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Do not make the subject excessively dark or fully saturated.\nWHITE NEGATIVE SPACE: Use white-paper negative space selectively, not excessively.\nKeep some lighter areas nearly white where naturally appropriate, such as highlights, light fur, bright clothing areas, cheeks, chest, paws, arms, legs, or illuminated surfaces.\nHowever, white negative space should support the watercolor painting rather than dominate it.\nMaintain enough visible pigment across the subject so that the body, clothing, face, fur, and major forms remain clearly defined at first glance.\nLight areas should usually contain a subtle pale wash or surrounding tonal definition so they remain visually connected to the complete subject.\nWhite areas must feel intentional and integrated into the watercolor painting, not like missing, erased, or unfinished sections.\nSUBJECT SELECTION \u2014 MANDATORY: Render only the clearly recognizable main subject or subjects.\nA subject counts as recognizable only if it has enough visible identifying features to stand on its own, especially a clearly readable face or head.\nIgnore and completely remove:\npartial human bodies without a clearly recognizable face\ncropped background people\ndetached arms, hands, legs, or torso fragments\npartially visible pets without a clearly recognizable head\nbackground subjects\nobscured or accidental subject fragments\nIf a person or animal appears only as an incomplete secondary body fragment behind the main subject, do not render that subject at all.\nIf multiple clearly recognizable main subjects are present, preserve the exact number of those recognizable subjects only.\nNever add, duplicate, merge, replace, or invent any extra subject.\nSILHOUETTE \u2014 MANDATORY: Despite the watercolor treatment, each subject must form one complete and clearly readable outer silhouette.\nThe full outside contour must remain visually continuous from one body part to the next.\nDo not create:\nmissing chunks along the outer contour\ndetached paint fragments\nisolated floating brush marks\nlarge white holes breaking through the silhouette\nsplattered or frayed outer edges\nexcessive individual hair or fur strands extending outside the body\nThe silhouette should remain smooth, cohesive, and easy to separate from the white background.\nFor furry animals, simplify the exterior fur into a small number of controlled, soft tapered tufts rather than hundreds of individual hairs.\nLINEWORK: Use fine, delicate linework derived from a darker muted variation of {{Color Option}}.\nThe linework should feel lightly hand-drawn with watercolor pencil or a fine watercolor brush:\nthin\nsoft\nslightly irregular\ngently broken in selected areas\npartially blending into the watercolor washes\nLinework should remain clearly visible enough to define important anatomy, facial features, paws, hands, clothing edges, fur direction, and other identifying details.\nDo not make the linework so pale that important forms disappear.\nDo not use bold outlines. Do not use black outlines. Do not create crisp vector-like digital contour lines. Do not outline every internal shape.\nIDENTITY PRESERVATION: Preserve the recognizable identity of every clearly identifiable main subject.\nFor animals, preserve:\nspecies and breed traits\nhead and muzzle shape\near shape and position\neye placement\nbody proportions\nfur length and volume\ndistinctive markings\npose\ntail shape\nFor humans, preserve:\nfacial structure\nfacial proportions\nhairstyle\nage characteristics\nexpression\nbody proportions\npose\nrecognizable features\nIf multiple clearly recognizable main subjects are present, preserve their exact number, relative size, position, pose, and interaction.\nNever add, duplicate, merge, replace, or invent another subject.\nACCESSORIES: Preserve accessories physically worn by or attached to the subject, including collars, harnesses, bows, glasses, hats, jewelry, and clothing.\nTranslate them into the same monochromatic {{Color Option}} watercolor palette.\nRemove unrelated detached objects and background elements.\nFACIAL DETAILS: Keep the face recognizable while maintaining the delicate watercolor treatment.\nEyes, nose, mouth, eyebrows, lips, ears, and other important facial features may use deeper concentrations of {{Color Option}} so the expression and identity remain clearly readable.\nFacial features should be softly defined but not faded away.\nKeep them hand-painted rather than sharp or photorealistic.\nFUR AND HAIR: Suggest fur and hair with broad watercolor masses and a limited number of fine directional strokes.\nDo not render individual strands across the entire subject.\nPreserve the overall volume, direction, silhouette, and major fur or hair shapes.\nUse medium and deeper watercolor masses where necessary to clearly establish darker fur, hair, tails, markings, or shadowed areas.\nCOMPOSITION: Render the complete subject or subjects as isolated artwork centered on pure white.\nNo environmental background. No floor. No ground shadow. No scenery. No decorative toile pattern. No flowers. No frame. No text. No logo. No watermark.\n\u201cToile\u201d refers only to the elegant monochromatic illustrative character of the artwork, not to a repeating toile scene or decorative pattern.\nFINAL APPEARANCE: A refined custom monochromatic watercolor portrait with delicate hand-painted linework, clearly visible layered watercolor washes, balanced light and medium pigment coverage, selective substantial dark watercolor masses, controlled white negative space, natural pigment variation, strict single-hue color consistency, and a complete clean silhouette suitable for background removal and printing.\nThe artwork should feel light and elegant without looking faded, under-painted, or unfinished.\nAvoid photorealism, full-color rendering, multiple hues, black accents, brown accents, neutral gray accents unrelated to the selected hue, original natural colors, excessively pale rendering, washed-out subjects, barely visible pigment, excessive untouched white areas, opaque digital painting, flat vector coloring, thick outlines, hard cel shading, airbrushed gradients, gouache-like opacity, oil-paint texture, excessive contrast, hyper-detailed fur, fragmented silhouettes, rough cutout edges, scattered paint splashes, partial background people, cropped body fragments, incomplete secondary subjects, and background decoration.{{Color Option}}","color_sketch_image_filter":"#BD10E0","apply_color_to_sketch_result":false}],"visible":true,"fit_mode":"contain","group_id":"layer-299276","required":true,"dependency":{"match_type":"all","dependencies":[{"value":[30349927],"element":"layer-180363"}],"show_by_default":true},"form_label":"Upload Your Photo ","masked_url":"users\/44602\/images\/260827_pmwKgH1LpS46s7PQ_large.webp","photo_hint":"<span style=\"color: black;line-height:1.7;font-size:1.2em;\">\n\u2022 Click the <strong>SELECT IMAGE<\/strong> button to upload your photo.<br\/>\n\u2022 You can re-upload other photos if you want. However, only one photo can be used for the whole design<br\/>\n\u2022 Make sure the images you pick are high quality.<br\/>\n\u2022 For mobile users: click the <strong>PREVIEW<\/strong> button below to adjust your photo.\n<\/span><br\/>\n<br\/>\n<span style=\"color: black;line-height:1.7;font-size:1.2em;\"><strong>Our designers will check and modify the position of your photo(s) for the best finished product(s)<\/strong>\n<\/span>","photo_editor":"image_placement","show_in_cart":true,"use_hd_layer":true,"layer_display":"preview_and_design","masked_enable":true,"photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","min_size_enable":false,"customization_type":"normal","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-330184","top":-0.01,"url":"users\/44602\/image-layers\/6a8fc2b408cc4_master_large.webp","left":-0.02,"name":"shape 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If you don't want to include text, please hit a space bar.","max_length":12,"typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/44602\/fonts\/6a8fe173deacd.woff2","size":87.39,"family":"Runethia"},"curve_radius":419.48,"show_in_cart":true,"stroke_color":"#FF0000","stroke_width":1,"color_opacity":"FF","schema_version":2,"shadow_display":"mockup_order","form_input_type":"text","typography_type":"custom","form_placeholder":"Emma","autoscale_enabled":true,"background_enabled":true,"customization_type":"normal"},{"id":"layer-519833","top":1183.08,"left":636.67,"name":"Date","text":"2022-09-20","type":"text","align":"center","color":"#933432","width":255.67,"locked":false,"rotate":0,"visible":true,"group_id":"layer-299276","required":true,"dependency":{"match_type":"all","dependencies":[{"value":[30349927],"element":"layer-180363"}],"show_by_default":true},"form_label":"Choose Date","typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/44602\/fonts\/6a2128aae8290.woff2","size":49.84,"family":"Adobe Caslon Pro Semibold"},"curve_radius":239.23,"show_in_cart":true,"stroke_color":"#FF0000","stroke_width":1,"color_opacity":"FF","schema_version":2,"shadow_display":"mockup_order","form_input_type":"date","typography_type":"custom","form_placeholder":"05.12.2021","autoscale_enabled":true,"background_enabled":true,"customization_type":"normal","form_input_date_format":"MM.dd.yyyy"},{"id":"layer-299276","name":"RED","type":"group","locked":false,"opened":false,"visible":true},{"id":"layer-950557","top":436.55,"url":"users\/44602\/image-layers\/6a9010fb33c3c_master_large.webp","left":356.05,"name":"upload PT_green","type":"photo","width":574.28,"height":699.94,"locked":false,"rotate":0,"effects":[{"id":"id-133347","type":"imagenhub:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"imagenhub_template":{"id":"019ffe86-5b17-7303-bb04-4ea41de136ad","available_variables":["Color Option"]},"image_filter_prompt":"Use the uploaded image as the only subject and identity reference.\nCOLOR \u2014 MANDATORY: Use {{Color Option}} as the single color family for the entire artwork.\nUse {{Color Option}} as the single color family for the entire artwork.\nTransform every clearly recognizable main subject into a delicate monochromatic watercolor illustration on a pure white background.\nSTYLE PRIORITY \u2014 MANDATORY: The final artwork must closely resemble a traditional hand-painted watercolor animal or portrait illustration: soft, airy, refined, lightly expressive, and intentionally simplified.\nThe watercolor appearance must be immediately visible and visually substantial, not faint or washed out.\nUse {{Color Option}} in different pigment concentrations only:\npale transparent washes\nclearly visible soft midtone washes\nmuted tonal variations derived from the same hue\nmedium-to-deep watercolor masses in selected areas\nselective darker saturated accents from the same hue family\ncontrolled untouched white paper\nDo not preserve the original natural colors of the subject.\nSkin, fur, hair, clothing, markings, and accessories must all be translated into tonal variations derived only from {{Color Option}}.\nDo not introduce black, charcoal, brown, neutral gray, or any unrelated color cast.\nEven the darkest areas, including black fur, dark hair, dark clothing, shadows, noses, eyes, or linework, must be rendered as darker tonal variations of {{Color Option}}, not as black or off-hue neutrals.\nWATERCOLOR CHARACTER \u2014 HIGH PRIORITY: Build the subject primarily with layered translucent watercolor washes rather than solid digital coloring.\nUse:\nclearly visible watercolor pigment\nsoft overlapping washes\nmedium-density watercolor masses\nsubtle pigment pooling\nuneven watercolor density\ngentle granulation\nslight water blooms\nsoftly feathered internal transitions\nnaturally softened painted edges\nsubtle paper absorption\nirregular hand-painted tonal variation\nThe subject should contain a balanced range of light, medium, and dark watercolor values.\nMost major forms should have visible watercolor pigment rather than being left almost completely white.\nUse stronger medium and dark pigment in meaningful areas such as:\nmajor fur or hair masses\nlarge markings\nshadows\nears\ntails\nclothing sections\nfacial structure\nbody folds\noverlapping forms\nimportant identifying features\nAllow selected areas of deeper pigment to form clear watercolor masses, similar to traditional watercolor paintings where darker washes anchor the composition.\nDo not evenly fill the entire subject with color. Do not use flat opaque coloring. Do not make the entire artwork uniformly pale. Do not make the subject excessively dark or fully saturated.\nWHITE NEGATIVE SPACE: Use white-paper negative space selectively, not excessively.\nKeep some lighter areas nearly white where naturally appropriate, such as highlights, light fur, bright clothing areas, cheeks, chest, paws, arms, legs, or illuminated surfaces.\nHowever, white negative space should support the watercolor painting rather than dominate it.\nMaintain enough visible pigment across the subject so that the body, clothing, face, fur, and major forms remain clearly defined at first glance.\nLight areas should usually contain a subtle pale wash or surrounding tonal definition so they remain visually connected to the complete subject.\nWhite areas must feel intentional and integrated into the watercolor painting, not like missing, erased, or unfinished sections.\nSUBJECT SELECTION \u2014 MANDATORY: Render only the clearly recognizable main subject or subjects.\nA subject counts as recognizable only if it has enough visible identifying features to stand on its own, especially a clearly readable face or head.\nIgnore and completely remove:\npartial human bodies without a clearly recognizable face\ncropped background people\ndetached arms, hands, legs, or torso fragments\npartially visible pets without a clearly recognizable head\nbackground subjects\nobscured or accidental subject fragments\nIf a person or animal appears only as an incomplete secondary body fragment behind the main subject, do not render that subject at all.\nIf multiple clearly recognizable main subjects are present, preserve the exact number of those recognizable subjects only.\nNever add, duplicate, merge, replace, or invent any extra subject.\nSILHOUETTE \u2014 MANDATORY: Despite the watercolor treatment, each subject must form one complete and clearly readable outer silhouette.\nThe full outside contour must remain visually continuous from one body part to the next.\nDo not create:\nmissing chunks along the outer contour\ndetached paint fragments\nisolated floating brush marks\nlarge white holes breaking through the silhouette\nsplattered or frayed outer edges\nexcessive individual hair or fur strands extending outside the body\nThe silhouette should remain smooth, cohesive, and easy to separate from the white background.\nFor furry animals, simplify the exterior fur into a small number of controlled, soft tapered tufts rather than hundreds of individual hairs.\nLINEWORK: Use fine, delicate linework derived from a darker muted variation of {{Color Option}}.\nThe linework should feel lightly hand-drawn with watercolor pencil or a fine watercolor brush:\nthin\nsoft\nslightly irregular\ngently broken in selected areas\npartially blending into the watercolor washes\nLinework should remain clearly visible enough to define important anatomy, facial features, paws, hands, clothing edges, fur direction, and other identifying details.\nDo not make the linework so pale that important forms disappear.\nDo not use bold outlines. Do not use black outlines. Do not create crisp vector-like digital contour lines. Do not outline every internal shape.\nIDENTITY PRESERVATION: Preserve the recognizable identity of every clearly identifiable main subject.\nFor animals, preserve:\nspecies and breed traits\nhead and muzzle shape\near shape and position\neye placement\nbody proportions\nfur length and volume\ndistinctive markings\npose\ntail shape\nFor humans, preserve:\nfacial structure\nfacial proportions\nhairstyle\nage characteristics\nexpression\nbody proportions\npose\nrecognizable features\nIf multiple clearly recognizable main subjects are present, preserve their exact number, relative size, position, pose, and interaction.\nNever add, duplicate, merge, replace, or invent another subject.\nACCESSORIES: Preserve accessories physically worn by or attached to the subject, including collars, harnesses, bows, glasses, hats, jewelry, and clothing.\nTranslate them into the same monochromatic {{Color Option}} watercolor palette.\nRemove unrelated detached objects and background elements.\nFACIAL DETAILS: Keep the face recognizable while maintaining the delicate watercolor treatment.\nEyes, nose, mouth, eyebrows, lips, ears, and other important facial features may use deeper concentrations of {{Color Option}} so the expression and identity remain clearly readable.\nFacial features should be softly defined but not faded away.\nKeep them hand-painted rather than sharp or photorealistic.\nFUR AND HAIR: Suggest fur and hair with broad watercolor masses and a limited number of fine directional strokes.\nDo not render individual strands across the entire subject.\nPreserve the overall volume, direction, silhouette, and major fur or hair shapes.\nUse medium and deeper watercolor masses where necessary to clearly establish darker fur, hair, tails, markings, or shadowed areas.\nCOMPOSITION: Render the complete subject or subjects as isolated artwork centered on pure white.\nNo environmental background. No floor. No ground shadow. No scenery. No decorative toile pattern. No flowers. No frame. No text. No logo. No watermark.\n\u201cToile\u201d refers only to the elegant monochromatic illustrative character of the artwork, not to a repeating toile scene or decorative pattern.\nFINAL APPEARANCE: A refined custom monochromatic watercolor portrait with delicate hand-painted linework, clearly visible layered watercolor washes, balanced light and medium pigment coverage, selective substantial dark watercolor masses, controlled white negative space, natural pigment variation, strict single-hue color consistency, and a complete clean silhouette suitable for background removal and printing.\nThe artwork should feel light and elegant without looking faded, under-painted, or unfinished.\nAvoid photorealism, full-color rendering, multiple hues, black accents, brown accents, neutral gray accents unrelated to the selected hue, original natural colors, excessively pale rendering, washed-out subjects, barely visible pigment, excessive untouched white areas, opaque digital painting, flat vector coloring, thick outlines, hard cel shading, airbrushed gradients, gouache-like opacity, oil-paint texture, excessive contrast, hyper-detailed fur, fragmented silhouettes, rough cutout edges, scattered paint splashes, partial background people, cropped body fragments, incomplete secondary subjects, and background decoration.{{Color Option}}","color_sketch_image_filter":"#BD10E0","apply_color_to_sketch_result":false}],"visible":true,"fit_mode":"contain","group_id":"layer-288435","required":true,"dependency":{"match_type":"all","dependencies":[{"value":[30349931],"element":"layer-180363"}],"show_by_default":true},"form_label":"Upload Your Photo ","masked_url":"users\/44602\/images\/260827_NNACTu9xCbGrTtb2_large.webp","photo_hint":"<span style=\"color: black;line-height:1.7;font-size:1.2em;\">\n\u2022 Click the <strong>SELECT IMAGE<\/strong> button to upload your photo.<br\/>\n\u2022 You can re-upload other photos if you want. 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Do not make the subject excessively dark or fully saturated.\nWHITE NEGATIVE SPACE: Use white-paper negative space selectively, not excessively.\nKeep some lighter areas nearly white where naturally appropriate, such as highlights, light fur, bright clothing areas, cheeks, chest, paws, arms, legs, or illuminated surfaces.\nHowever, white negative space should support the watercolor painting rather than dominate it.\nMaintain enough visible pigment across the subject so that the body, clothing, face, fur, and major forms remain clearly defined at first glance.\nLight areas should usually contain a subtle pale wash or surrounding tonal definition so they remain visually connected to the complete subject.\nWhite areas must feel intentional and integrated into the watercolor painting, not like missing, erased, or unfinished sections.\nSUBJECT SELECTION \u2014 MANDATORY: Render only the clearly recognizable main subject or subjects.\nA subject counts as recognizable only if it has enough visible identifying features to stand on its own, especially a clearly readable face or head.\nIgnore and completely remove:\npartial human bodies without a clearly recognizable face\ncropped background people\ndetached arms, hands, legs, or torso fragments\npartially visible pets without a clearly recognizable head\nbackground subjects\nobscured or accidental subject fragments\nIf a person or animal appears only as an incomplete secondary body fragment behind the main subject, do not render that subject at all.\nIf multiple clearly recognizable main subjects are present, preserve the exact number of those recognizable subjects only.\nNever add, duplicate, merge, replace, or invent any extra subject.\nSILHOUETTE \u2014 MANDATORY: Despite the watercolor treatment, each subject must form one complete and clearly readable outer silhouette.\nThe full outside contour must remain visually continuous from one body part to the next.\nDo not create:\nmissing chunks along the outer contour\ndetached paint fragments\nisolated floating brush marks\nlarge white holes breaking through the silhouette\nsplattered or frayed outer edges\nexcessive individual hair or fur strands extending outside the body\nThe silhouette should remain smooth, cohesive, and easy to separate from the white background.\nFor furry animals, simplify the exterior fur into a small number of controlled, soft tapered tufts rather than hundreds of individual hairs.\nLINEWORK: Use fine, delicate linework derived from a darker muted variation of {{Color Option}}.\nThe linework should feel lightly hand-drawn with watercolor pencil or a fine watercolor brush:\nthin\nsoft\nslightly irregular\ngently broken in selected areas\npartially blending into the watercolor washes\nLinework should remain clearly visible enough to define important anatomy, facial features, paws, hands, clothing edges, fur direction, and other identifying details.\nDo not make the linework so pale that important forms disappear.\nDo not use bold outlines. Do not use black outlines. Do not create crisp vector-like digital contour lines. Do not outline every internal shape.\nIDENTITY PRESERVATION: Preserve the recognizable identity of every clearly identifiable main subject.\nFor animals, preserve:\nspecies and breed traits\nhead and muzzle shape\near shape and position\neye placement\nbody proportions\nfur length and volume\ndistinctive markings\npose\ntail shape\nFor humans, preserve:\nfacial structure\nfacial proportions\nhairstyle\nage characteristics\nexpression\nbody proportions\npose\nrecognizable features\nIf multiple clearly recognizable main subjects are present, preserve their exact number, relative size, position, pose, and interaction.\nNever add, duplicate, merge, replace, or invent another subject.\nACCESSORIES: Preserve accessories physically worn by or attached to the subject, including collars, harnesses, bows, glasses, hats, jewelry, and clothing.\nTranslate them into the same monochromatic {{Color Option}} watercolor palette.\nRemove unrelated detached objects and background elements.\nFACIAL DETAILS: Keep the face recognizable while maintaining the delicate watercolor treatment.\nEyes, nose, mouth, eyebrows, lips, ears, and other important facial features may use deeper concentrations of {{Color Option}} so the expression and identity remain clearly readable.\nFacial features should be softly defined but not faded away.\nKeep them hand-painted rather than sharp or photorealistic.\nFUR AND HAIR: Suggest fur and hair with broad watercolor masses and a limited number of fine directional strokes.\nDo not render individual strands across the entire subject.\nPreserve the overall volume, direction, silhouette, and major fur or hair shapes.\nUse medium and deeper watercolor masses where necessary to clearly establish darker fur, hair, tails, markings, or shadowed areas.\nCOMPOSITION: Render the complete subject or subjects as isolated artwork centered on pure white.\nNo environmental background. No floor. No ground shadow. No scenery. No decorative toile pattern. No flowers. No frame. No text. No logo. No watermark.\n\u201cToile\u201d refers only to the elegant monochromatic illustrative character of the artwork, not to a repeating toile scene or decorative pattern.\nFINAL APPEARANCE: A refined custom monochromatic watercolor portrait with delicate hand-painted linework, clearly visible layered watercolor washes, balanced light and medium pigment coverage, selective substantial dark watercolor masses, controlled white negative space, natural pigment variation, strict single-hue color consistency, and a complete clean silhouette suitable for background removal and printing.\nThe artwork should feel light and elegant without looking faded, under-painted, or unfinished.\nAvoid photorealism, full-color rendering, multiple hues, black accents, brown accents, neutral gray accents unrelated to the selected hue, original natural colors, excessively pale rendering, washed-out subjects, barely visible pigment, excessive untouched white areas, opaque digital painting, flat vector coloring, thick outlines, hard cel shading, airbrushed gradients, gouache-like opacity, oil-paint texture, excessive contrast, hyper-detailed fur, fragmented silhouettes, rough cutout edges, scattered paint splashes, partial background people, cropped body fragments, incomplete secondary subjects, and background decoration.{{Color Option}}","color_sketch_image_filter":"#BD10E0","apply_color_to_sketch_result":false}],"visible":true,"fit_mode":"contain","group_id":"layer-321397","required":true,"dependency":{"match_type":"all","dependencies":[{"value":[30349939],"element":"layer-180363"}],"show_by_default":true},"form_label":"Upload Your Photo ","masked_url":"users\/44602\/images\/260827_VeQiqNg3nHmS37Yc_large.webp","photo_hint":"<span style=\"color: black;line-height:1.7;font-size:1.2em;\">\n\u2022 Click the <strong>SELECT IMAGE<\/strong> button to upload your photo.<br\/>\n\u2022 You can re-upload other photos if you want. 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Do not use flat opaque coloring. Do not make the entire artwork uniformly pale. Do not make the subject excessively dark or fully saturated.\nWHITE NEGATIVE SPACE: Use white-paper negative space selectively, not excessively.\nKeep some lighter areas nearly white where naturally appropriate, such as highlights, light fur, bright clothing areas, cheeks, chest, paws, arms, legs, or illuminated surfaces.\nHowever, white negative space should support the watercolor painting rather than dominate it.\nMaintain enough visible pigment across the subject so that the body, clothing, face, fur, and major forms remain clearly defined at first glance.\nLight areas should usually contain a subtle pale wash or surrounding tonal definition so they remain visually connected to the complete subject.\nWhite areas must feel intentional and integrated into the watercolor painting, not like missing, erased, or unfinished sections.\nSUBJECT SELECTION \u2014 MANDATORY: Render only the clearly recognizable main subject or subjects.\nA subject counts as recognizable only if it has enough visible identifying features to stand on its own, especially a clearly readable face or head.\nIgnore and completely remove:\npartial human bodies without a clearly recognizable face\ncropped background people\ndetached arms, hands, legs, or torso fragments\npartially visible pets without a clearly recognizable head\nbackground subjects\nobscured or accidental subject fragments\nIf a person or animal appears only as an incomplete secondary body fragment behind the main subject, do not render that subject at all.\nIf multiple clearly recognizable main subjects are present, preserve the exact number of those recognizable subjects only.\nNever add, duplicate, merge, replace, or invent any extra subject.\nSILHOUETTE \u2014 MANDATORY: Despite the watercolor treatment, each subject must form one complete and clearly readable outer silhouette.\nThe full outside contour must remain visually continuous from one body part to the next.\nDo not create:\nmissing chunks along the outer contour\ndetached paint fragments\nisolated floating brush marks\nlarge white holes breaking through the silhouette\nsplattered or frayed outer edges\nexcessive individual hair or fur strands extending outside the body\nThe silhouette should remain smooth, cohesive, and easy to separate from the white background.\nFor furry animals, simplify the exterior fur into a small number of controlled, soft tapered tufts rather than hundreds of individual hairs.\nLINEWORK: Use fine, delicate linework derived from a darker muted variation of {{Color Option}}.\nThe linework should feel lightly hand-drawn with watercolor pencil or a fine watercolor brush:\nthin\nsoft\nslightly irregular\ngently broken in selected areas\npartially blending into the watercolor washes\nLinework should remain clearly visible enough to define important anatomy, facial features, paws, hands, clothing edges, fur direction, and other identifying details.\nDo not make the linework so pale that important forms disappear.\nDo not use bold outlines. Do not use black outlines. Do not create crisp vector-like digital contour lines. Do not outline every internal shape.\nIDENTITY PRESERVATION: Preserve the recognizable identity of every clearly identifiable main subject.\nFor animals, preserve:\nspecies and breed traits\nhead and muzzle shape\near shape and position\neye placement\nbody proportions\nfur length and volume\ndistinctive markings\npose\ntail shape\nFor humans, preserve:\nfacial structure\nfacial proportions\nhairstyle\nage characteristics\nexpression\nbody proportions\npose\nrecognizable features\nIf multiple clearly recognizable main subjects are present, preserve their exact number, relative size, position, pose, and interaction.\nNever add, duplicate, merge, replace, or invent another subject.\nACCESSORIES: Preserve accessories physically worn by or attached to the subject, including collars, harnesses, bows, glasses, hats, jewelry, and clothing.\nTranslate them into the same monochromatic {{Color Option}} watercolor palette.\nRemove unrelated detached objects and background elements.\nFACIAL DETAILS: Keep the face recognizable while maintaining the delicate watercolor treatment.\nEyes, nose, mouth, eyebrows, lips, ears, and other important facial features may use deeper concentrations of {{Color Option}} so the expression and identity remain clearly readable.\nFacial features should be softly defined but not faded away.\nKeep them hand-painted rather than sharp or photorealistic.\nFUR AND HAIR: Suggest fur and hair with broad watercolor masses and a limited number of fine directional strokes.\nDo not render individual strands across the entire subject.\nPreserve the overall volume, direction, silhouette, and major fur or hair shapes.\nUse medium and deeper watercolor masses where necessary to clearly establish darker fur, hair, tails, markings, or shadowed areas.\nCOMPOSITION: Render the complete subject or subjects as isolated artwork centered on pure white.\nNo environmental background. No floor. No ground shadow. No scenery. No decorative toile pattern. No flowers. No frame. No text. No logo. No watermark.\n\u201cToile\u201d refers only to the elegant monochromatic illustrative character of the artwork, not to a repeating toile scene or decorative pattern.\nFINAL APPEARANCE: A refined custom monochromatic watercolor portrait with delicate hand-painted linework, clearly visible layered watercolor washes, balanced light and medium pigment coverage, selective substantial dark watercolor masses, controlled white negative space, natural pigment variation, strict single-hue color consistency, and a complete clean silhouette suitable for background removal and printing.\nThe artwork should feel light and elegant without looking faded, under-painted, or unfinished.\nAvoid photorealism, full-color rendering, multiple hues, black accents, brown accents, neutral gray accents unrelated to the selected hue, original natural colors, excessively pale rendering, washed-out subjects, barely visible pigment, excessive untouched white areas, opaque digital painting, flat vector coloring, thick outlines, hard cel shading, airbrushed gradients, gouache-like opacity, oil-paint texture, excessive contrast, hyper-detailed fur, fragmented silhouettes, rough cutout edges, scattered paint splashes, partial background people, cropped body fragments, incomplete secondary subjects, and background decoration.{{Color Option}}","color_sketch_image_filter":"#BD10E0","apply_color_to_sketch_result":false}],"visible":true,"fit_mode":"contain","group_id":"layer-696008","required":true,"dependency":{"match_type":"all","dependencies":[{"value":[30349943],"element":"layer-180363"}],"show_by_default":true},"form_label":"Upload Your Photo ","masked_url":"users\/44602\/images\/260827_VeQiqNg3nHmS37Yc_large.webp","photo_hint":"<span style=\"color: black;line-height:1.7;font-size:1.2em;\">\n\u2022 Click the <strong>SELECT IMAGE<\/strong> button to upload your photo.<br\/>\n\u2022 You can re-upload other photos if you want. 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