, flags, banners, foreground elements, or decorative elements inside the upper typography-safe area.\n\n---\n\n## 4. Horizontal Safe Margins \/ Canvas Wrap Safety\n\nKeep the entire carved family monument group inside a centered horizontal safe zone.\n\nReserve the outer left 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nReserve the outer right 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nThese side safety zones should contain only non-essential scenery such as sky, clouds, mountain rock, cliff texture, and forest.\n\nNo carved face, forehead, hair mass, temple, eye area, nose, cheek, lips, chin, jawline, ear, neck, shoulder, or bust edge may enter the outer side safety zones.\n\nKeep all important facial elements fully inside the central safe area.\n\nThe full group of carved portraits should occupy approximately 50\u201360% of the total image width.\n\nLeave visible mountain rock on both sides of the outermost portraits as a protective buffer.\n\nDo not let the monument group stretch across the full width of the poster.\n\n---\n\n## 5. Color Direction \u2014 Area-Specific Rules\n\nUse clear area-specific color rules instead of a global vintage color wash.\n\nThe sky, stone, and forest should each have their own controlled color treatment while still feeling part of one unified poster.\n\n### Sky Color\n\nThe sky must look like a rich natural royal-blue commercial poster sky, not a raw photographic landscape sky.\n\nUse a strong vertical blue gradient with clear color density:\n\n- very top sky: deep rich royal blue, darker, denser, and more saturated\n- upper sky: strong natural blue with commercial poster depth\n- middle sky: medium vibrant blue, not pale or airy\n- lower sky near the horizon: lighter blue, but still clearly saturated blue\n\nThe top 60% of the sky must remain visibly darker and richer than the rest of the sky.\n\nThe sky must not become too bright, too airy, too pastel, or too photographic.\n\nIncrease blue density across the full sky while keeping it clean and natural.\n\nKeep the center sky open, smooth, readable, and clean for external typography overlay.\n\nUse only very subtle canvas\/poster grain in the sky.\n\nThe texture must not make the sky look vintage, dusty, faded, dirty, sepia, or aged.\n\nClouds should be minimal, soft, natural white with a slight warm tint, placed mostly near the outer edges or corners.\n\nDo not place strong cloud shapes in the center typography area.\n\nAvoid pale blue, pastel blue, washed-out blue, gray-blue, teal-heavy blue, turquoise, cyan, faded blue, overexposed sky, weak sky contrast, raw photographic sky, and flat single-color sky.\n\n### Stone Color\n\nThe mountain cliff and carved portraits should use warm aged monument stone tones with a classic printed poster feeling:\n\n- warm ochre-beige\n- golden tan-gray\n- dusty sandstone brown\n- muted honey-brown highlights\n- sepia-brown midtones\n- weathered umber-gray shadows\n- deep brown-black shadow accents\n\nThe stone should lean noticeably more yellow-brown and ochre than neutral gray.\n\nThe carved portraits and cliff should feel like aged sunlit sandstone-granite printed on a classic commemorative poster.\n\nShift the stone color away from pale limestone, clean beige-gray, and cold gray.\n\nAdd more warm ochre, dusty tan, muted golden brown, and sepia-brown into the stone midtones.\n\nThe stone should look older, warmer, dustier, heavier, and more monumental.\n\nKeep the stone realistic, but give it a classic vintage American monument poster warmth.\n\nReduce pale cream and ivory highlights on the carved faces.\n\nHighlights on the forehead, nose, cheekbones, lips, chin, and bust should be muted ochre-beige, dusty tan, or honey-brown, never bright cream, ivory, white, or glowing.\n\nIncrease sculptural shadow depth using warm brown-gray shadows in:\n\n- eye sockets\n- under the brow\n- under the nose\n- under the lips\n- around the jawline\n- neck grooves\n- carved hair grooves\n- cliff cracks\n- bust-to-rock transitions\n\nThe carved faces should not look newly carved, clean, pale, polished, marble-like, or overlit.\n\nThe portraits and cliff must share the same warm ochre-brown stone palette, texture density, dustiness, weathering, and printed poster finish.\n\nDo not use bright white stone, ivory highlights, pale cream faces, cold silver-gray stone, neutral gray granite, marble-white stone, clean limestone tones, or overexposed stone highlights.\n\n### Forest Color\n\nThe pine forest should be visually subdued and darker than a fresh landscape photo.\n\nUse muted dark natural greens:\n\n- dark olive green\n- deep pine green\n- brown-green\n- black-green shadow tones\n- muted dry green accents only in small amounts\n\nDarken the forest and reduce fresh green saturation.\n\nThe forest should feel like printed poster foliage, not crisp raw photographic greenery.\n\nThe trees should support the monument and stay secondary in visual importance.\n\nTree details may remain readable, but they should be slightly softened by poster color compression and subtle canvas texture.\n\nAvoid bright fresh green, vivid natural green, neon green, saturated modern green, glossy foliage, crisp photographic tree detail, and overly sharp individual tree needles.\n\n---\n## 5.5 Commercial Poster Color Tuning\n\nThe final image should look like not a raw landscape photograph.\n\nUse clean but strong poster color contrast:\n\n- richer royal-blue sky with a stronger top-to-bottom gradient\n- warm beige-gray stone with deeper brown-gray shadows\n- muted dark olive forest, not fresh green\n- controlled highlights, no overexposed stone or sky\n- subtle canvas texture, but not a heavy vintage or aged effect\n\nThe image should feel bold, readable, and high-contrast from a distance, while still looking realistic and premium.\nThe sky should keep a strong natural royal-blue gradient, while the stone and forest should carry slightly stronger shadow density.\n\nUse commercial poster contrast instead of raw photographic contrast.\n---\n## 6. Monument Structure\n\nCreate the family as separate monumental carved stone portraits integrated into the mountain cliff, in the spirit of Mount Rushmore.\n\nShow only carved heads and upper bust \/ upper chest areas.\n\nDo not show full bodies.\n\nDo not show natural human pose interaction.\n\nDo not show hugging, leaning, crossed arms, hands resting on rocks, stacked family-photo posing, or casual portrait arrangements.\n\nHands, elbows, and forearms should not be visible as major elements.\n\nEach person should appear as an individual monumental carved portrait, arranged side-by-side or slightly staggered across the cliff face.\n\nThe result should feel like a true national stone monument with sculpted heads emerging from the mountain, not like a family portrait converted into stone.\n\n---\n\n## 7. Unified Statue Face Direction\n\nAll carved stone portraits must face the same general direction, like a unified heroic monument.\n\nEvery statue head should turn toward the upper-right side of the poster using a consistent three-quarter side-facing angle.\n\nAll faces must look diagonally upward and to the right, as if proudly gazing toward the upper-right horizon.\n\nThe gaze direction should feel elevated, heroic, dignified, and future-facing.\n\nDo not make any statue face directly forward toward the viewer.\n\nDo not make any statue look left, downward, sideways in another direction, or toward the opposite side.\n\nDo not create mixed gaze directions.\n\nAll statue heads should share the same clear direction: three-quarter view, looking diagonally upward toward the upper-right.\n\nSubtle natural variation in head angle is allowed, but the overall gaze direction must clearly remain unified toward the upper-right.\n\nExpressions must feel proud, noble, calm, heroic, dignified, and monumental.\n\nAvoid casual smiles, playful expressions, sad expressions, fearful expressions, blank photo-like expressions, or intimate family-photo emotion.\n\n---\n\n## 8. Stone Carving Style\n\nThe family portraits must look physically carved directly into the mountain.\n\nDo not make the faces look like normal photo portraits with a stone filter.\n\nDo not make the faces look soft, smooth, painterly, waxy, plastic, or human-skin-like.\n\nThe carved faces must have:\n\n* hard chiseled stone geometry\n* strong angular planes on the forehead, nose, cheekbones, lips, chin, and jaw\n* simplified facial anatomy like a real stone monument\n* deep carved eye sockets with shadowed stone eyes\n* simplified stone-carved eye forms, not realistic human eyes\n* strong protruding nose bridge and carved nostrils\n* lips carved as solid stone forms\n* clear stone-cut edges around the face and neck\n* visible hammer-and-chisel marks\n* rough granite texture\n* cracks, vertical stone seams, scratches, weathering, chips, and broken stone edges\n* strong shadows inside carved grooves and under facial features\n\nPreserve each person\u2019s recognizable identity through the carved facial structure, age impression, hairstyle volume, and facial proportions, while still making them look like true granite carvings.\n\nConvert all hair into carved stone masses.\n\nHair should not look like real hair strands.\n\nUse blocky sculpted stone shapes, rough carved grooves, chipped edges, and simplified hair volume.\n\nThe hair must feel carved from the same granite as the mountain.\n\n---\n\n## 9. Portrait-to-Cliff Blending\n\nThe carved portraits and surrounding mountain cliff must share the same granite material, color, brightness, warmth, saturation, texture density, weathering, cracks, and dustiness.\n\nDo not make the carved portraits cleaner, whiter, brighter, smoother, or more polished than the surrounding cliff.\n\nDo not make the faces look like separate statue material placed onto the mountain.\n\nThe portraits must feel carved from the exact same rock mass as the mountain.\n\nThe transition between the carved portraits and the surrounding cliff must feel natural, structural, and believable.\n\nDo not make the statues look pasted onto the cliff.\n\nDo not create clean cut-out silhouettes around the busts.\n\nThe carved portraits must emerge organically from the same cliff mass.\n\nSurrounding rock planes should flow naturally into the neck, shoulders, chest, and lower bust areas.\n\nThe lower bust and side edges of each portrait should gradually dissolve into the mountain through continuous stone surfaces, broken rock planes, chiseled transitions, cracks, ledges, and natural cliff geometry.\n\nPreserve visible mountain texture around, between, beneath, and beside the portraits so the monument feels like one integrated rock formation.\n\n---\n\n## 10. Natural Landscape Details\n\nGenerate the mountain cliff as a believable natural granite formation.\n\nThe cliff must look geologically believable, rugged, irregular, and naturally weathered.\n\nUse realistic granite cliff structure with natural variation in rock strata, fractured vertical walls, erosion marks, chipped edges, ledges, crevices, shadow pockets, irregular stone surfaces, natural slope transitions, and tonal variation within the same warm stone family.\n\nThe background rock areas that do not contain portraits must still look like authentic natural cliff surfaces.\n\nMake the mountain and carved portraits feel like one continuous geological formation.\n\nGenerate a realistic natural pine forest along the lower slope and bottom foreground.\n\nUse varied tree heights, varied tree spacing, irregular natural silhouettes, believable depth, organic distribution, and natural overlap between trees, rocks, and terrain.\n\nThe tree line should integrate naturally with the rocky lower slope.\n\nSome trees may partially overlap the lower rocks, but they must not cover important carved faces.\n\nKeep the forest readable but not overly noisy.\n\n---\n\n## 11. Unified Lighting and Finish\n\nUse one coherent natural lighting environment across the entire image.\n\nUse natural sunlight from above\/front-side, creating strong monument depth.\n\nThe sky, cliff, carved portraits, lower rocky slope, and pine forest must share the same lighting direction and color temperature.\n\nThe lighting and color grading should create:\n\n- warm muted highlights on the stone and cliff\n- stronger deep brown-gray shadows in eye sockets, under the nose, under the lips, around the jawline, in carved cracks, and in cliff crevices\n- controlled stone highlights without white or glowing areas\n- clear natural light behavior in the sky\n- richer blue depth in the upper sky, without bleaching or fading the blue\n- stronger commercial poster contrast across the full image\n- subtle canvas\/poster print texture without making the sky faded or dirty\n- strong sculptural depth on the carved portraits\n- slightly darker stone midtones without losing carved detail\n- reduced pale cream highlights on the carved faces\n- deeper shadow density in facial relief and cliff crevices\n- richer commercial royal-blue density in the sky\n- muted darker forest tones that stay secondary to the monument\n- a premium printed poster finish rather than a raw outdoor photo look\n\nThe lighting must not bleach, fade, soften, or over-brighten the blue sky. The top sky must remain rich, darker, saturated, and clearly blue.\n\nThe upper sky should keep a strong deeper blue at the top.\n\nApply only subtle poster\/canvas texture across the final artwork.\n\nThe texture should support print quality but should not strongly alter the sky color.\n\nAvoid artificial HDR, fake glow, mismatched lighting, over-sharpened contrast, sterile digital realism, glossy digital light, clean white highlights, or separate-layer lighting.\n\n---\n\n## 12. Final Style Direction\n\n* premium personalized family monument image\n* Mount Rushmore-style American mountain monument scene\n* realistic monumental stone carving\n* warm beige-gray \/ tan-gray \/ dusty brown-gray granite\n* fresh natural rich royal-blue sky with strong top-to-bottom gradient and deeper blue density at the top\n* deeper darker blue at the top, lighter but still blue near the horizon\n* muted dark olive \/ deep pine green \/ brown-green forest\n* heroic national monument atmosphere\n* proud, dignified, future-facing statue expressions\n* clean upper sky reserved for external typography overlay\n* subtle canvas\/poster texture\n* commercial poster contrast, not raw photographic contrast\n* sharp print-ready quality\n* high resolution\n* unified natural lighting\n* strong visual hierarchy\n* believable landscape realism\n\n---\n##13 Poster Finish \/ Color Compression\n\nApply a premium commercial poster finish across the full image.\n\nThe final image should not look like a raw camera photograph.\n\nUse subtle printed-canvas color compression:\n\n- slightly deeper blues in the sky\n- slightly darker and warmer stone midtones\n- stronger shadow density in carved details\n- muted dark olive forest tones\n- controlled highlights with no bright white clipping\n- subtle texture visible across sky, stone, and forest\n\nThe poster finish should make the image feel bold, rich, premium, and print-ready from a distance.\n\nDo not use a heavy vintage wash.\n\nDo not add yellow aging, sepia haze, dirty paper texture, faded ink, or distressed antique effects.\n\nThe image should remain realistic, clean, premium, and natural, but with stronger commercial poster color density than a raw landscape photograph.\n---\n\n## Classic Printed Poster Treatment\n\nApply a controlled classic printed poster treatment to the image.\n\nThe final artwork should feel like a premium vintage-inspired American commemorative image, not a raw digital landscape photo.\n\nUse selective warm vintage color grading mainly on the stone, cliff, rocky slope, and forest.\n\nThe stone and foreground should carry a warm ochre-brown printed poster tone.\n\nThe sky must keep its rich royal-blue gradient and should not turn yellow, gray, dusty, faded, or sepia.\n\nUse a subtle aged print warmth in the stone areas only:\n\n- warmer ochre-brown stone midtones\n- muted golden tan highlights\n- sepia-brown weathering in cracks and carved grooves\n- darker umber shadows\n- slightly muted forest greens\n- gentle printed canvas grain across the full image\n\nThe poster effect should feel classic, warm, premium, and nostalgic, but still clean and commercially polished.\n\nDo not use a heavy vintage wash over the entire image.\n\nDo not add strong yellow haze, dirty paper texture, faded ink, distressed stains, old paper borders, or antique damage.\n\nThe result should be a clean premium poster with classic warmth, not an old damaged poster.\n---\n## Negative Prompt\n\nno text, no typography, no headline, no quote, no slogan, no logo, no lettering, no numbers, no date text, no banner, no ribbon, no plaque, no badge, no emblem, no flag, no flagpole, no stars and stripes, no decorative graphic elements, no background reference image, no copied background, no pasted reference scene, no separate-layer look, no carved faces entering the upper 45% typography-safe area, no statue heads above the 45% safety line, no portrait touching or invading the top sky area, no faces in the upper half of the poster, no monument too high, no portraits too low near the tree line, no monument cluster off-center, no monument stretched across the full width, no carved faces near the left edge, no carved faces near the right edge, no side-cropped statues, no face placed in bleed area, no important facial features inside the outer side margins, no soft human skin, no realistic skin texture, no smooth human faces, no photo overlay, no painted portrait effect, no normal hair strands, no glossy skin, no wax statue, no marble statue, no plastic look, no realistic human eyes, no teeth detail, no soft smile lines, no blurred facial features, no extra people, no extra faces, no floating heads, no separate busts placed in front of the mountain, no flat 2D face texture, no mismatched stone color, no bright white statue faces, no ivory statue highlights, no pale cream stone, no bright cream stone, no overlit statue faces, no cleaner faces than the cliff, no separate statue material, no pasted statue edges, no abrupt cut-out bust boundaries, no detached shoulder transition, no preserved original pose, no family-photo pose, no hugging pose, no leaning pose, no crossed arms, no hands prominently visible, no casual portrait arrangement, no full bodies, no mixed face directions, no opposite gaze directions, no front-facing family portrait look, no statue looking directly at the viewer, no statue looking left, no statue looking downward, no statue looking in different directions, no casual smiling expression, no playful expression, no sad expression, no fearful expression, no pale blue sky, no pastel blue sky, no washed-out sky, no faded sky, no weak blue sky, no overly bright sky, no overexposed blue sky, no dusty light-blue sky, no beige color cast over the sky, no sepia wash over the sky, no teal-heavy sky, no turquoise sky, no cyan sky, no gray-blue sky, no flat single-color sky, no sky without top-to-bottom gradient, no weak top-sky saturation, no sky that becomes nearly white near the horizon, no pure white clouds, no bright glowing clouds, no heavy clouds, no storm clouds, no clouds covering the center, no cold silver-gray stone, no cold gray stone, no clean limestone look, no marble-white stone, no fresh carved statue look, no oversaturated colors, no fresh green forest, no bright fresh green forest, no saturated natural greens, no crisp photographic foliage, no glossy foliage, no fake forest texture, no repetitive trees, no clumpy tree pattern, no artificial rock pattern, no plastic cliff texture, no unrealistic cliff surface, no digital backdrop,no weak sky contrast, no sky too light overall, no airy pale blue sky, no low-saturation sky, no sky lacking dark rich blue at the top, no soft pastel commercial background, no over-bright horizon sky, no flat low-contrast poster, no pale overlit stone faces, no weak stone shadows, no fresh bright forest, no overly photographic trees,no raw photographic sky, no overly clean landscape photo, no sky with weak blue density, no sky too bright in the upper area, no sky lacking deep royal blue at the top, no low-contrast blue gradient, no pale overlit stone faces, no newly carved clean statue, no weak stone shadows, no glossy green foliage, no overly photographic trees, no image without subtle canvas texture,no raw camera-photo color grading, no untouched landscape photography look, no tourist photo look, no overly clean digital photo finish, no pale cream statue highlights, no ivory face highlights, no stone faces that look too bright, no weak facial relief shadows, no shallow eye socket shadows, no forest competing with the monument, no bright natural green trees, no overly crisp tree needles, no sky that looks like a plain landscape photo, no weak poster color density, no missing poster finish, no overly smooth digital sky,no neutral gray stone, no cold gray granite, no pale limestone color, no clean beige-gray stone, no white cream highlights, no marble-like statue, no overly modern digital color grading, no raw landscape photo color, no full-image yellow filter, no sepia sky, no dusty faded sky, no gray vintage sky, no dirty old paper effect, no damaged poster texture, no heavy antique filter, no stone lacking ochre-brown warmth, no stone without golden tan midtones, no foreground without warm poster tone\n\n```\n```\n\"\"\"# Image Generation Prompt\n\nCreate a premium personalized family monument image inspired by a Mount Rushmore-style American mountain monument scene.\n\nUse the uploaded family photo only as an identity reference for the people. Generate the full landscape, monument, sky, mountain cliff, lower rocky slope, and pine forest entirely from this prompt.\n\nDo not use any uploaded background or reference scene.\n\nDo not generate any text, headline, typography, quote, number, logo, badge, banner, ribbon, plaque, date, slogan, lettering, flag, or decorative graphic element.\n\n---\n\n## 1. Uploaded Photo Usage \u2014 Identity Reference Only\n\nUse the uploaded family photo only to preserve each visible person\u2019s recognizable identity:\n\n- facial structure\n- apparent age\n- hairstyle and hair volume\n- general facial proportions\n- family-member distinction\n- recognizable identity impression\n\nDo not use the uploaded family photo as a reference for:\n\n- pose\n- body posture\n- arm placement\n- hand placement\n- shoulder overlap\n- hugging or leaning arrangement\n- family-photo grouping\n- original crop or framing\n- original background\n- original lighting\n- original clothing\n- original interaction\n\nThe final artwork must be a newly generated stone monument composition, not a stone-translated version of the uploaded photo.\n\n---\n\n## 2. Character Count Rule\n\nThe number of carved stone portraits in the final artwork must exactly match the number of people visible in the uploaded family photo.\n\nIf the uploaded family photo contains 3 people, create exactly 3 carved stone portraits.\n\nIf the uploaded family photo contains 4 people, create exactly 4 carved stone portraits.\n\nNo more, no less.\n\nDo not add extra faces, extra heads, extra statues, extra people, background people, or additional monument figures.\n\n---\n\n## 3. Overall Poster Composition\n\nCreate a vertical image composition with a clear visual hierarchy:\n\n1. Upper sky area reserved for external typography overlay\n2. Carved family monument in the lower-middle area\n3. Natural cliff, rocky slope, and pine forest at the bottom\n\nThe scene should include:\n\n- a clean rich blue sky in the upper portion\n- a massive rugged granite mountain cliff in the middle and lower portion\n- family portraits carved directly into the cliff face\n- natural rocky slope and pine forest at the bottom\n- heroic national-monument atmosphere\n- cinematic natural sunlight\n- realistic geological landscape\n- premium print-ready canvas poster quality\n\nThe entire environment must feel generated as one unified scene, not assembled from separate layers.\n\nThe sky, cliff, carved portraits, rocky slope, and forest must share the same camera perspective, lighting direction, atmospheric depth, color temperature, and realism level.\n\n---\n\n## 4. Top Typography Safe Zone \u2014 Extremely Important\n\nThe upper 45% of the poster is reserved for an external typography overlay.\n\nThis upper area must remain clean, spacious, open, readable, and visually clear.\n\nTreat the upper 45% of the image as a strict no-portrait zone.\n\nNo carved face, forehead, hair mass, eye area, nose, cheek, mouth, chin, jawline, neck, shoulder, bust, or important statue detail may enter the upper 45% of the image.\n\nAll carved family portraits must stay below the 45% horizontal safety line.\n\nThe top of the tallest carved statue head should sit around 46\u201348% of the total image height.\n\nLeave a strong clean visual gap between the upper typography area and the top of the tallest carved statue head.\n\nPrioritize text safety over statue size.\n\nIf necessary, make the statue group slightly smaller and lower rather than allowing it to enter the typography area.\n\nThe upper 45% should mainly contain clean clear blue sky, with only subtle natural white clouds near the outer edges or corners.\n\nKeep the center of the upper sky area open, uncluttered, and readable.\n\nDo not place carved portraits, important cliff details, pine trees, flags, banners, foreground elements, or decorative elements inside the upper typography-safe area.\n\n---\n\n## 5. Portrait Placement and Scale\n\nPosition the carved family portraits in the lower-middle monument zone.\n\nRecommended vertical placement:\n\n- all important portrait details stay below 45% of the image height\n- tallest head begins around 46\u201348%\n- visual center of the carved faces sits around 58\u201366%\n- lower busts blend into the cliff and rocky slope around 72\u201378%\n\nThe family monument should be large, heroic, highly visible, and clearly integrated into the mountain, but never too high.\n\nDo not place the portraits near the bottom tree line.\n\nDo not crop, overlay, or hide the statue heads.\n\nThe monument group must feel balanced, centered, and clearly readable as the main focal point below the sky area.\n\n---\n\n## 6. Horizontal Safe Margins \/ Canvas Wrap Safety\n\nKeep the entire carved family monument group inside a strict centered horizontal safe zone.\n\nAssume the final artwork will be cropped slightly and wrapped around canvas edges.\n\nReserve the outer left 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nReserve the outer right 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nThese outer side safety zones should contain only non-essential scenery such as sky, clouds, mountain rock, cliff texture, and forest.\n\nNo carved face, forehead, hair mass, temple, eye area, nose, cheek, lips, chin, jawline, ear, neck, shoulder, or bust edge may enter the outer side safety zones.\n\nKeep all important facial elements fully inside the central safe area.\n\nThe full group of carved portraits should occupy approximately 50\u201360% of the total image width.\n\nLeave visible mountain rock on both sides of the outermost portraits as a protective buffer.\n\nDo not let the monument group stretch across the full width of the poster.\n\n---\n\n## 7. Monument Structure\n\nCreate the family as separate monumental carved stone portraits integrated into the mountain cliff, in the spirit of Mount Rushmore.\n\nShow only carved heads and upper bust \/ upper chest areas.\n\nDo not show full bodies.\n\nDo not show natural human pose interaction.\n\nDo not show hugging, leaning, crossed arms, hands resting on rocks, stacked family-photo posing, or casual portrait arrangements.\n\nHands, elbows, and forearms should not be visible as major elements.\n\nEach person should appear as an individual monumental carved portrait, arranged side-by-side or slightly staggered across the cliff face.\n\nThe result should feel like a true national stone monument with sculpted heads emerging from the mountain, not like a family portrait converted into stone.\n\n---\n\n## 8. Unified Statue Face Direction\n\nAll carved stone portraits must face the same general direction, like a unified heroic monument.\n\nEvery statue head should turn toward the upper-right side of the poster using a consistent three-quarter side-facing angle.\n\nAll faces must look diagonally upward and to the right, as if proudly gazing toward the upper-right horizon.\n\nThe gaze direction should feel elevated, heroic, and future-facing.\n\nDo not make any statue face directly forward toward the viewer.\n\nDo not make any statue look left, downward, sideways in another direction, or toward the opposite side.\n\nDo not create mixed gaze directions.\n\nDo not make one person look left while another person looks right.\n\nAll statue heads should share the same clear direction: three-quarter view, looking diagonally upward toward the upper-right.\n\nSubtle natural variation in head angle is allowed, but the overall gaze direction must clearly remain unified toward the upper-right.\n\nExpressions must feel proud, noble, calm, heroic, dignified, and monumental.\n\nAvoid casual smiles, playful expressions, sad expressions, fearful expressions, blank photo-like expressions, or intimate family-photo emotion.\n\n---\n\n## 9. Stone Carving Style\n\nThe family portraits must look physically carved directly into the mountain.\n\nDo not make the faces look like normal photo portraits with a stone filter.\n\nDo not make the faces look soft, smooth, painterly, waxy, plastic, or human-skin-like.\n\nThe carved faces must have:\n\n- hard chiseled stone geometry\n- strong angular planes on the forehead, nose, cheekbones, lips, chin, and jaw\n- simplified facial anatomy like a real stone monument\n- deep carved eye sockets with shadowed stone eyes\n- simplified stone-carved eye forms, not realistic human eyes\n- strong protruding nose bridge and carved nostrils\n- lips carved as solid stone forms\n- clear stone-cut edges around the face and neck\n- visible hammer-and-chisel marks\n- rough granite texture\n- cracks, vertical stone seams, scratches, weathering, chips, and broken stone edges\n- strong shadows inside carved grooves and under facial features\n\nPreserve each person\u2019s recognizable identity through the carved facial structure, age impression, hairstyle volume, and facial proportions, while still making them look like true granite carvings.\n\n---\n\n## 10. Hair Treatment\n\nConvert all hair into carved stone masses.\n\nHair should not look like real hair strands.\n\nUse blocky sculpted stone shapes, rough carved grooves, chipped edges, and simplified hair volume.\n\nThe hair must feel carved from the same granite as the mountain.\n\nPreserve each person\u2019s recognizable hairstyle silhouette, but translate it into sculpted stone form.\n\n---\n\n## 11. Stone Material Consistency\n\nThe carved portraits and the surrounding mountain cliff must share the same granite color, brightness, warmth, saturation, texture density, weathering, cracks, and dustiness.\n\nDo not make the carved portraits cleaner, whiter, brighter, smoother, or more polished than the surrounding cliff.\n\nDo not make the faces look like separate statue material placed onto the mountain.\n\nThe portraits must feel carved from the exact same rock mass as the mountain.\n\nUse only subtle tonal differences for lighting, shadows, and sculptural depth.\n\nThe faces, hair, neck, bust areas, and surrounding cliff should visually merge into one continuous granite mountain surface.\n\n---\n\n## 12. Portrait-to-Cliff Blending\n\nThe transition between the carved portraits and the surrounding cliff must feel natural, structural, and believable.\n\nDo not make the statues look pasted onto the cliff.\n\nDo not create clean cut-out silhouettes around the busts.\n\nDo not create isolated statue shapes detached from the rock wall.\n\nThe carved portraits must emerge organically from the same cliff mass.\n\nSurrounding rock planes should flow naturally into the neck, shoulders, chest, and lower bust areas.\n\nThe lower bust and side edges of each portrait should gradually dissolve into the mountain through:\n\n- continuous stone surfaces\n- broken rock planes\n- chiseled transitions\n- cracks\n- ledges\n- natural cliff geometry\n\nPreserve visible mountain texture around, between, beneath, and beside the portraits so the monument feels like one integrated rock formation.\n\nAvoid abrupt value shifts, material shifts, or contour boundaries that separate the portraits from the cliff.\n\n---\n\n## 13. Natural Mountain Cliff\n\nGenerate the mountain cliff as a realistic natural granite formation.\n\nThe cliff must look geologically believable, rugged, irregular, and naturally weathered.\n\nUse realistic granite cliff structure with natural variation in:\n\n- rock strata\n- fractured vertical walls\n- erosion marks\n- chipped edges\n- ledges\n- crevices\n- shadow pockets\n- irregular stone surfaces\n- natural slope transitions\n- tonal variation within the same rock family\n\nThe background rock areas that do not contain portraits must still look like authentic natural cliff surfaces.\n\nMake the mountain and carved portraits feel like one continuous geological formation.\n\nAvoid fake-looking cliff texture, repetitive AI rock patterns, painterly rock surfaces, plastic-looking stone, overly stylized mountain forms, or digital backdrop appearance.\n\n---\n\n## 14. Natural Pine Forest\n\nGenerate a realistic natural pine forest along the lower slope and bottom foreground.\n\nThe forest must look like part of the same mountain environment, not an added texture or decorative pattern.\n\nUse realistic pine forest details:\n\n- varied tree heights\n- varied tree spacing\n- irregular natural silhouettes\n- believable depth between front and back trees\n- realistic pine needle massing\n- natural shadowing\n- subtle atmospheric depth\n- organic distribution across the rocky slope\n- natural overlap between trees, rocks, and terrain\n\nThe tree line should integrate naturally with the rocky lower slope.\n\nSome trees may partially overlap the lower rocks, but they must not cover important carved faces.\n\nKeep the forest detailed but not overly noisy.\n\nAvoid brushy, smeared, clumpy, repetitive, cut-out, muddy, or artificially patterned trees.\n\n---\n\n## 15. Clear Blue Sky\n\nThe upper 45% of the artwork should contain a clean, clear, naturally rich blue sky reserved for external typography placement.\n\nThe sky must look like a bright clear day with crisp atmosphere, excellent visibility, and fresh natural blue color.\n\nUse a natural sky gradient:\n\n- slightly deeper blue toward the top\n- slightly lighter blue toward the horizon\n\nKeep the sky clean, open, and distinctly blue.\n\nAdd only a few soft white clouds, placed mostly near the outer edges or corners of the sky area.\n\nKeep the central sky area open and uncluttered for readability.\n\nClouds should be bright white, soft, natural, lightly defined, and believable.\n\nDo not make the sky pale, hazy, foggy, washed-out, milky, dusty, gray-blue, overexposed, flat white, dull, polluted, smoky, or low-contrast.\n\nDo not make the clouds heavy, stormy, dense, gray, dominant, or spread across the center.\n\n---\n\n## 16. Unified Landscape Lighting\n\nUse one coherent natural lighting environment across the entire image.\n\nUse dramatic sunlight from above\/front-side, creating strong contrast and sculptural depth.\n\nThe sky, cliff, carved portraits, lower rocky slope, and pine forest must all share the same lighting direction and color temperature.\n\nAdd deep shadows in:\n\n- eye sockets\n- under the nose\n- under the lips\n- around the jawline\n- carved cracks\n- natural cliff crevices\n\nMake the faces feel heavy, dimensional, and monumental.\n\nUse stronger sculptural light-and-shadow contrast on the carved portraits, while keeping the stone color and material consistent with the surrounding cliff.\n\nAvoid artificial HDR, fake glow, mismatched lighting, over-sharpened contrast, or separate-layer lighting.\n\n---\n\n## 17. Final Style Direction\n\n- heroic national monument atmosphere\n- cinematic but realistic\n- highly detailed granite carving\n- realistic natural granite cliff\n- realistic pine forest\n- sharp print-ready quality\n- high resolution\n- strong visual hierarchy\n- proud, dignified, future-facing monument mood\n- clean patriotic-inspired color mood without flags\n- open rich blue sky reserved for external typography overlay\n- unified scene generation\n- believable landscape realism\n\n---\n\n## Negative Prompt\n\nno text, no typography, no headline, no quote, no slogan, no logo, no lettering, no numbers, no date text, no banner, no ribbon, no plaque, no badge, no emblem, no flag, no flagpole, no stars and stripes, no decorative graphic elements, no background reference image, no copied background, no pasted reference scene, no separate-layer look, no carved faces entering the upper 45% typography-safe area, no statue heads above the 45% safety line, no portrait touching or invading the top sky area, no insufficient gap above the statue heads, no faces in the upper half of the poster, no monument too high, no portraits too low near the tree line, no monument cluster off-center, no monument stretched across the full width, no carved faces near the left edge, no carved faces near the right edge, no side-cropped statues, no face placed in bleed area, no important facial features inside the outer side margins, no soft human skin, no realistic skin texture, no smooth human faces, no photo overlay, no painted portrait effect, no normal hair strands, no glossy skin, no wax statue, no marble statue, no plastic look, no realistic human eyes, no teeth detail, no soft smile lines, no blurred facial features, no extra people, no extra faces, no floating heads, no separate busts placed in front of the mountain, no flat 2D face texture, no mismatched stone color, no bright white statue faces, no cleaner faces than the cliff, no separate statue material, no pasted statue edges, no abrupt cut-out bust boundaries, no detached shoulder transition, no preserved original pose, no family-photo pose, no hugging pose, no leaning pose, no crossed arms, no hands prominently visible, no casual portrait arrangement, no full bodies, no mixed face directions, no opposite gaze directions, no front-facing family portrait look, no statue looking directly at the viewer, no casual smiling expression, no playful expression, no sad expression, no fearful expression, no pale sky, no washed-out sky, no hazy sky, no foggy sky, no milky sky, no overexposed sky, no dull gray-blue sky, no flat white sky, no heavy clouds, no storm clouds, no clouds covering the center, no fake forest texture, no repetitive trees, no clumpy tree pattern, no painted foliage, no artificial rock pattern, no plastic cliff texture, no unrealistic cliff surface, no digital backdrop","image_filter_ref_img":"users\/6885\/images\/6a2fe273dd7ba.png","color_sketch_image_filter":"#000000","image_filter_enable_ref_img":false}],"visible":true,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Lade Dein Foto hoch","photo_editor":"static","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"cover","direct_clipart_style":"contain"},{"id":"layer-699019","top":-157.82,"url":"users\/6885\/image-layers\/6a31be2c00eed_large.webp","left":0.01,"name":"Shadow","type":"clipart","width":2066.98,"height":2988.51,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","form_type":"static","use_hd_layer":false,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-293152","top":419.78,"url":"users\/6885\/image-layers\/6a2f9a77581f4_large.webp","left":325.52,"name":"Flag","type":"clipart","width":1547.95,"height":2321.92,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-610519","top":70.37,"url":"users\/6885\/image-layers\/6a2f9a770d569_large.webp","left":151.54,"name":"years","type":"clipart","width":1771.33,"height":2657,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-673772","top":-234.42,"url":"users\/6885\/image-layers\/6a31a7b34b7a5_large.webp","left":-114.79,"name":"Typo","type":"clipart","width":2296.58,"height":3320.46,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","use_hd_layer":false,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-361064","top":0,"url":"users\/6885\/image-layers\/6a30f648ea42e_large.webp","left":0.01,"name":"cloud","type":"clipart","width":2066.98,"height":3100.48,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-872937","top":295,"url":"users\/6885\/image-layers\/6a06109e6f51a_large.webp","left":-295.03,"name":"16-X-12-INCH-folded-2cm","type":"clipart","width":2657.07,"height":2067.05,"locked":false,"rotate":90,"visible":false,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"}],"positions":["layer-872937","layer-528139","layer-293152","layer-610519","layer-673772","layer-361064","layer-699019"],"charge_enabled":false}]},{"id":1212956,"name":"(US) Canvas \"250 years freedom\" 30x40","description":null,"width":4724,"height":6201,"thumbnail":"users\/6885\/artworks\/6a31d4bc03461_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2623463,"design_format":"rgb","status":0,"data":[{"id":"template-193618","name":"Default template","addons":[],"layers":[{"id":"layer-376664","top":-437.08,"url":"users\/6885\/image-layers\/6a31cadd3ea85_large.webp","left":-167.98,"name":"[Upload] Photo (live)","type":"clipart","width":5059.96,"height":7086,"locked":false,"rotate":0,"effects":[{"id":"id-153210","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"\"\"\"# Image Generation Prompt\n\nCreate a premium personalized family monument image inspired by a Mount Rushmore-style American mountain monument scene.\n\nUse the uploaded family photo only as an identity reference for the people. Generate the full landscape, monument, sky, mountain cliff, rocky slope, and pine forest entirely from this prompt.\n\nDo not use any uploaded background or reference scene.\n\nDo not generate any text, headline, typography, quote, number, logo, badge, banner, ribbon, plaque, date, slogan, lettering, flag, or decorative graphic element.\n\nThe final artwork should look like a premium realistic commemorative poster with strong natural color, controlled contrast, detailed stone carving, and subtle canvas\/poster texture.\n\n---\n\n## 1. Uploaded Photo Usage \u2014 Identity Reference Only\n\nUse the uploaded family photo only to preserve each visible person\u2019s recognizable identity:\n\n* facial structure\n* apparent age\n* hairstyle and hair volume\n* general facial proportions\n* family-member distinction\n* recognizable identity impression\n\nDo not use the uploaded family photo as a reference for:\n\n* pose\n* body posture\n* arm placement\n* hand placement\n* shoulder overlap\n* hugging or leaning arrangement\n* family-photo grouping\n* original crop or framing\n* original background\n* original lighting\n* original clothing\n* original interaction\n\nThe final artwork must be a newly generated stone monument composition, not a stone-translated version of the uploaded photo.\n\n---\n\n## 2. Character Count Rule\n\nThe number of carved stone portraits in the final artwork must exactly match the number of people visible in the uploaded family photo.\n\nIf the uploaded family photo contains 3 people, create exactly 3 carved stone portraits.\n\nIf the uploaded family photo contains 4 people, create exactly 4 carved stone portraits.\n\nNo more, no less.\n\nDo not add extra faces, extra heads, extra statues, extra people, background people, or additional monument figures.\n\n---\n\n## 3. Poster Composition and Safe Zones\n\nCreate a vertical image composition with a clear visual hierarchy:\n\n1. Upper sky area reserved for external typography overlay\n2. Carved family monument in the lower-middle area\n3. Natural cliff, rocky slope, and pine forest at the bottom\n\nThe upper 45% of the poster is reserved for external typography overlay.\n\nTreat the upper 45% as a strict no-portrait zone.\n\nNo carved face, forehead, hair mass, eye area, nose, cheek, mouth, chin, jawline, neck, shoulder, bust, or important statue detail may enter the upper 45% of the image.\n\nAll carved family portraits must stay below the 45% horizontal safety line.\n\nThe top of the tallest carved statue head should sit around 46\u201348% of the total image height.\n\nThe visual center of the carved faces should sit around 58\u201366% of the total image height.\n\nThe lower busts should blend into the cliff and rocky slope around 72\u201378% of the total image height.\n\nLeave a strong clean visual gap between the upper typography area and the tallest carved statue head.\n\nThe upper sky area must remain clean, spacious, open, readable, and visually clear.\n\nDo not place carved portraits, important cliff details, pine trees, flags, banners, foreground elements, or decorative elements inside the upper typography-safe area.\n\n---\n\n## 4. Horizontal Safe Margins \/ Canvas Wrap Safety\n\nKeep the entire carved family monument group inside a centered horizontal safe zone.\n\nReserve the outer left 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nReserve the outer right 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nThese side safety zones should contain only non-essential scenery such as sky, clouds, mountain rock, cliff texture, and forest.\n\nNo carved face, forehead, hair mass, temple, eye area, nose, cheek, lips, chin, jawline, ear, neck, shoulder, or bust edge may enter the outer side safety zones.\n\nKeep all important facial elements fully inside the central safe area.\n\nThe full group of carved portraits should occupy approximately 50\u201360% of the total image width.\n\nLeave visible mountain rock on both sides of the outermost portraits as a protective buffer.\n\nDo not let the monument group stretch across the full width of the poster.\n\n---\n\n## 5. Color Direction \u2014 Area-Specific Rules\n\nUse clear area-specific color rules instead of a global vintage color wash.\n\nThe sky, stone, and forest should each have their own controlled color treatment while still feeling part of one unified poster.\n\n### Sky Color\n\nThe sky must look like a rich natural royal-blue commercial poster sky, not a raw photographic landscape sky.\n\nUse a strong vertical blue gradient with clear color density:\n\n- very top sky: deep rich royal blue, darker, denser, and more saturated\n- upper sky: strong natural blue with commercial poster depth\n- middle sky: medium vibrant blue, not pale or airy\n- lower sky near the horizon: lighter blue, but still clearly saturated blue\n\nThe top 60% of the sky must remain visibly darker and richer than the rest of the sky.\n\nThe sky must not become too bright, too airy, too pastel, or too photographic.\n\nIncrease blue density across the full sky while keeping it clean and natural.\n\nKeep the center sky open, smooth, readable, and clean for external typography overlay.\n\nUse only very subtle canvas\/poster grain in the sky.\n\nThe texture must not make the sky look vintage, dusty, faded, dirty, sepia, or aged.\n\nClouds should be minimal, soft, natural white with a slight warm tint, placed mostly near the outer edges or corners.\n\nDo not place strong cloud shapes in the center typography area.\n\nAvoid pale blue, pastel blue, washed-out blue, gray-blue, teal-heavy blue, turquoise, cyan, faded blue, overexposed sky, weak sky contrast, raw photographic sky, and flat single-color sky.\n\n### Stone Color\n\nThe mountain cliff and carved portraits should use warm aged monument stone tones with a classic printed poster feeling:\n\n- warm ochre-beige\n- golden tan-gray\n- dusty sandstone brown\n- muted honey-brown highlights\n- sepia-brown midtones\n- weathered umber-gray shadows\n- deep brown-black shadow accents\n\nThe stone should lean noticeably more yellow-brown and ochre than neutral gray.\n\nThe carved portraits and cliff should feel like aged sunlit sandstone-granite printed on a classic commemorative poster.\n\nShift the stone color away from pale limestone, clean beige-gray, and cold gray.\n\nAdd more warm ochre, dusty tan, muted golden brown, and sepia-brown into the stone midtones.\n\nThe stone should look older, warmer, dustier, heavier, and more monumental.\n\nKeep the stone realistic, but give it a classic vintage American monument poster warmth.\n\nReduce pale cream and ivory highlights on the carved faces.\n\nHighlights on the forehead, nose, cheekbones, lips, chin, and bust should be muted ochre-beige, dusty tan, or honey-brown, never bright cream, ivory, white, or glowing.\n\nIncrease sculptural shadow depth using warm brown-gray shadows in:\n\n- eye sockets\n- under the brow\n- under the nose\n- under the lips\n- around the jawline\n- neck grooves\n- carved hair grooves\n- cliff cracks\n- bust-to-rock transitions\n\nThe carved faces should not look newly carved, clean, pale, polished, marble-like, or overlit.\n\nThe portraits and cliff must share the same warm ochre-brown stone palette, texture density, dustiness, weathering, and printed poster finish.\n\nDo not use bright white stone, ivory highlights, pale cream faces, cold silver-gray stone, neutral gray granite, marble-white stone, clean limestone tones, or overexposed stone highlights.\n\n### Forest Color\n\nThe pine forest should be visually subdued and darker than a fresh landscape photo.\n\nUse muted dark natural greens:\n\n- dark olive green\n- deep pine green\n- brown-green\n- black-green shadow tones\n- muted dry green accents only in small amounts\n\nDarken the forest and reduce fresh green saturation.\n\nThe forest should feel like printed poster foliage, not crisp raw photographic greenery.\n\nThe trees should support the monument and stay secondary in visual importance.\n\nTree details may remain readable, but they should be slightly softened by poster color compression and subtle canvas texture.\n\nAvoid bright fresh green, vivid natural green, neon green, saturated modern green, glossy foliage, crisp photographic tree detail, and overly sharp individual tree needles.\n\n---\n## 5.5 Commercial Poster Color Tuning\n\nThe final image should look like not a raw landscape photograph.\n\nUse clean but strong poster color contrast:\n\n- richer royal-blue sky with a stronger top-to-bottom gradient\n- warm beige-gray stone with deeper brown-gray shadows\n- muted dark olive forest, not fresh green\n- controlled highlights, no overexposed stone or sky\n- subtle canvas texture, but not a heavy vintage or aged effect\n\nThe image should feel bold, readable, and high-contrast from a distance, while still looking realistic and premium.\nThe sky should keep a strong natural royal-blue gradient, while the stone and forest should carry slightly stronger shadow density.\n\nUse commercial poster contrast instead of raw photographic contrast.\n---\n## 6. Monument Structure\n\nCreate the family as separate monumental carved stone portraits integrated into the mountain cliff, in the spirit of Mount Rushmore.\n\nShow only carved heads and upper bust \/ upper chest areas.\n\nDo not show full bodies.\n\nDo not show natural human pose interaction.\n\nDo not show hugging, leaning, crossed arms, hands resting on rocks, stacked family-photo posing, or casual portrait arrangements.\n\nHands, elbows, and forearms should not be visible as major elements.\n\nEach person should appear as an individual monumental carved portrait, arranged side-by-side or slightly staggered across the cliff face.\n\nThe result should feel like a true national stone monument with sculpted heads emerging from the mountain, not like a family portrait converted into stone.\n\n---\n\n## 7. Unified Statue Face Direction\n\nAll carved stone portraits must face the same general direction, like a unified heroic monument.\n\nEvery statue head should turn toward the upper-right side of the poster using a consistent three-quarter side-facing angle.\n\nAll faces must look diagonally upward and to the right, as if proudly gazing toward the upper-right horizon.\n\nThe gaze direction should feel elevated, heroic, dignified, and future-facing.\n\nDo not make any statue face directly forward toward the viewer.\n\nDo not make any statue look left, downward, sideways in another direction, or toward the opposite side.\n\nDo not create mixed gaze directions.\n\nAll statue heads should share the same clear direction: three-quarter view, looking diagonally upward toward the upper-right.\n\nSubtle natural variation in head angle is allowed, but the overall gaze direction must clearly remain unified toward the upper-right.\n\nExpressions must feel proud, noble, calm, heroic, dignified, and monumental.\n\nAvoid casual smiles, playful expressions, sad expressions, fearful expressions, blank photo-like expressions, or intimate family-photo emotion.\n\n---\n\n## 8. Stone Carving Style\n\nThe family portraits must look physically carved directly into the mountain.\n\nDo not make the faces look like normal photo portraits with a stone filter.\n\nDo not make the faces look soft, smooth, painterly, waxy, plastic, or human-skin-like.\n\nThe carved faces must have:\n\n* hard chiseled stone geometry\n* strong angular planes on the forehead, nose, cheekbones, lips, chin, and jaw\n* simplified facial anatomy like a real stone monument\n* deep carved eye sockets with shadowed stone eyes\n* simplified stone-carved eye forms, not realistic human eyes\n* strong protruding nose bridge and carved nostrils\n* lips carved as solid stone forms\n* clear stone-cut edges around the face and neck\n* visible hammer-and-chisel marks\n* rough granite texture\n* cracks, vertical stone seams, scratches, weathering, chips, and broken stone edges\n* strong shadows inside carved grooves and under facial features\n\nPreserve each person\u2019s recognizable identity through the carved facial structure, age impression, hairstyle volume, and facial proportions, while still making them look like true granite carvings.\n\nConvert all hair into carved stone masses.\n\nHair should not look like real hair strands.\n\nUse blocky sculpted stone shapes, rough carved grooves, chipped edges, and simplified hair volume.\n\nThe hair must feel carved from the same granite as the mountain.\n\n---\n\n## 9. Portrait-to-Cliff Blending\n\nThe carved portraits and surrounding mountain cliff must share the same granite material, color, brightness, warmth, saturation, texture density, weathering, cracks, and dustiness.\n\nDo not make the carved portraits cleaner, whiter, brighter, smoother, or more polished than the surrounding cliff.\n\nDo not make the faces look like separate statue material placed onto the mountain.\n\nThe portraits must feel carved from the exact same rock mass as the mountain.\n\nThe transition between the carved portraits and the surrounding cliff must feel natural, structural, and believable.\n\nDo not make the statues look pasted onto the cliff.\n\nDo not create clean cut-out silhouettes around the busts.\n\nThe carved portraits must emerge organically from the same cliff mass.\n\nSurrounding rock planes should flow naturally into the neck, shoulders, chest, and lower bust areas.\n\nThe lower bust and side edges of each portrait should gradually dissolve into the mountain through continuous stone surfaces, broken rock planes, chiseled transitions, cracks, ledges, and natural cliff geometry.\n\nPreserve visible mountain texture around, between, beneath, and beside the portraits so the monument feels like one integrated rock formation.\n\n---\n\n## 10. Natural Landscape Details\n\nGenerate the mountain cliff as a believable natural granite formation.\n\nThe cliff must look geologically believable, rugged, irregular, and naturally weathered.\n\nUse realistic granite cliff structure with natural variation in rock strata, fractured vertical walls, erosion marks, chipped edges, ledges, crevices, shadow pockets, irregular stone surfaces, natural slope transitions, and tonal variation within the same warm stone family.\n\nThe background rock areas that do not contain portraits must still look like authentic natural cliff surfaces.\n\nMake the mountain and carved portraits feel like one continuous geological formation.\n\nGenerate a realistic natural pine forest along the lower slope and bottom foreground.\n\nUse varied tree heights, varied tree spacing, irregular natural silhouettes, believable depth, organic distribution, and natural overlap between trees, rocks, and terrain.\n\nThe tree line should integrate naturally with the rocky lower slope.\n\nSome trees may partially overlap the lower rocks, but they must not cover important carved faces.\n\nKeep the forest readable but not overly noisy.\n\n---\n\n## 11. Unified Lighting and Finish\n\nUse one coherent natural lighting environment across the entire image.\n\nUse natural sunlight from above\/front-side, creating strong monument depth.\n\nThe sky, cliff, carved portraits, lower rocky slope, and pine forest must share the same lighting direction and color temperature.\n\nThe lighting and color grading should create:\n\n- warm muted highlights on the stone and cliff\n- stronger deep brown-gray shadows in eye sockets, under the nose, under the lips, around the jawline, in carved cracks, and in cliff crevices\n- controlled stone highlights without white or glowing areas\n- clear natural light behavior in the sky\n- richer blue depth in the upper sky, without bleaching or fading the blue\n- stronger commercial poster contrast across the full image\n- subtle canvas\/poster print texture without making the sky faded or dirty\n- strong sculptural depth on the carved portraits\n- slightly darker stone midtones without losing carved detail\n- reduced pale cream highlights on the carved faces\n- deeper shadow density in facial relief and cliff crevices\n- richer commercial royal-blue density in the sky\n- muted darker forest tones that stay secondary to the monument\n- a premium printed poster finish rather than a raw outdoor photo look\n\nThe lighting must not bleach, fade, soften, or over-brighten the blue sky. The top sky must remain rich, darker, saturated, and clearly blue.\n\nThe upper sky should keep a strong deeper blue at the top.\n\nApply only subtle poster\/canvas texture across the final artwork.\n\nThe texture should support print quality but should not strongly alter the sky color.\n\nAvoid artificial HDR, fake glow, mismatched lighting, over-sharpened contrast, sterile digital realism, glossy digital light, clean white highlights, or separate-layer lighting.\n\n---\n\n## 12. Final Style Direction\n\n* premium personalized family monument image\n* Mount Rushmore-style American mountain monument scene\n* realistic monumental stone carving\n* warm beige-gray \/ tan-gray \/ dusty brown-gray granite\n* fresh natural rich royal-blue sky with strong top-to-bottom gradient and deeper blue density at the top\n* deeper darker blue at the top, lighter but still blue near the horizon\n* muted dark olive \/ deep pine green \/ brown-green forest\n* heroic national monument atmosphere\n* proud, dignified, future-facing statue expressions\n* clean upper sky reserved for external typography overlay\n* subtle canvas\/poster texture\n* commercial poster contrast, not raw photographic contrast\n* sharp print-ready quality\n* high resolution\n* unified natural lighting\n* strong visual hierarchy\n* believable landscape realism\n\n---\n##13 Poster Finish \/ Color Compression\n\nApply a premium commercial poster finish across the full image.\n\nThe final image should not look like a raw camera photograph.\n\nUse subtle printed-canvas color compression:\n\n- slightly deeper blues in the sky\n- slightly darker and warmer stone midtones\n- stronger shadow density in carved details\n- muted dark olive forest tones\n- controlled highlights with no bright white clipping\n- subtle texture visible across sky, stone, and forest\n\nThe poster finish should make the image feel bold, rich, premium, and print-ready from a distance.\n\nDo not use a heavy vintage wash.\n\nDo not add yellow aging, sepia haze, dirty paper texture, faded ink, or distressed antique effects.\n\nThe image should remain realistic, clean, premium, and natural, but with stronger commercial poster color density than a raw landscape photograph.\n---\n\n## Classic Printed Poster Treatment\n\nApply a controlled classic printed poster treatment to the image.\n\nThe final artwork should feel like a premium vintage-inspired American commemorative image, not a raw digital landscape photo.\n\nUse selective warm vintage color grading mainly on the stone, cliff, rocky slope, and forest.\n\nThe stone and foreground should carry a warm ochre-brown printed poster tone.\n\nThe sky must keep its rich royal-blue gradient and should not turn yellow, gray, dusty, faded, or sepia.\n\nUse a subtle aged print warmth in the stone areas only:\n\n- warmer ochre-brown stone midtones\n- muted golden tan highlights\n- sepia-brown weathering in cracks and carved grooves\n- darker umber shadows\n- slightly muted forest greens\n- gentle printed canvas grain across the full image\n\nThe poster effect should feel classic, warm, premium, and nostalgic, but still clean and commercially polished.\n\nDo not use a heavy vintage wash over the entire image.\n\nDo not add strong yellow haze, dirty paper texture, faded ink, distressed stains, old paper borders, or antique damage.\n\nThe result should be a clean premium poster with classic warmth, not an old damaged poster.\n---\n## Negative Prompt\n\nno text, no typography, no headline, no quote, no slogan, no logo, no lettering, no numbers, no date text, no banner, no ribbon, no plaque, no badge, no emblem, no flag, no flagpole, no stars and stripes, no decorative graphic elements, no background reference image, no copied background, no pasted reference scene, no separate-layer look, no carved faces entering the upper 45% typography-safe area, no statue heads above the 45% safety line, no portrait touching or invading the top sky area, no faces in the upper half of the poster, no monument too high, no portraits too low near the tree line, no monument cluster off-center, no monument stretched across the full width, no carved faces near the left edge, no carved faces near the right edge, no side-cropped statues, no face placed in bleed area, no important facial features inside the outer side margins, no soft human skin, no realistic skin texture, no smooth human faces, no photo overlay, no painted portrait effect, no normal hair strands, no glossy skin, no wax statue, no marble statue, no plastic look, no realistic human eyes, no teeth detail, no soft smile lines, no blurred facial features, no extra people, no extra faces, no floating heads, no separate busts placed in front of the mountain, no flat 2D face texture, no mismatched stone color, no bright white statue faces, no ivory statue highlights, no pale cream stone, no bright cream stone, no overlit statue faces, no cleaner faces than the cliff, no separate statue material, no pasted statue edges, no abrupt cut-out bust boundaries, no detached shoulder transition, no preserved original pose, no family-photo pose, no hugging pose, no leaning pose, no crossed arms, no hands prominently visible, no casual portrait arrangement, no full bodies, no mixed face directions, no opposite gaze directions, no front-facing family portrait look, no statue looking directly at the viewer, no statue looking left, no statue looking downward, no statue looking in different directions, no casual smiling expression, no playful expression, no sad expression, no fearful expression, no pale blue sky, no pastel blue sky, no washed-out sky, no faded sky, no weak blue sky, no overly bright sky, no overexposed blue sky, no dusty light-blue sky, no beige color cast over the sky, no sepia wash over the sky, no teal-heavy sky, no turquoise sky, no cyan sky, no gray-blue sky, no flat single-color sky, no sky without top-to-bottom gradient, no weak top-sky saturation, no sky that becomes nearly white near the horizon, no pure white clouds, no bright glowing clouds, no heavy clouds, no storm clouds, no clouds covering the center, no cold silver-gray stone, no cold gray stone, no clean limestone look, no marble-white stone, no fresh carved statue look, no oversaturated colors, no fresh green forest, no bright fresh green forest, no saturated natural greens, no crisp photographic foliage, no glossy foliage, no fake forest texture, no repetitive trees, no clumpy tree pattern, no artificial rock pattern, no plastic cliff texture, no unrealistic cliff surface, no digital backdrop,no weak sky contrast, no sky too light overall, no airy pale blue sky, no low-saturation sky, no sky lacking dark rich blue at the top, no soft pastel commercial background, no over-bright horizon sky, no flat low-contrast poster, no pale overlit stone faces, no weak stone shadows, no fresh bright forest, no overly photographic trees,no raw photographic sky, no overly clean landscape photo, no sky with weak blue density, no sky too bright in the upper area, no sky lacking deep royal blue at the top, no low-contrast blue gradient, no pale overlit stone faces, no newly carved clean statue, no weak stone shadows, no glossy green foliage, no overly photographic trees, no image without subtle canvas texture,no raw camera-photo color grading, no untouched landscape photography look, no tourist photo look, no overly clean digital photo finish, no pale cream statue highlights, no ivory face highlights, no stone faces that look too bright, no weak facial relief shadows, no shallow eye socket shadows, no forest competing with the monument, no bright natural green trees, no overly crisp tree needles, no sky that looks like a plain landscape photo, no weak poster color density, no missing poster finish, no overly smooth digital sky,no neutral gray stone, no cold gray granite, no pale limestone color, no clean beige-gray stone, no white cream highlights, no marble-like statue, no overly modern digital color grading, no raw landscape photo color, no full-image yellow filter, no sepia sky, no dusty faded sky, no gray vintage sky, no dirty old paper effect, no damaged poster texture, no heavy antique filter, no stone lacking ochre-brown warmth, no stone without golden tan midtones, no foreground without warm poster tone\n\n```\n```\n\"\"\"# Image Generation Prompt\n\nCreate a premium personalized family monument image inspired by a Mount Rushmore-style American mountain monument scene.\n\nUse the uploaded family photo only as an identity reference for the people. Generate the full landscape, monument, sky, mountain cliff, lower rocky slope, and pine forest entirely from this prompt.\n\nDo not use any uploaded background or reference scene.\n\nDo not generate any text, headline, typography, quote, number, logo, badge, banner, ribbon, plaque, date, slogan, lettering, flag, or decorative graphic element.\n\n---\n\n## 1. Uploaded Photo Usage \u2014 Identity Reference Only\n\nUse the uploaded family photo only to preserve each visible person\u2019s recognizable identity:\n\n- facial structure\n- apparent age\n- hairstyle and hair volume\n- general facial proportions\n- family-member distinction\n- recognizable identity impression\n\nDo not use the uploaded family photo as a reference for:\n\n- pose\n- body posture\n- arm placement\n- hand placement\n- shoulder overlap\n- hugging or leaning arrangement\n- family-photo grouping\n- original crop or framing\n- original background\n- original lighting\n- original clothing\n- original interaction\n\nThe final artwork must be a newly generated stone monument composition, not a stone-translated version of the uploaded photo.\n\n---\n\n## 2. Character Count Rule\n\nThe number of carved stone portraits in the final artwork must exactly match the number of people visible in the uploaded family photo.\n\nIf the uploaded family photo contains 3 people, create exactly 3 carved stone portraits.\n\nIf the uploaded family photo contains 4 people, create exactly 4 carved stone portraits.\n\nNo more, no less.\n\nDo not add extra faces, extra heads, extra statues, extra people, background people, or additional monument figures.\n\n---\n\n## 3. Overall Poster Composition\n\nCreate a vertical image composition with a clear visual hierarchy:\n\n1. Upper sky area reserved for external typography overlay\n2. Carved family monument in the lower-middle area\n3. Natural cliff, rocky slope, and pine forest at the bottom\n\nThe scene should include:\n\n- a clean rich blue sky in the upper portion\n- a massive rugged granite mountain cliff in the middle and lower portion\n- family portraits carved directly into the cliff face\n- natural rocky slope and pine forest at the bottom\n- heroic national-monument atmosphere\n- cinematic natural sunlight\n- realistic geological landscape\n- premium print-ready canvas poster quality\n\nThe entire environment must feel generated as one unified scene, not assembled from separate layers.\n\nThe sky, cliff, carved portraits, rocky slope, and forest must share the same camera perspective, lighting direction, atmospheric depth, color temperature, and realism level.\n\n---\n\n## 4. Top Typography Safe Zone \u2014 Extremely Important\n\nThe upper 45% of the poster is reserved for an external typography overlay.\n\nThis upper area must remain clean, spacious, open, readable, and visually clear.\n\nTreat the upper 45% of the image as a strict no-portrait zone.\n\nNo carved face, forehead, hair mass, eye area, nose, cheek, mouth, chin, jawline, neck, shoulder, bust, or important statue detail may enter the upper 45% of the image.\n\nAll carved family portraits must stay below the 45% horizontal safety line.\n\nThe top of the tallest carved statue head should sit around 46\u201348% of the total image height.\n\nLeave a strong clean visual gap between the upper typography area and the top of the tallest carved statue head.\n\nPrioritize text safety over statue size.\n\nIf necessary, make the statue group slightly smaller and lower rather than allowing it to enter the typography area.\n\nThe upper 45% should mainly contain clean clear blue sky, with only subtle natural white clouds near the outer edges or corners.\n\nKeep the center of the upper sky area open, uncluttered, and readable.\n\nDo not place carved portraits, important cliff details, pine trees, flags, banners, foreground elements, or decorative elements inside the upper typography-safe area.\n\n---\n\n## 5. Portrait Placement and Scale\n\nPosition the carved family portraits in the lower-middle monument zone.\n\nRecommended vertical placement:\n\n- all important portrait details stay below 45% of the image height\n- tallest head begins around 46\u201348%\n- visual center of the carved faces sits around 58\u201366%\n- lower busts blend into the cliff and rocky slope around 72\u201378%\n\nThe family monument should be large, heroic, highly visible, and clearly integrated into the mountain, but never too high.\n\nDo not place the portraits near the bottom tree line.\n\nDo not crop, overlay, or hide the statue heads.\n\nThe monument group must feel balanced, centered, and clearly readable as the main focal point below the sky area.\n\n---\n\n## 6. Horizontal Safe Margins \/ Canvas Wrap Safety\n\nKeep the entire carved family monument group inside a strict centered horizontal safe zone.\n\nAssume the final artwork will be cropped slightly and wrapped around canvas edges.\n\nReserve the outer left 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nReserve the outer right 20\u201325% of the total image width as a canvas-wrap safety margin.\n\nThese outer side safety zones should contain only non-essential scenery such as sky, clouds, mountain rock, cliff texture, and forest.\n\nNo carved face, forehead, hair mass, temple, eye area, nose, cheek, lips, chin, jawline, ear, neck, shoulder, or bust edge may enter the outer side safety zones.\n\nKeep all important facial elements fully inside the central safe area.\n\nThe full group of carved portraits should occupy approximately 50\u201360% of the total image width.\n\nLeave visible mountain rock on both sides of the outermost portraits as a protective buffer.\n\nDo not let the monument group stretch across the full width of the poster.\n\n---\n\n## 7. Monument Structure\n\nCreate the family as separate monumental carved stone portraits integrated into the mountain cliff, in the spirit of Mount Rushmore.\n\nShow only carved heads and upper bust \/ upper chest areas.\n\nDo not show full bodies.\n\nDo not show natural human pose interaction.\n\nDo not show hugging, leaning, crossed arms, hands resting on rocks, stacked family-photo posing, or casual portrait arrangements.\n\nHands, elbows, and forearms should not be visible as major elements.\n\nEach person should appear as an individual monumental carved portrait, arranged side-by-side or slightly staggered across the cliff face.\n\nThe result should feel like a true national stone monument with sculpted heads emerging from the mountain, not like a family portrait converted into stone.\n\n---\n\n## 8. Unified Statue Face Direction\n\nAll carved stone portraits must face the same general direction, like a unified heroic monument.\n\nEvery statue head should turn toward the upper-right side of the poster using a consistent three-quarter side-facing angle.\n\nAll faces must look diagonally upward and to the right, as if proudly gazing toward the upper-right horizon.\n\nThe gaze direction should feel elevated, heroic, and future-facing.\n\nDo not make any statue face directly forward toward the viewer.\n\nDo not make any statue look left, downward, sideways in another direction, or toward the opposite side.\n\nDo not create mixed gaze directions.\n\nDo not make one person look left while another person looks right.\n\nAll statue heads should share the same clear direction: three-quarter view, looking diagonally upward toward the upper-right.\n\nSubtle natural variation in head angle is allowed, but the overall gaze direction must clearly remain unified toward the upper-right.\n\nExpressions must feel proud, noble, calm, heroic, dignified, and monumental.\n\nAvoid casual smiles, playful expressions, sad expressions, fearful expressions, blank photo-like expressions, or intimate family-photo emotion.\n\n---\n\n## 9. Stone Carving Style\n\nThe family portraits must look physically carved directly into the mountain.\n\nDo not make the faces look like normal photo portraits with a stone filter.\n\nDo not make the faces look soft, smooth, painterly, waxy, plastic, or human-skin-like.\n\nThe carved faces must have:\n\n- hard chiseled stone geometry\n- strong angular planes on the forehead, nose, cheekbones, lips, chin, and jaw\n- simplified facial anatomy like a real stone monument\n- deep carved eye sockets with shadowed stone eyes\n- simplified stone-carved eye forms, not realistic human eyes\n- strong protruding nose bridge and carved nostrils\n- lips carved as solid stone forms\n- clear stone-cut edges around the face and neck\n- visible hammer-and-chisel marks\n- rough granite texture\n- cracks, vertical stone seams, scratches, weathering, chips, and broken stone edges\n- strong shadows inside carved grooves and under facial features\n\nPreserve each person\u2019s recognizable identity through the carved facial structure, age impression, hairstyle volume, and facial proportions, while still making them look like true granite carvings.\n\n---\n\n## 10. Hair Treatment\n\nConvert all hair into carved stone masses.\n\nHair should not look like real hair strands.\n\nUse blocky sculpted stone shapes, rough carved grooves, chipped edges, and simplified hair volume.\n\nThe hair must feel carved from the same granite as the mountain.\n\nPreserve each person\u2019s recognizable hairstyle silhouette, but translate it into sculpted stone form.\n\n---\n\n## 11. Stone Material Consistency\n\nThe carved portraits and the surrounding mountain cliff must share the same granite color, brightness, warmth, saturation, texture density, weathering, cracks, and dustiness.\n\nDo not make the carved portraits cleaner, whiter, brighter, smoother, or more polished than the surrounding cliff.\n\nDo not make the faces look like separate statue material placed onto the mountain.\n\nThe portraits must feel carved from the exact same rock mass as the mountain.\n\nUse only subtle tonal differences for lighting, shadows, and sculptural depth.\n\nThe faces, hair, neck, bust areas, and surrounding cliff should visually merge into one continuous granite mountain surface.\n\n---\n\n## 12. Portrait-to-Cliff Blending\n\nThe transition between the carved portraits and the surrounding cliff must feel natural, structural, and believable.\n\nDo not make the statues look pasted onto the cliff.\n\nDo not create clean cut-out silhouettes around the busts.\n\nDo not create isolated statue shapes detached from the rock wall.\n\nThe carved portraits must emerge organically from the same cliff mass.\n\nSurrounding rock planes should flow naturally into the neck, shoulders, chest, and lower bust areas.\n\nThe lower bust and side edges of each portrait should gradually dissolve into the mountain through:\n\n- continuous stone surfaces\n- broken rock planes\n- chiseled transitions\n- cracks\n- ledges\n- natural cliff geometry\n\nPreserve visible mountain texture around, between, beneath, and beside the portraits so the monument feels like one integrated rock formation.\n\nAvoid abrupt value shifts, material shifts, or contour boundaries that separate the portraits from the cliff.\n\n---\n\n## 13. Natural Mountain Cliff\n\nGenerate the mountain cliff as a realistic natural granite formation.\n\nThe cliff must look geologically believable, rugged, irregular, and naturally weathered.\n\nUse realistic granite cliff structure with natural variation in:\n\n- rock strata\n- fractured vertical walls\n- erosion marks\n- chipped edges\n- ledges\n- crevices\n- shadow pockets\n- irregular stone surfaces\n- natural slope transitions\n- tonal variation within the same rock family\n\nThe background rock areas that do not contain portraits must still look like authentic natural cliff surfaces.\n\nMake the mountain and carved portraits feel like one continuous geological formation.\n\nAvoid fake-looking cliff texture, repetitive AI rock patterns, painterly rock surfaces, plastic-looking stone, overly stylized mountain forms, or digital backdrop appearance.\n\n---\n\n## 14. Natural Pine Forest\n\nGenerate a realistic natural pine forest along the lower slope and bottom foreground.\n\nThe forest must look like part of the same mountain environment, not an added texture or decorative pattern.\n\nUse realistic pine forest details:\n\n- varied tree heights\n- varied tree spacing\n- irregular natural silhouettes\n- believable depth between front and back trees\n- realistic pine needle massing\n- natural shadowing\n- subtle atmospheric depth\n- organic distribution across the rocky slope\n- natural overlap between trees, rocks, and terrain\n\nThe tree line should integrate naturally with the rocky lower slope.\n\nSome trees may partially overlap the lower rocks, but they must not cover important carved faces.\n\nKeep the forest detailed but not overly noisy.\n\nAvoid brushy, smeared, clumpy, repetitive, cut-out, muddy, or artificially patterned trees.\n\n---\n\n## 15. Clear Blue Sky\n\nThe upper 45% of the artwork should contain a clean, clear, naturally rich blue sky reserved for external typography placement.\n\nThe sky must look like a bright clear day with crisp atmosphere, excellent visibility, and fresh natural blue color.\n\nUse a natural sky gradient:\n\n- slightly deeper blue toward the top\n- slightly lighter blue toward the horizon\n\nKeep the sky clean, open, and distinctly blue.\n\nAdd only a few soft white clouds, placed mostly near the outer edges or corners of the sky area.\n\nKeep the central sky area open and uncluttered for readability.\n\nClouds should be bright white, soft, natural, lightly defined, and believable.\n\nDo not make the sky pale, hazy, foggy, washed-out, milky, dusty, gray-blue, overexposed, flat white, dull, polluted, smoky, or low-contrast.\n\nDo not make the clouds heavy, stormy, dense, gray, dominant, or spread across the center.\n\n---\n\n## 16. Unified Landscape Lighting\n\nUse one coherent natural lighting environment across the entire image.\n\nUse dramatic sunlight from above\/front-side, creating strong contrast and sculptural depth.\n\nThe sky, cliff, carved portraits, lower rocky slope, and pine forest must all share the same lighting direction and color temperature.\n\nAdd deep shadows in:\n\n- eye sockets\n- under the nose\n- under the lips\n- around the jawline\n- carved cracks\n- natural cliff crevices\n\nMake the faces feel heavy, dimensional, and monumental.\n\nUse stronger sculptural light-and-shadow contrast on the carved portraits, while keeping the stone color and material consistent with the surrounding cliff.\n\nAvoid artificial HDR, fake glow, mismatched lighting, over-sharpened contrast, or separate-layer lighting.\n\n---\n\n## 17. Final Style Direction\n\n- heroic national monument atmosphere\n- cinematic but realistic\n- highly detailed granite carving\n- realistic natural granite cliff\n- realistic pine forest\n- sharp print-ready quality\n- high resolution\n- strong visual hierarchy\n- proud, dignified, future-facing monument mood\n- clean patriotic-inspired color mood without flags\n- open rich blue sky reserved for external typography overlay\n- unified scene generation\n- believable landscape realism\n\n---\n\n## Negative Prompt\n\nno text, no typography, no headline, no quote, no slogan, no logo, no lettering, no numbers, no date text, no banner, no ribbon, no plaque, no badge, no emblem, no flag, no flagpole, no stars and stripes, no decorative graphic elements, no background reference image, no copied background, no pasted reference scene, no separate-layer look, no carved faces entering the upper 45% typography-safe area, no statue heads above the 45% safety line, no portrait touching or invading the top sky area, no insufficient gap above the statue heads, no faces in the upper half of the poster, no monument too high, no portraits too low near the tree line, no monument cluster off-center, no monument stretched across the full width, no carved faces near the left edge, no carved faces near the right edge, no side-cropped statues, no face placed in bleed area, no important facial features inside the outer side margins, no soft human skin, no realistic skin texture, no smooth human faces, no photo overlay, no painted portrait effect, no normal hair strands, no glossy skin, no wax statue, no marble statue, no plastic look, no realistic human eyes, no teeth detail, no soft smile lines, no blurred facial features, no extra people, no extra faces, no floating heads, no separate busts placed in front of the mountain, no flat 2D face texture, no mismatched stone color, no bright white statue faces, no cleaner faces than the cliff, no separate statue material, no pasted statue edges, no abrupt cut-out bust boundaries, no detached shoulder transition, no preserved original pose, no family-photo pose, no hugging pose, no leaning pose, no crossed arms, no hands prominently visible, no casual portrait arrangement, no full bodies, no mixed face directions, no opposite gaze directions, no front-facing family portrait look, no statue looking directly at the viewer, no casual smiling expression, no playful expression, no sad expression, no fearful expression, no pale sky, no washed-out sky, no hazy sky, no foggy sky, no milky sky, no overexposed sky, no dull gray-blue sky, no flat white sky, no heavy clouds, no storm clouds, no clouds covering the center, no fake forest texture, no repetitive trees, no clumpy tree pattern, no painted foliage, no artificial rock pattern, no plastic cliff texture, no unrealistic cliff surface, no digital backdrop","image_filter_ref_img":null,"color_sketch_image_filter":"#000000","image_filter_enable_ref_img":false}],"visible":true,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Lade Dein Foto hoch","photo_editor":"static","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"cover","direct_clipart_style":"contain"},{"id":"layer-179779","top":-1111.67,"url":"users\/6885\/image-layers\/6a31be2c00eed_large.webp","left":-555.08,"name":"Shadow","type":"clipart","width":5834.13,"height":8435.18,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","form_type":"static","use_hd_layer":false,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-465490","top":1075.13,"url":"users\/6885\/image-layers\/6a2f9a77581f4_large.webp","left":720.1,"name":"Flag","type":"clipart","width":3647.16,"height":5470.75,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-453077","top":358.19,"url":"users\/6885\/image-layers\/6a2f9a770d569_large.webp","left":321.93,"name":"years","type":"clipart","width":4134,"height":6201,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-522277","top":-698.4,"url":"users\/6885\/image-layers\/6a31a7b34b7a5_large.webp","left":-273.84,"name":"Typo","type":"clipart","width":5271.7,"height":7621.98,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","use_hd_layer":false,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-556222","top":0,"url":"users\/6885\/image-layers\/6a30f648ea42e_large.webp","left":0.03,"name":"cloud","type":"clipart","width":4723.91,"height":7085.89,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-680234","top":738.48,"url":"users\/6885\/image-layers\/6a2f9d5a5b570_large.webp","left":-738.53,"name":"40-X-30-INCH-folded-2cm","type":"clipart","width":6201.06,"height":4724.05,"locked":false,"rotate":90,"visible":false,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"}],"positions":["layer-680234","layer-376664","layer-465490","layer-453077","layer-522277","layer-556222","layer-179779"],"charge_enabled":false}]}],"campaign_products":[{"id":1740235,"campaign_id":963369,"product_id":292930,"created_at":"2026-06-11T19:55:42.000000Z","updated_at":"2026-06-11T19:55:42.000000Z","position":0,"platform_title":null,"campaign_variants_position":null,"product":{"id":292930,"user_id":6885,"fulfillment_id":null,"fulfillment_linked_id":null,"title":"(US) Canvas Framed - Vertical","description":null,"had_back":false,"variants_position":null,"colors_position":["Standard"],"sizes_position":["8\" x 12\"","12\" x 16\"","16\" x 24\"","30\" x 40\""],"thumbnail":null,"enable_custom_printarea":true,"print_provider_id":null,"design_format":null,"color_display_type":"radio","size_display_type":"radio","color_custom_label":null,"size_custom_label":null,"status":0,"label":"(US) Canvas Framed - Vertical","product_options_position":null,"internal_tags":null,"printareas":[{"id":835209,"product_id":292930,"name":"Front","width":1476,"height":2067,"position":0,"display_name":"8\" x 12\""},{"id":835208,"product_id":292930,"name":"Front","width":2067,"height":2657,"position":1,"display_name":"12\" x 16\""},{"id":835207,"product_id":292930,"name":"Front","width":2657,"height":3839,"position":2,"display_name":"16\" x 24\""},{"id":835206,"product_id":292930,"name":"Front","width":4724,"height":6201,"position":3,"display_name":"30\" x 40\""}]},"campaign_variants":[{"campaign_product_id":1740235,"variant_id":7012814,"campaign_mockup_id":10028341,"variant":{"id":7012814,"product_id":292930,"fulfillment_linked_id":"Canvas_with_Frames_01","fulfillment_linked_image_id":null,"color":"Standard","size":"8\" x 12\"","color_hex":"","available":true,"base_cost":null,"price":29.95,"created_at":"2025-11-05T05:26:18.000000Z","updated_at":"2026-04-07T05:20:28.000000Z","compare_at_price":39.95,"ref":null,"weight":"","mockup_id":1438420,"printarea_id":null,"deleted_at":null,"sku":"Canvas_with_Frames_01","printarea_ids":[835209]},"color":"Standard","color_hex":"","size":"8\" x 12\"","product_id":292930},{"campaign_product_id":1740235,"variant_id":7012815,"campaign_mockup_id":10028340,"variant":{"id":7012815,"product_id":292930,"fulfillment_linked_id":"Canvas_with_Frames_02","fulfillment_linked_image_id":null,"color":"Standard","size":"12\" x 16\"","color_hex":"","available":true,"base_cost":null,"price":49.95,"created_at":"2025-11-05T05:26:18.000000Z","updated_at":"2026-04-07T05:20:28.000000Z","compare_at_price":69.95,"ref":null,"weight":"","mockup_id":1438414,"printarea_id":null,"deleted_at":null,"sku":"Canvas_with_Frames_02","printarea_ids":[835208]},"color":"Standard","color_hex":"","size":"12\" x 16\"","product_id":292930},{"campaign_product_id":1740235,"variant_id":7012816,"campaign_mockup_id":10028338,"variant":{"id":7012816,"product_id":292930,"fulfillment_linked_id":"Canvas_with_Frames_03","fulfillment_linked_image_id":null,"color":"Standard","size":"16\" x 24\"","color_hex":"","available":true,"base_cost":null,"price":59.95,"created_at":"2025-11-05T05:26:18.000000Z","updated_at":"2026-04-07T05:20:28.000000Z","compare_at_price":89.95,"ref":null,"weight":"","mockup_id":1438409,"printarea_id":null,"deleted_at":null,"sku":"Canvas_with_Frames_03","printarea_ids":[835207]},"color":"Standard","color_hex":"","size":"16\" x 24\"","product_id":292930},{"campaign_product_id":1740235,"variant_id":7012817,"campaign_mockup_id":10028339,"variant":{"id":7012817,"product_id":292930,"fulfillment_linked_id":"Canvas_with_Frames_04","fulfillment_linked_image_id":null,"color":"Standard","size":"30\" x 40\"","color_hex":"","available":true,"base_cost":null,"price":69.95,"created_at":"2025-11-05T05:26:18.000000Z","updated_at":"2026-04-07T05:20:28.000000Z","compare_at_price":99.95,"ref":null,"weight":"","mockup_id":1438393,"printarea_id":null,"deleted_at":null,"sku":"Canvas_with_Frames_04","printarea_ids":[835206]},"color":"Standard","color_hex":"","size":"30\" x 40\"","product_id":292930}],"campaign_mockups":[{"id":10028338,"campaign_product_id":1740235,"platform_linked_id":null,"url":"users\/6885\/products\/292930\/69136664486ef.webp","thumbnail":"users\/6885\/products\/292930\/69136664486ef_thumbnail.webp","width":960,"height":960,"position":1,"preview_url":"users\/6885\/campaign-products\/1740235\/6a33b978d2433.webp","color_as_variant":false,"default_background_color":null,"preview_thumbnail":"users\/6885\/campaign-products\/1740235\/6a33b978d2433_thumbnail.webp","old_campaign_mockup_id":null,"mockup_id":1438409,"alt":"Background","layers":[{"height":960,"id":"layer-353371","left":0,"locked":true,"name":"Background","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/690c5c1a48899_large.webp","visible":true,"width":960},{"height":960,"id":"layer-765961","left":1.3157894736842106,"locked":false,"name":"Base","opacity":1,"top":5.2631578947368425,"type":"image","url":"users\/6885\/mockup-layers\/6913111d2656e_large.webp","visible":true,"width":960},{"height":815,"id":"layer-241352","left":200,"locked":false,"name":"16 x 24 inch (2657x3839)","opacity":1,"printarea_id":835207,"rotate":0,"top":73,"visible":true,"width":564},{"id":"layer-887100","name":"black-linen-fabric-texture-as-canvas-background","type":"image","top":219.00000000000009,"left":91.85057471264369,"width":782,"height":522,"rotate":-90,"url":"users\/6885\/mockup-layers\/6a33b8d4cb723_large.webp","opacity":0.23,"visible":true,"locked":false,"blend_mode":"plus-lighter"},{"height":960,"id":"layer-271029","left":0,"locked":true,"name":"16 x 24 inch No Frame (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/691363109394b_large.webp","visible":true,"width":960},{"height":960,"id":"layer-965251","left":0,"locked":true,"name":"16x24 in Black (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/69134f004a659_large.webp","visible":false,"width":960},{"height":960,"id":"layer-511782","left":0,"locked":true,"name":"16x24 in White (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/6913665127d20_large.webp","visible":false,"width":960},{"height":960,"id":"layer-360820","left":0,"locked":true,"name":"16x24 in Oak Vintage Flair (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/69134f06c8712_large.webp","visible":false,"width":960}],"type":"image","campaign_mockup_printareas":[]},{"id":10028339,"campaign_product_id":1740235,"platform_linked_id":null,"url":"users\/6885\/products\/292930\/691360b6e070f.webp","thumbnail":"users\/6885\/products\/292930\/691360b6e070f_thumbnail.webp","width":960,"height":960,"position":1,"preview_url":"users\/6885\/campaign-products\/1740235\/6a33b96a4c2e3.webp","color_as_variant":false,"default_background_color":null,"preview_thumbnail":"users\/6885\/campaign-products\/1740235\/6a33b96a4c2e3_thumbnail.webp","old_campaign_mockup_id":null,"mockup_id":1438393,"alt":"Background","layers":[{"height":960,"id":"layer-353371","left":0,"locked":true,"name":"Background","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/690c5c1a48899_large.webp","visible":true,"width":960},{"height":960,"id":"layer-580262","left":0,"locked":false,"name":"Base","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/691311464aa0a_large.webp","visible":true,"width":960},{"height":793,"id":"layer-973508","left":180.00000000000023,"locked":false,"name":"30 x 40 inch (4724x6201)","opacity":1,"printarea_id":835206,"rotate":0,"top":84,"visible":true,"width":605},{"id":"layer-416055","name":"black-linen-fabric-texture-as-canvas-background","type":"image","top":193,"left":44,"width":873,"height":582,"rotate":-90,"url":"users\/6885\/mockup-layers\/6a33b8d4cb723_large.webp","opacity":0.23,"visible":true,"locked":false,"blend_mode":"plus-lighter"},{"height":960,"id":"layer-569683","left":0,"locked":true,"name":"30 x 40 inch No Frame (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/691360a0d28ce_large.webp","visible":true,"width":960},{"height":960,"id":"layer-457439","left":0,"locked":true,"name":"30x40 in Black (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/69134e584e62b_large.webp","visible":false,"width":960},{"height":960,"id":"layer-987403","left":0,"locked":true,"name":"30x40 in White (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/69135c354d5d2_large.webp","visible":false,"width":960},{"height":960,"id":"layer-261986","left":0,"locked":true,"name":"30x40 in Oak Vintage Flair (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/69134e6620273_large.webp","visible":false,"width":960}],"type":"image","campaign_mockup_printareas":[]},{"id":10028340,"campaign_product_id":1740235,"platform_linked_id":null,"url":"users\/6885\/products\/292930\/6913653e9df20.webp","thumbnail":"users\/6885\/products\/292930\/6913653e9df20_thumbnail.webp","width":960,"height":960,"position":2,"preview_url":"users\/6885\/campaign-products\/1740235\/6a33b956d8678.webp","color_as_variant":false,"default_background_color":null,"preview_thumbnail":"users\/6885\/campaign-products\/1740235\/6a33b956d8678_thumbnail.webp","old_campaign_mockup_id":null,"mockup_id":1438414,"alt":"Background","layers":[{"height":960,"id":"layer-353371","left":0,"locked":true,"name":"Background","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/690c5c1a48899_large.webp","visible":true,"width":960},{"height":960,"id":"layer-865712","left":0,"locked":false,"name":"Base","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/6913116e57d2d_large.webp","visible":true,"width":960},{"height":848,"id":"layer-747746","left":153,"locked":false,"name":"12 x 16 inch (2067x2657)","opacity":1,"printarea_id":835208,"rotate":0,"top":59.85057471264368,"visible":true,"width":660},{"id":"layer-594551","name":"black-linen-fabric-texture-as-canvas-background","type":"image","top":193,"left":49,"width":873,"height":583,"rotate":-90,"url":"users\/6885\/mockup-layers\/6a33b8d4cb723_large.webp","opacity":0.23,"visible":true,"locked":false,"blend_mode":"plus-lighter"},{"height":960,"id":"layer-254657","left":0,"locked":true,"name":"12 x 16 inch No Frame (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/6913641899e9e_large.webp","visible":true,"width":960},{"height":960,"id":"layer-624634","left":0,"locked":true,"name":"12x16 in Black (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/69134f43da9f4_large.webp","visible":false,"width":960},{"height":960,"id":"layer-372588","left":0,"locked":true,"name":"12x16 in White (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/6913652c07957_large.webp","visible":false,"width":960},{"height":960,"id":"layer-509341","left":0,"locked":true,"name":"12x16 in Oak Vintage Flair (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/69134f48b860c_large.webp","visible":false,"width":960}],"type":"image","campaign_mockup_printareas":[]},{"id":10028341,"campaign_product_id":1740235,"platform_linked_id":null,"url":"users\/6885\/products\/292930\/691367c12a5f8.webp","thumbnail":"users\/6885\/products\/292930\/691367c12a5f8_thumbnail.webp","width":960,"height":960,"position":3,"preview_url":"users\/6885\/campaign-products\/1740235\/6a33b925d23d1.webp","color_as_variant":false,"default_background_color":null,"preview_thumbnail":"users\/6885\/campaign-products\/1740235\/6a33b925d23d1_thumbnail.webp","old_campaign_mockup_id":null,"mockup_id":1438420,"alt":"Background","layers":[{"height":960,"id":"layer-353371","left":0,"locked":true,"name":"Background","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/690c5c1a48899_large.webp","visible":true,"width":960},{"height":960,"id":"layer-815553","left":0,"locked":false,"name":"Base","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/691310770cc47_large.webp","visible":true,"width":960},{"height":882,"id":"layer-399062","left":167.8505747126437,"locked":false,"name":"8 x 12 inch (1476x2067)","opacity":1,"printarea_id":835209,"rotate":0,"top":39,"visible":true,"width":630},{"id":"layer-415964","name":"black-linen-fabric-texture-as-canvas-background","type":"image","top":219.00000000000009,"left":91.85057471264369,"width":782,"height":522,"rotate":-90,"url":"users\/6885\/mockup-layers\/6a33b8d4cb723_large.webp","opacity":0.23,"visible":true,"locked":false,"blend_mode":"plus-lighter"},{"height":960,"id":"layer-515354","left":0,"locked":true,"name":"8 x 12 inch No Frame (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/6913679ab8e72_large.webp","visible":true,"width":960},{"height":960,"id":"layer-539971","left":0,"locked":false,"name":"8x12 in Black (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/69134fc4ea5aa_large.webp","visible":false,"width":960},{"height":960,"id":"layer-458020","left":0,"locked":false,"name":"8x12 in White (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/6913679f7ed74_large.webp","visible":false,"width":960},{"height":960,"id":"layer-215943","left":0,"locked":false,"name":"8x12 in Oak Vintage Flair (Mask)","opacity":1,"top":0,"type":"image","url":"users\/6885\/mockup-layers\/69134fd822119_large.webp","visible":false,"width":960}],"type":"image","campaign_mockup_printareas":[]}]}],"campaign_artworks":[{"id":3551693,"printarea_id":835206,"campaign_id":963369,"artwork_id":1212956,"top":0,"left":0,"width":4724,"height":6201,"position":0,"rotate":null},{"id":3551689,"printarea_id":835208,"campaign_id":963369,"artwork_id":1212953,"top":0,"left":0,"width":2067,"height":2657,"position":0,"rotate":null},{"id":3551688,"printarea_id":835209,"campaign_id":963369,"artwork_id":1212944,"top":0,"left":0,"width":1476,"height":2067,"position":0,"rotate":null},{"id":3547727,"printarea_id":835207,"campaign_id":963369,"artwork_id":1210972,"top":0,"left":0,"width":2657,"height":3839,"position":0,"rotate":null}],"instance_variants":[{"campaign_id":963369,"variant_id":7012814,"platform_linked_id":"53225016295690"},{"campaign_id":963369,"variant_id":7012815,"platform_linked_id":"53225016328458"},{"campaign_id":963369,"variant_id":7012816,"platform_linked_id":"53225016361226"},{"campaign_id":963369,"variant_id":7012817,"platform_linked_id":"53225016393994"}],"config":{"privacy":{"redact_customer_data":true},"atc_action":"redirect","show_buynow":false,"show_gallery":true,"show_preview":true,"enable_sticky":true,"hide_quantity":false,"primary_color":"#E17D63","show_quantity":true,"style_variants":"outline","thumbnail_type":"dynamic","preview_content":"gallery","add_design_links":"both","personalize_type":"direct","show_edit_button":false,"validate_preview":false,"atc_border_radius":"rounded","atc_button_layout":"layout_1","blacklisted_words":["uefa","europameisterschaft","dfb","euro","germany","em 2026","em2026"],"position_of_price":"price_compared_save","addon_price_enable":false,"alignment_variants":"left","show_arrows_mobile":true,"show_saving_amount":false,"use_ui_date_picker":true,"addon_option_enable":true,"saving_amount_color":"#E17D63","preview_button_color":"#FBCD0A","show_app_description":false,"atc_notify_item_added":true,"show_compare_at_price":true,"single_mockup_enabled":false,"success_message_color":"#E17D63","border_radius_variants":"rounded","compare_at_price_color":"#000000","sync_between_templates":true,"show_navigation_numbers":true,"support_public_property":false,"hide_single_value_option":true,"load_gallery_immediately":false,"personalize_button_color":"#E17D63","auto_select_first_clipart":true,"buynow_button_hover_color":null,"enable_personalize_button":true,"image_placement_on_mockup":true,"personalization_alignment":"left","personalization_font_size":"small","auto_select_first_template":true,"collapse_description_block":false,"has_custom_upload_endpoint":true,"addtocart_button_hover_color":"#BF614B","personalization_item_per_row":"auto","personalization_toggle_style":"switch","show_custom_info_below_price":false,"action_button_in_zoom_gallery":"hover_pinch_zoom","personalization_border_radius":"rounded","personalize_button_text_color":"#FFFFFF","show_galley_thumbnails_mobile":true,"buynow_button_hover_text_color":null,"personalization_choose_a_theme":"classic","personalize_button_hover_color":"#E17D63","action_button_in_show_save_badge":"show_amount_with_currency","show_personalization_form_header":false,"show_assigned_variant_images_only":false,"personalize_button_hover_text_color":"#FFFFFF","size_label":"Gr\u00f6\u00dfe","color_label":"Farbe","saving_text":"speichert","description_label":"Beschreibung","upload_button_text":"W\u00e4hle ein Bild","buynow_button_label":"Jetzt kaufen","form_required_error":"Einige Felder sind erforderlich","next_button_tooltip":"Weiter","prev_button_tooltip":"Zur\u00fcck","confirmation_message":"Bitte kreuze das Best\u00e4tigungsfeld oben an, bevor Sie fortfahren.","input_required_error":"Dieses Feld ist erforderlich!","out_of_stock_message":"Deine Auswahl ist aktuell nicht vorr\u00e4tig. Bitte w\u00e4hle eine andere Option.","preview_button_label":"Vorschau","success_atc_response":"Zum Warenkorb hinzugef\u00fcgt<br><a href=\"\/cart\">Zum Warenkorb<\/a>","addtocart_button_label":"IN DEN WARENKORB","recustomize_button_text":"Bild neu anpassen","upload_button_text_reup":"Anderes Bild w\u00e4hlen","visibility_toggle_label":"{{ INPUT_LABEL}}: ein-\/ausblenden","maps_cancel_button_label":"Abbrechen","maps_select_button_label":"Ausw\u00e4hlen & fortfahren","min_width_height_warning":"Your photo does not meet the minimum resolution requirement. Please upload a photo larger than {{ MIN_WIDTH }}x{{ MIN_HEIGHT }}","personalize_button_label":"\u00bb Jetzt personalisieren","upload_button_text_error":"Kann nicht hochgeladen werden. Kontaktieren uns f\u00fcr weitere Informationen.","product_name_button_label":"Produktname","unavailable_variant_error":"Ausgew\u00e4hlte Variante ist nicht verf\u00fcgbar","upload_rate_limit_warning":null,"close_preview_buttom_label":"Vorschau schlie\u00dfen","image_placement_save_label":"Speichern","confirmation_checkbox_label":"Bitte stelle sicher, dass Deine Daten korrekt sind, bevor du Deine Bestellung absendest.","cropper_cancel_button_label":"Abbrechen","cropper_select_button_label":"Ausw\u00e4hlen","image_placement_cancel_label":"Abbrechen","upload_button_text_uploading":"L\u00e4dt hoch...","variant_dropdown_placeholder":"Bitte w\u00e4hlen","font_char_no_whitespace_label":"Leerzeichen sind nicht erlaubt","font_char_emojis_removed_label":"Emojis erkannt und entfernt","font_char_invalid_characters_label":"Die folgenden Zeichen sind nicht erlaubt: {{ CHARS }}","maps_api_key":"pk.eyJ1IjoibHl0byIsImEiOiJjbGN5dmVhaDYxZ2drM3dudmh1ZWd6eDR6In0.XOpLD0F88AHOGdRYoX-7vw","maps_place_key":"AIzaSyCTfdQZ1ooFN2MaMVD1ZhUAJ0s97hKUA1o","maps_place_provider":"mapbox","sync_campaign_info_to_shopify":true},"has_subscription":true,"is_development":false,"is_plus":true,"sku_enabled":true,"shop_name":"Famwalls","clipart_categories":[]}