{"id":143741,"uuid":"f68394e7-5b1e-4da6-9918-07b0f5147ef0","name":"Watercolor Portrait Custom Wall Art","preview_url":"users\/13910\/platform-products\/143741\/6ae3e5634af5e.jpg","preview_thumbnail":"users\/13910\/platform-products\/143741\/6ae3e5634af5e_thumbnail.webp","artworks":[{"id":1395249,"name":"Watercolor Portrait Poster Small","width":3600,"height":5400,"thumbnail":"users\/13910\/artworks\/6ae3d69e0b330_thumbnail.webp","template_settings":{"label":"Portrait type"},"current_version_id":3127999,"design_format":"jpeg_cmyk","schema_version":2,"data":[{"id":"template-977281","name":"One photo to artwork","addons":[],"layers":[{"id":"layer-377232","top":-64.73,"url":"users\/13910\/image-layers\/6ae3ce7659be9_large.webp","left":-43.87,"name":"Screenshot 2026-10-28 at 9.38.04\u202fPM","type":"photo","width":3687.57,"height":5529.18,"locked":false,"rotate":0,"effects":[{"id":"id-783765","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Transform the uploaded photo into an abstract watercolor ink-bleed portrait on white textured cold-press watercolor paper. It must look like real hand-painted watercolor made with wet pigment, not a photo with a filter.\n\nCORE CONCEPT: The painting is made of the subjects' own colors (skin, hair, clothing) bleeding outward like wet ink into the paper. There is no separate background layer. Every color around a subject is that subject's own pigment, fading with distance.\n\nSUBJECT AND LIKENESS\n- Keep the original pose and composition exactly. Include every person or pet in the photo and add no one else.\n- Preserve exact facial likeness, expression, age, hairstyle, eye color, and key accessories. Do not beautify, slim, or de-age anyone.\n- Crop to head, torso, and upper body, filling most of the frame.\n\nPAINTING STYLE\n- Built from visible brushstrokes, translucent layered glazes, and flat shapes of color, with some hard dried edges and some soft wet edges. Edges are lost and found: crisp in a few places, dissolving in others. Leave bare white paper unpainted inside the subjects as highlights.\n- Fur, hair, and clothing use confident directional strokes with pigment pooling, granulation, and dry-brush texture. Clothing is simplified into bold shapes of rich color, with no stitching, buttons, patterns, or photographic fabric detail.\n- Rich, saturated, full-strength pigment with deep darks and warm earthy tones (burnt sienna, ochre, raw umber), balanced by indigo and cobalt in the shadows.\n\nFACES (most realistic area)\n- Detailed, luminous faces with clear eyes and small catchlights. Skin in warm amber, golden peach, and burnt sienna with deep warm brown and cool indigo-tinted shadows.\n- Still painted: visible glazes, fine speckle, and granulation so they read as paint, not a photograph. No outlines. Detail fades quickly away from the face, becoming more abstract and wet.\n\nHAIR AND CLOTHING\n- Hair is flowing wet directional strokes with loose strands and smoky, feathered ends that bleed into the paper. Dark pigment pools at the roots and around the head.\n- Dark clothing becomes dense pools of charcoal, brown, and deep indigo. Warm clothing becomes burnt orange and amber. Light clothing stays mostly bare paper with faint grey-blue shadows.\n\nCOLOR BLEED\n- NO scene, objects, or setting, and no separate grey or neutral background wash. The only paint outside the subjects is their own colors bleeding into white paper, in the same hue as the nearest part of the subject (dark hair bleeds smoky brown, skin bleeds amber, a grey jacket bleeds charcoal).\n- The bleed is densest next to the subject, then thins into soft, translucent washes and dissolves into clean white paper.\n\nSHAPE AND EDGES (critical)\n- A free-form vignette whose outline follows the subject. NOT a rectangle, square block, or framed scene. No straight edges or corners anywhere.\n- Washes have uneven, organic outlines with cauliflower blooms, backruns, pooled dark edges, and rough dry-brush edges, widest in a few places and tiny or absent in others.\n- Many splashes, splatters, and drips of varied sizes in the painting's own colors, with several thin drips running down from the bottom, each in the color it falls from. Fine speckle across the subject.\n- Generous bare white paper around the whole painting, especially in the corners.\n- The lower body and clothing hems dissolve into loose streaks of wet color and fade into white paper with no hard end line.\n\nTEXTURE AND QUALITY\n- Palette comes only from the subject's own colors, rich and saturated. No added background colors, rainbow, or neon. No black outlines, 3D look, or airbrushed smoothness.\n- Visible paper grain, wet-on-wet bleeds, blooms, pooling, granulation.\n- No text, letters, or signature. High resolution, 2:3 vertical. No watermark, logo, or frame.","color_sketch_image_filter":"#000000"}],"visible":true,"fit_mode":"contain","required":true,"form_label":"Upload Your Photo","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","customization_type":"normal","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-886682","top":4215.47,"url":"text-path\/master\/heart.svg","left":258.25,"name":"Paragraph","text":null,"type":"paragraph","align":"center","color":"#272727","width":3083.33,"height":940.48,"locked":false,"rotate":0,"visible":true,"paragraph":{"lines":null,"font_size":600},"form_label":"Artwork Title (Optional)","max_length":60,"typography":{"size":50,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/13910\/fonts\/6ae3cecf15d22.woff2","size":600,"family":"High Spirited"},"line_height":0.8,"stroke_color":"#FFFFFF","stroke_width":5,"color_opacity":"FF","stroke_layers":[{"color":"#FFFFFF","width":5}],"align_vertical":"middle","schema_version":2,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","background_enabled":true,"customization_type":"normal"}],"positions":["template-layer","layer-377232","layer-886682"],"charge_enabled":false},{"id":"template-848913","name":"Combine photos to artwork","addons":[],"layers":[{"id":"layer-285917","top":-64.75,"url":"users\/13910\/image-layers\/6ae3ce7659be9_large.webp","left":-59.37,"name":"Gemini_Generated_Image_vwbch4vwbch4vwbc","type":"multiple-uploads","width":3703.22,"height":5552.65,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","required":true,"form_label":"Upload Your Photos","max_photos":3,"photo_hint":"Please upload your photos, then click \"Create your artwork\"","output_type":"single","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","gemini_resolution":"2K","customization_type":"normal","multi_image_prompt":"Combine the people and pets from the uploaded photos into ONE abstract watercolor ink-bleed portrait on white textured cold-press watercolor paper. Each photo shows a different subject, photographed separately. Paint them together as if photographed together. It must look like real hand-painted watercolor made with wet pigment, not a photo with a filter.\n\nCORE CONCEPT: The painting is made of the subjects' own colors (skin, hair, clothing) bleeding outward like wet ink into the paper. There is no separate background layer. Every color around a subject is that subject's own pigment, fading with distance.\n\nCOMBINING THE PHOTOS\n- Include every person or pet exactly once. Add no one else and leave no one out.\n- Size and scale: size everyone realistically and proportionally, as if together in the same room. Judge scale by real-world size and age, not by how large each appears in its own photo. Adults are larger than children, and a large dog is much bigger than a cat. Heads, shoulders, and hands match the same scale, and no one looks oversized, shrunken, or pasted in.\n- Put the focal person (bride, graduate, birthday person, memorial subject) in the center, slightly forward. If none, put the eldest or tallest in the center.\n- Arrange everyone in a close, overlapping cluster with heads at different heights, never a flat row. Use natural contact: heads leaning together, an arm around a shoulder, a hand on an arm, or an embrace. No gaps or cut-out look.\n- All main subjects face the viewer, or turn gently toward the center, in the same direction. Re-pose anyone angled differently in their photo, keeping exact likeness and expression.\n- Keep key props and accessories. Match lighting and style across everyone.\n- Crop to heads, torsos, and upper bodies, filling most of the frame.\n\nLIKENESS\n- Preserve each subject's exact facial likeness, expression, age, hairstyle, eye color, and accessories. Likeness comes first. Do not beautify, slim, or de-age anyone. For pets, preserve exact breed, markings, fur color, and eye color.\n\nPAINTING STYLE\n- Built from visible brushstrokes, translucent layered glazes, and flat shapes of color, with some hard dried edges and some soft wet edges. Edges are lost and found: crisp in a few places, dissolving in others. Leave bare white paper unpainted inside the subjects as highlights.\n- Fur, hair, and clothing use confident directional strokes with pigment pooling, granulation, and dry-brush texture. Clothing is simplified into bold shapes of rich color, with no stitching, buttons, patterns, or photographic fabric detail.\n- Rich, saturated, full-strength pigment with deep darks and warm earthy tones (burnt sienna, ochre, raw umber), balanced by indigo and cobalt in the shadows.\n\nFACES (most realistic area)\n- Detailed, luminous faces with clear eyes and small catchlights. Skin in warm amber, golden peach, and burnt sienna with deep warm brown and cool indigo-tinted shadows.\n- Still painted: visible glazes, fine speckle, and granulation so they read as paint, not a photograph. No outlines. Detail fades quickly away from the faces, becoming more abstract and wet.\n\nHAIR, FUR, AND CLOTHING\n- Hair is flowing wet directional strokes with loose strands and smoky, feathered ends that bleed into the paper. Dark pigment pools at the roots and around the heads. Fur is loose directional strokes with bleeding edges.\n- Dark clothing becomes dense pools of charcoal, brown, and deep indigo. Warm clothing becomes burnt orange and amber. Light clothing stays mostly bare paper with faint grey-blue shadows. Bodies merge into one connected mass of wet color.\n\nCOLOR BLEED\n- NO scene, objects, or setting, and no separate grey or neutral background wash. The only paint outside the subjects is their own colors bleeding into white paper, in the same hue as the nearest part of the subject (dark hair bleeds smoky brown, skin bleeds amber, a grey jacket bleeds charcoal).\n- Where subjects touch or overlap, their colors flow into each other.\n- The bleed is densest next to the subjects, then thins into soft, translucent washes and dissolves into clean white paper.\n\nSHAPE AND EDGES (critical)\n- A free-form vignette whose outline follows the group. NOT a rectangle, square block, or framed scene. No straight edges or corners anywhere.\n- Washes have uneven, organic outlines with cauliflower blooms, backruns, pooled dark edges, and rough dry-brush edges, widest in a few places and tiny or absent in others.\n- Many splashes, splatters, and drips of varied sizes in the painting's own colors, with several thin drips running down from the bottom, each in the color it falls from. Fine speckle across the subjects.\n- Generous bare white paper around the whole painting, especially in the corners.\n- Lower bodies and clothing hems dissolve into loose streaks of wet color and fade into white paper with no hard end line.\n\nTEXTURE AND QUALITY\n- Palette comes only from the subjects' own colors, rich and saturated. No added background colors, rainbow, or neon. No black outlines, 3D look, or airbrushed smoothness.\n- Visible paper grain, wet-on-wet bleeds, blooms, pooling, granulation.\n- No text, letters, or signature. High resolution, 2:3 vertical. No watermark, logo, or frame.","direct_upload_style":"contain","direct_clipart_style":"contain","multi_image_provider":"gemini"},{"id":"layer-665281","top":4177.37,"url":"text-path\/master\/heart.svg","left":258.34,"name":"Paragraph","text":null,"type":"paragraph","align":"center","color":"#272727","width":3083.33,"height":997.62,"locked":false,"rotate":0,"visible":true,"paragraph":{"lines":null,"font_size":600},"form_label":"Artwork Title (Optional)","max_length":60,"typography":{"size":50,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/13910\/fonts\/6ae3cecf15d22.woff2","size":600,"family":"High Spirited"},"line_height":0.8,"stroke_color":"#FFFFFF","stroke_width":5,"color_opacity":"FF","stroke_layers":[{"color":"#FFFFFF","width":5}],"align_vertical":"middle","schema_version":2,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","background_enabled":true,"customization_type":"normal"}],"is_global":false,"positions":["template-layer","layer-285917","layer-665281"],"charge_enabled":false}],"position":0,"platform_variant_ids":["68022178185444"],"global_option_ids":[]},{"id":1395247,"name":"Watercolor Portrait Poster Mid","width":4800,"height":7200,"thumbnail":"users\/13910\/artworks\/6ae3d604a4da8_thumbnail.webp","template_settings":{"label":"Portrait type"},"current_version_id":3127988,"design_format":"jpeg_cmyk","schema_version":2,"data":[{"id":"template-555286","name":"One photo to artwork","addons":[],"layers":[{"id":"layer-861920","top":-106.97,"url":"users\/13910\/image-layers\/6ae3ce7659be9_large.webp","left":-72.28,"name":"Screenshot 2026-10-28 at 9.38.04\u202fPM","type":"photo","width":4944.56,"height":7413.93,"locked":false,"rotate":0,"effects":[{"id":"id-962742","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Transform the uploaded photo into an abstract watercolor ink-bleed portrait on white textured cold-press watercolor paper. It must look like real hand-painted watercolor made with wet pigment, not a photo with a filter.\n\nCORE CONCEPT: The painting is made of the subjects' own colors (skin, hair, clothing) bleeding outward like wet ink into the paper. There is no separate background layer. Every color around a subject is that subject's own pigment, fading with distance.\n\nSUBJECT AND LIKENESS\n- Keep the original pose and composition exactly. Include every person or pet in the photo and add no one else.\n- Preserve exact facial likeness, expression, age, hairstyle, eye color, and key accessories. Do not beautify, slim, or de-age anyone.\n- Crop to head, torso, and upper body, filling most of the frame.\n\nPAINTING STYLE\n- Built from visible brushstrokes, translucent layered glazes, and flat shapes of color, with some hard dried edges and some soft wet edges. Edges are lost and found: crisp in a few places, dissolving in others. Leave bare white paper unpainted inside the subjects as highlights.\n- Fur, hair, and clothing use confident directional strokes with pigment pooling, granulation, and dry-brush texture. Clothing is simplified into bold shapes of rich color, with no stitching, buttons, patterns, or photographic fabric detail.\n- Rich, saturated, full-strength pigment with deep darks and warm earthy tones (burnt sienna, ochre, raw umber), balanced by indigo and cobalt in the shadows.\n\nFACES (most realistic area)\n- Detailed, luminous faces with clear eyes and small catchlights. Skin in warm amber, golden peach, and burnt sienna with deep warm brown and cool indigo-tinted shadows.\n- Still painted: visible glazes, fine speckle, and granulation so they read as paint, not a photograph. No outlines. Detail fades quickly away from the face, becoming more abstract and wet.\n\nHAIR AND CLOTHING\n- Hair is flowing wet directional strokes with loose strands and smoky, feathered ends that bleed into the paper. Dark pigment pools at the roots and around the head.\n- Dark clothing becomes dense pools of charcoal, brown, and deep indigo. Warm clothing becomes burnt orange and amber. Light clothing stays mostly bare paper with faint grey-blue shadows.\n\nCOLOR BLEED\n- NO scene, objects, or setting, and no separate grey or neutral background wash. The only paint outside the subjects is their own colors bleeding into white paper, in the same hue as the nearest part of the subject (dark hair bleeds smoky brown, skin bleeds amber, a grey jacket bleeds charcoal).\n- The bleed is densest next to the subject, then thins into soft, translucent washes and dissolves into clean white paper.\n\nSHAPE AND EDGES (critical)\n- A free-form vignette whose outline follows the subject. NOT a rectangle, square block, or framed scene. No straight edges or corners anywhere.\n- Washes have uneven, organic outlines with cauliflower blooms, backruns, pooled dark edges, and rough dry-brush edges, widest in a few places and tiny or absent in others.\n- Many splashes, splatters, and drips of varied sizes in the painting's own colors, with several thin drips running down from the bottom, each in the color it falls from. Fine speckle across the subject.\n- Generous bare white paper around the whole painting, especially in the corners.\n- The lower body and clothing hems dissolve into loose streaks of wet color and fade into white paper with no hard end line.\n\nTEXTURE AND QUALITY\n- Palette comes only from the subject's own colors, rich and saturated. No added background colors, rainbow, or neon. No black outlines, 3D look, or airbrushed smoothness.\n- Visible paper grain, wet-on-wet bleeds, blooms, pooling, granulation.\n- No text, letters, or signature. High resolution, 2:3 vertical. No watermark, logo, or frame.","color_sketch_image_filter":"#000000"}],"visible":true,"fit_mode":"contain","required":true,"form_label":"Upload Your Photo","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","customization_type":"normal","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-520635","top":5514.58,"url":"text-path\/master\/heart.svg","left":444.45,"name":"Paragraph","text":null,"type":"paragraph","align":"center","color":"#313131","width":3911.11,"height":1306.25,"locked":false,"rotate":0,"visible":true,"paragraph":{"lines":null,"font_size":700},"form_label":"Artwork Title (Optional)","max_length":60,"typography":{"size":300,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/13910\/fonts\/6ae3cecf15d22.woff2","size":700,"family":"High Spirited"},"line_height":0.8,"stroke_color":"#FFFFFF","stroke_width":8,"color_opacity":"FF","stroke_layers":[{"color":"#FFFFFF","width":8}],"align_vertical":"middle","schema_version":2,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","background_enabled":true,"customization_type":"normal"}],"positions":["template-layer","layer-861920","layer-520635"],"charge_enabled":false},{"id":"template-331713","name":"Combine photos to artwork","addons":[],"layers":[{"id":"layer-143008","top":-85.97,"url":"users\/13910\/image-layers\/6ae3ce7659be9_large.webp","left":-58.28,"name":"Gemini_Generated_Image_vwbch4vwbch4vwbc","type":"multiple-uploads","width":4916.57,"height":7371.95,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","required":true,"form_label":"Upload Your Photos","max_photos":3,"photo_hint":"Please upload your photos, then click \"Create your artwork\"","output_type":"single","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","gemini_resolution":"2K","customization_type":"normal","multi_image_prompt":"Combine the people and pets from the uploaded photos into ONE abstract watercolor ink-bleed portrait on white textured cold-press watercolor paper. Each photo shows a different subject, photographed separately. Paint them together as if photographed together. It must look like real hand-painted watercolor made with wet pigment, not a photo with a filter.\n\nCORE CONCEPT: The painting is made of the subjects' own colors (skin, hair, clothing) bleeding outward like wet ink into the paper. There is no separate background layer. Every color around a subject is that subject's own pigment, fading with distance.\n\nCOMBINING THE PHOTOS\n- Include every person or pet exactly once. Add no one else and leave no one out.\n- Size and scale: size everyone realistically and proportionally, as if together in the same room. Judge scale by real-world size and age, not by how large each appears in its own photo. Adults are larger than children, and a large dog is much bigger than a cat. Heads, shoulders, and hands match the same scale, and no one looks oversized, shrunken, or pasted in.\n- Put the focal person (bride, graduate, birthday person, memorial subject) in the center, slightly forward. If none, put the eldest or tallest in the center.\n- Arrange everyone in a close, overlapping cluster with heads at different heights, never a flat row. Use natural contact: heads leaning together, an arm around a shoulder, a hand on an arm, or an embrace. No gaps or cut-out look.\n- All main subjects face the viewer, or turn gently toward the center, in the same direction. Re-pose anyone angled differently in their photo, keeping exact likeness and expression.\n- Keep key props and accessories. Match lighting and style across everyone.\n- Crop to heads, torsos, and upper bodies, filling most of the frame.\n\nLIKENESS\n- Preserve each subject's exact facial likeness, expression, age, hairstyle, eye color, and accessories. Likeness comes first. Do not beautify, slim, or de-age anyone. For pets, preserve exact breed, markings, fur color, and eye color.\n\nPAINTING STYLE\n- Built from visible brushstrokes, translucent layered glazes, and flat shapes of color, with some hard dried edges and some soft wet edges. Edges are lost and found: crisp in a few places, dissolving in others. Leave bare white paper unpainted inside the subjects as highlights.\n- Fur, hair, and clothing use confident directional strokes with pigment pooling, granulation, and dry-brush texture. Clothing is simplified into bold shapes of rich color, with no stitching, buttons, patterns, or photographic fabric detail.\n- Rich, saturated, full-strength pigment with deep darks and warm earthy tones (burnt sienna, ochre, raw umber), balanced by indigo and cobalt in the shadows.\n\nFACES (most realistic area)\n- Detailed, luminous faces with clear eyes and small catchlights. Skin in warm amber, golden peach, and burnt sienna with deep warm brown and cool indigo-tinted shadows.\n- Still painted: visible glazes, fine speckle, and granulation so they read as paint, not a photograph. No outlines. Detail fades quickly away from the faces, becoming more abstract and wet.\n\nHAIR, FUR, AND CLOTHING\n- Hair is flowing wet directional strokes with loose strands and smoky, feathered ends that bleed into the paper. Dark pigment pools at the roots and around the heads. Fur is loose directional strokes with bleeding edges.\n- Dark clothing becomes dense pools of charcoal, brown, and deep indigo. Warm clothing becomes burnt orange and amber. Light clothing stays mostly bare paper with faint grey-blue shadows. Bodies merge into one connected mass of wet color.\n\nCOLOR BLEED\n- NO scene, objects, or setting, and no separate grey or neutral background wash. The only paint outside the subjects is their own colors bleeding into white paper, in the same hue as the nearest part of the subject (dark hair bleeds smoky brown, skin bleeds amber, a grey jacket bleeds charcoal).\n- Where subjects touch or overlap, their colors flow into each other.\n- The bleed is densest next to the subjects, then thins into soft, translucent washes and dissolves into clean white paper.\n\nSHAPE AND EDGES (critical)\n- A free-form vignette whose outline follows the group. NOT a rectangle, square block, or framed scene. No straight edges or corners anywhere.\n- Washes have uneven, organic outlines with cauliflower blooms, backruns, pooled dark edges, and rough dry-brush edges, widest in a few places and tiny or absent in others.\n- Many splashes, splatters, and drips of varied sizes in the painting's own colors, with several thin drips running down from the bottom, each in the color it falls from. Fine speckle across the subjects.\n- Generous bare white paper around the whole painting, especially in the corners.\n- Lower bodies and clothing hems dissolve into loose streaks of wet color and fade into white paper with no hard end line.\n\nTEXTURE AND QUALITY\n- Palette comes only from the subjects' own colors, rich and saturated. No added background colors, rainbow, or neon. No black outlines, 3D look, or airbrushed smoothness.\n- Visible paper grain, wet-on-wet bleeds, blooms, pooling, granulation.\n- No text, letters, or signature. High resolution, 2:3 vertical. No watermark, logo, or frame.","direct_upload_style":"contain","direct_clipart_style":"contain","multi_image_provider":"gemini"},{"id":"layer-396756","top":5614.58,"url":"text-path\/master\/heart.svg","left":444.45,"name":"Paragraph","text":null,"type":"paragraph","align":"center","color":"#313131","width":3911.11,"height":1225,"locked":false,"rotate":0,"visible":true,"paragraph":{"lines":null,"font_size":700},"form_label":"Artwork Title (Optional)","max_length":60,"typography":{"size":300,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/13910\/fonts\/6ae3cecf15d22.woff2","size":700,"family":"High Spirited"},"line_height":0.8,"stroke_color":"#FFFFFF","stroke_width":8,"color_opacity":"FF","stroke_layers":[{"color":"#FFFFFF","width":8}],"align_vertical":"middle","schema_version":2,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","background_enabled":true,"customization_type":"normal"}],"is_global":false,"positions":["template-layer","layer-143008","layer-396756"],"charge_enabled":false}],"position":1,"platform_variant_ids":["68022178218212"],"global_option_ids":[]},{"id":1395241,"name":"Watercolor Portrait Poster Big","width":7200,"height":10800,"thumbnail":"users\/13910\/artworks\/6ae3d5743fbab_thumbnail.webp","template_settings":{"label":"Portrait type"},"current_version_id":3127974,"design_format":"jpeg_cmyk","schema_version":2,"data":[{"id":"template-866185","name":"One photo to artwork","addons":[],"layers":[{"id":"layer-951815","top":-94.19,"url":"users\/13910\/image-layers\/6ae3ce7659be9_large.webp","left":-64.24,"name":"Screenshot 2026-10-28 at 9.38.04\u202fPM","type":"photo","width":7328.47,"height":10988.39,"locked":false,"rotate":0,"effects":[{"id":"id-601516","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Transform the uploaded photo into an abstract watercolor ink-bleed portrait on white textured cold-press watercolor paper. It must look like real hand-painted watercolor made with wet pigment, not a photo with a filter.\n\nCORE CONCEPT: The painting is made of the subjects' own colors (skin, hair, clothing) bleeding outward like wet ink into the paper. There is no separate background layer. Every color around a subject is that subject's own pigment, fading with distance.\n\nSUBJECT AND LIKENESS\n- Keep the original pose and composition exactly. Include every person or pet in the photo and add no one else.\n- Preserve exact facial likeness, expression, age, hairstyle, eye color, and key accessories. Do not beautify, slim, or de-age anyone.\n- Crop to head, torso, and upper body, filling most of the frame.\n\nPAINTING STYLE\n- Built from visible brushstrokes, translucent layered glazes, and flat shapes of color, with some hard dried edges and some soft wet edges. Edges are lost and found: crisp in a few places, dissolving in others. Leave bare white paper unpainted inside the subjects as highlights.\n- Fur, hair, and clothing use confident directional strokes with pigment pooling, granulation, and dry-brush texture. Clothing is simplified into bold shapes of rich color, with no stitching, buttons, patterns, or photographic fabric detail.\n- Rich, saturated, full-strength pigment with deep darks and warm earthy tones (burnt sienna, ochre, raw umber), balanced by indigo and cobalt in the shadows.\n\nFACES (most realistic area)\n- Detailed, luminous faces with clear eyes and small catchlights. Skin in warm amber, golden peach, and burnt sienna with deep warm brown and cool indigo-tinted shadows.\n- Still painted: visible glazes, fine speckle, and granulation so they read as paint, not a photograph. No outlines. Detail fades quickly away from the face, becoming more abstract and wet.\n\nHAIR AND CLOTHING\n- Hair is flowing wet directional strokes with loose strands and smoky, feathered ends that bleed into the paper. Dark pigment pools at the roots and around the head.\n- Dark clothing becomes dense pools of charcoal, brown, and deep indigo. Warm clothing becomes burnt orange and amber. Light clothing stays mostly bare paper with faint grey-blue shadows.\n\nCOLOR BLEED\n- NO scene, objects, or setting, and no separate grey or neutral background wash. The only paint outside the subjects is their own colors bleeding into white paper, in the same hue as the nearest part of the subject (dark hair bleeds smoky brown, skin bleeds amber, a grey jacket bleeds charcoal).\n- The bleed is densest next to the subject, then thins into soft, translucent washes and dissolves into clean white paper.\n\nSHAPE AND EDGES (critical)\n- A free-form vignette whose outline follows the subject. NOT a rectangle, square block, or framed scene. No straight edges or corners anywhere.\n- Washes have uneven, organic outlines with cauliflower blooms, backruns, pooled dark edges, and rough dry-brush edges, widest in a few places and tiny or absent in others.\n- Many splashes, splatters, and drips of varied sizes in the painting's own colors, with several thin drips running down from the bottom, each in the color it falls from. Fine speckle across the subject.\n- Generous bare white paper around the whole painting, especially in the corners.\n- The lower body and clothing hems dissolve into loose streaks of wet color and fade into white paper with no hard end line.\n\nTEXTURE AND QUALITY\n- Palette comes only from the subject's own colors, rich and saturated. No added background colors, rainbow, or neon. No black outlines, 3D look, or airbrushed smoothness.\n- Visible paper grain, wet-on-wet bleeds, blooms, pooling, granulation.\n- No text, letters, or signature. High resolution, 2:3 vertical. No watermark, logo, or frame.","color_sketch_image_filter":"#000000"}],"visible":true,"fit_mode":"contain","required":true,"form_label":"Upload Your Photo","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","customization_type":"normal","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-862271","top":8370,"url":"text-path\/master\/heart.svg","left":608.33,"name":"Paragraph","text":null,"type":"paragraph","align":"center","color":"#313131","width":5983.34,"height":1870,"locked":false,"rotate":0,"visible":true,"paragraph":{"lines":null,"font_size":900},"form_label":"Artwork Title (Optional)","max_length":60,"typography":{"size":50,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/13910\/fonts\/6ae3cecf15d22.woff2","size":900,"family":"High Spirited"},"line_height":0.8,"stroke_color":"#FFFFFF","stroke_width":1,"color_opacity":"FF","stroke_layers":[{"color":"#FFFFFF","width":1}],"align_vertical":"middle","schema_version":2,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","background_enabled":true,"customization_type":"normal"}],"positions":["template-layer","layer-951815","layer-862271"],"charge_enabled":false},{"id":"template-224239","name":"Combine photos to artwork","addons":[],"layers":[{"id":"layer-621938","top":-128.96,"url":"users\/13910\/image-layers\/6ae3ce7659be9_large.webp","left":-87.42,"name":"Gemini_Generated_Image_vwbch4vwbch4vwbc","type":"multiple-uploads","width":7374.85,"height":11057.92,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","required":true,"form_label":"Upload Your Photos","max_photos":3,"photo_hint":"Please upload your photos, then click \"Create your artwork\"","output_type":"single","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","gemini_resolution":"2K","customization_type":"normal","multi_image_prompt":"Combine the people and pets from the uploaded photos into ONE abstract watercolor ink-bleed portrait on white textured cold-press watercolor paper. Each photo shows a different subject, photographed separately. Paint them together as if photographed together. It must look like real hand-painted watercolor made with wet pigment, not a photo with a filter.\n\nCORE CONCEPT: The painting is made of the subjects' own colors (skin, hair, clothing) bleeding outward like wet ink into the paper. There is no separate background layer. Every color around a subject is that subject's own pigment, fading with distance.\n\nCOMBINING THE PHOTOS\n- Include every person or pet exactly once. Add no one else and leave no one out.\n- Size and scale: size everyone realistically and proportionally, as if together in the same room. Judge scale by real-world size and age, not by how large each appears in its own photo. Adults are larger than children, and a large dog is much bigger than a cat. Heads, shoulders, and hands match the same scale, and no one looks oversized, shrunken, or pasted in.\n- Put the focal person (bride, graduate, birthday person, memorial subject) in the center, slightly forward. If none, put the eldest or tallest in the center.\n- Arrange everyone in a close, overlapping cluster with heads at different heights, never a flat row. Use natural contact: heads leaning together, an arm around a shoulder, a hand on an arm, or an embrace. No gaps or cut-out look.\n- All main subjects face the viewer, or turn gently toward the center, in the same direction. Re-pose anyone angled differently in their photo, keeping exact likeness and expression.\n- Keep key props and accessories. Match lighting and style across everyone.\n- Crop to heads, torsos, and upper bodies, filling most of the frame.\n\nLIKENESS\n- Preserve each subject's exact facial likeness, expression, age, hairstyle, eye color, and accessories. Likeness comes first. Do not beautify, slim, or de-age anyone. For pets, preserve exact breed, markings, fur color, and eye color.\n\nPAINTING STYLE\n- Built from visible brushstrokes, translucent layered glazes, and flat shapes of color, with some hard dried edges and some soft wet edges. Edges are lost and found: crisp in a few places, dissolving in others. Leave bare white paper unpainted inside the subjects as highlights.\n- Fur, hair, and clothing use confident directional strokes with pigment pooling, granulation, and dry-brush texture. Clothing is simplified into bold shapes of rich color, with no stitching, buttons, patterns, or photographic fabric detail.\n- Rich, saturated, full-strength pigment with deep darks and warm earthy tones (burnt sienna, ochre, raw umber), balanced by indigo and cobalt in the shadows.\n\nFACES (most realistic area)\n- Detailed, luminous faces with clear eyes and small catchlights. Skin in warm amber, golden peach, and burnt sienna with deep warm brown and cool indigo-tinted shadows.\n- Still painted: visible glazes, fine speckle, and granulation so they read as paint, not a photograph. No outlines. Detail fades quickly away from the faces, becoming more abstract and wet.\n\nHAIR, FUR, AND CLOTHING\n- Hair is flowing wet directional strokes with loose strands and smoky, feathered ends that bleed into the paper. Dark pigment pools at the roots and around the heads. Fur is loose directional strokes with bleeding edges.\n- Dark clothing becomes dense pools of charcoal, brown, and deep indigo. Warm clothing becomes burnt orange and amber. Light clothing stays mostly bare paper with faint grey-blue shadows. Bodies merge into one connected mass of wet color.\n\nCOLOR BLEED\n- NO scene, objects, or setting, and no separate grey or neutral background wash. The only paint outside the subjects is their own colors bleeding into white paper, in the same hue as the nearest part of the subject (dark hair bleeds smoky brown, skin bleeds amber, a grey jacket bleeds charcoal).\n- Where subjects touch or overlap, their colors flow into each other.\n- The bleed is densest next to the subjects, then thins into soft, translucent washes and dissolves into clean white paper.\n\nSHAPE AND EDGES (critical)\n- A free-form vignette whose outline follows the group. NOT a rectangle, square block, or framed scene. No straight edges or corners anywhere.\n- Washes have uneven, organic outlines with cauliflower blooms, backruns, pooled dark edges, and rough dry-brush edges, widest in a few places and tiny or absent in others.\n- Many splashes, splatters, and drips of varied sizes in the painting's own colors, with several thin drips running down from the bottom, each in the color it falls from. Fine speckle across the subjects.\n- Generous bare white paper around the whole painting, especially in the corners.\n- Lower bodies and clothing hems dissolve into loose streaks of wet color and fade into white paper with no hard end line.\n\nTEXTURE AND QUALITY\n- Palette comes only from the subjects' own colors, rich and saturated. No added background colors, rainbow, or neon. No black outlines, 3D look, or airbrushed smoothness.\n- Visible paper grain, wet-on-wet bleeds, blooms, pooling, granulation.\n- No text, letters, or signature. High resolution, 2:3 vertical. No watermark, logo, or frame.","direct_upload_style":"contain","direct_clipart_style":"contain","multi_image_provider":"gemini"},{"id":"layer-756253","top":8340,"url":"text-path\/master\/heart.svg","left":608.34,"name":"Paragraph","text":null,"type":"paragraph","align":"center","color":"#313131","width":5983.34,"height":1870,"locked":false,"rotate":0,"visible":true,"paragraph":{"lines":null,"font_size":900},"form_label":"Artwork Title (Optional)","max_length":60,"typography":{"size":50,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/13910\/fonts\/6ae3cecf15d22.woff2","size":900,"family":"High Spirited"},"line_height":0.8,"stroke_color":"#FFFFFF","stroke_width":10,"color_opacity":"FF","stroke_layers":[{"color":"#FFFFFF","width":10}],"align_vertical":"middle","schema_version":2,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","background_enabled":true,"customization_type":"normal"}],"is_global":false,"positions":["template-layer","layer-621938","layer-756253"],"charge_enabled":false}],"position":2,"platform_variant_ids":["68022178250980"],"global_option_ids":[]},{"id":1395231,"name":"Watercolor Portrait Canvas Big","width":8100,"height":11700,"thumbnail":"users\/13910\/artworks\/6ae3d4bd539e0_thumbnail.webp","template_settings":{"label":"Portrait type"},"current_version_id":3127957,"design_format":"jpeg_cmyk","schema_version":2,"data":[{"id":"template-182707","name":"One photo to artwork","addons":[],"layers":[{"id":"layer-917727","top":0,"url":"users\/13910\/image-layers\/6ae3ce7659be9_large.webp","left":148.47,"name":"Screenshot 2026-10-28 at 9.38.04\u202fPM","type":"photo","width":7803.07,"height":11700,"locked":false,"rotate":0,"effects":[{"id":"id-610086","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Transform the uploaded photo into an abstract watercolor ink-bleed portrait on white textured cold-press watercolor paper. It must look like real hand-painted watercolor made with wet pigment, not a photo with a filter.\n\nCORE CONCEPT: The painting is made of the subjects' own colors (skin, hair, clothing) bleeding outward like wet ink into the paper. There is no separate background layer. Every color around a subject is that subject's own pigment, fading with distance.\n\nSUBJECT AND LIKENESS\n- Keep the original pose and composition exactly. Include every person or pet in the photo and add no one else.\n- Preserve exact facial likeness, expression, age, hairstyle, eye color, and key accessories. Do not beautify, slim, or de-age anyone.\n- Crop to head, torso, and upper body, filling most of the frame.\n\nPAINTING STYLE\n- Built from visible brushstrokes, translucent layered glazes, and flat shapes of color, with some hard dried edges and some soft wet edges. Edges are lost and found: crisp in a few places, dissolving in others. Leave bare white paper unpainted inside the subjects as highlights.\n- Fur, hair, and clothing use confident directional strokes with pigment pooling, granulation, and dry-brush texture. Clothing is simplified into bold shapes of rich color, with no stitching, buttons, patterns, or photographic fabric detail.\n- Rich, saturated, full-strength pigment with deep darks and warm earthy tones (burnt sienna, ochre, raw umber), balanced by indigo and cobalt in the shadows.\n\nFACES (most realistic area)\n- Detailed, luminous faces with clear eyes and small catchlights. Skin in warm amber, golden peach, and burnt sienna with deep warm brown and cool indigo-tinted shadows.\n- Still painted: visible glazes, fine speckle, and granulation so they read as paint, not a photograph. No outlines. Detail fades quickly away from the face, becoming more abstract and wet.\n\nHAIR AND CLOTHING\n- Hair is flowing wet directional strokes with loose strands and smoky, feathered ends that bleed into the paper. Dark pigment pools at the roots and around the head.\n- Dark clothing becomes dense pools of charcoal, brown, and deep indigo. Warm clothing becomes burnt orange and amber. Light clothing stays mostly bare paper with faint grey-blue shadows.\n\nCOLOR BLEED\n- NO scene, objects, or setting, and no separate grey or neutral background wash. The only paint outside the subjects is their own colors bleeding into white paper, in the same hue as the nearest part of the subject (dark hair bleeds smoky brown, skin bleeds amber, a grey jacket bleeds charcoal).\n- The bleed is densest next to the subject, then thins into soft, translucent washes and dissolves into clean white paper.\n\nSHAPE AND EDGES (critical)\n- A free-form vignette whose outline follows the subject. NOT a rectangle, square block, or framed scene. No straight edges or corners anywhere.\n- Washes have uneven, organic outlines with cauliflower blooms, backruns, pooled dark edges, and rough dry-brush edges, widest in a few places and tiny or absent in others.\n- Many splashes, splatters, and drips of varied sizes in the painting's own colors, with several thin drips running down from the bottom, each in the color it falls from. Fine speckle across the subject.\n- Generous bare white paper around the whole painting, especially in the corners.\n- The lower body and clothing hems dissolve into loose streaks of wet color and fade into white paper with no hard end line.\n\nTEXTURE AND QUALITY\n- Palette comes only from the subject's own colors, rich and saturated. No added background colors, rainbow, or neon. No black outlines, 3D look, or airbrushed smoothness.\n- Visible paper grain, wet-on-wet bleeds, blooms, pooling, granulation.\n- No text, letters, or signature. High resolution, 2:3 vertical. No watermark, logo, or frame.","color_sketch_image_filter":"#000000"}],"visible":true,"fit_mode":"contain","required":true,"form_label":"Upload Your Photo","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","customization_type":"normal","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-955026","top":0,"url":"users\/13910\/image-layers\/6ac035aca05f1_large.webp","left":0,"name":"Big Frame","type":"static-photo","width":8100,"height":11700,"locked":true,"rotate":0,"visible":true,"fit_mode":"contain","use_hd_layer":false,"schema_version":2,"shadow_display":"mockup_order","customization_type":"no_customization","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-593696","top":8848.89,"url":"text-path\/master\/heart.svg","left":880,"name":"Paragraph","text":null,"type":"paragraph","align":"center","color":"#313131","width":6340,"height":2053.33,"locked":false,"rotate":0,"visible":true,"paragraph":{"lines":null,"font_size":700},"form_label":"Artwork Title (Optional)","max_length":60,"typography":{"size":50,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/13910\/fonts\/6ae3cecf15d22.woff2","size":700,"family":"High Spirited"},"line_height":0.8,"stroke_color":"#FFFFFF","stroke_width":10,"color_opacity":"FF","stroke_layers":[{"color":"#FFFFFF","width":10}],"align_vertical":"middle","schema_version":2,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","background_enabled":true,"customization_type":"normal"}],"positions":["template-layer","layer-955026","layer-917727","layer-593696"],"charge_enabled":false},{"id":"template-928586","name":"Combine photos to artwork","addons":[],"layers":[{"id":"layer-973606","top":-42.67,"url":"users\/13910\/image-layers\/6ae3ce7659be9_large.webp","left":120.01,"name":"Gemini_Generated_Image_vwbch4vwbch4vwbc","type":"multiple-uploads","width":7859.99,"height":11785.35,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","required":true,"form_label":"Upload Your Photos","max_photos":3,"photo_hint":"Please upload your photos, then click \"Create your artwork\"","output_type":"single","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","gemini_resolution":"2K","customization_type":"normal","multi_image_prompt":"Combine the people and pets from the uploaded photos into ONE abstract watercolor ink-bleed portrait on white textured cold-press watercolor paper. Each photo shows a different subject, photographed separately. Paint them together as if photographed together. It must look like real hand-painted watercolor made with wet pigment, not a photo with a filter.\n\nCORE CONCEPT: The painting is made of the subjects' own colors (skin, hair, clothing) bleeding outward like wet ink into the paper. There is no separate background layer. Every color around a subject is that subject's own pigment, fading with distance.\n\nCOMBINING THE PHOTOS\n- Include every person or pet exactly once. Add no one else and leave no one out.\n- Size and scale: size everyone realistically and proportionally, as if together in the same room. Judge scale by real-world size and age, not by how large each appears in its own photo. Adults are larger than children, and a large dog is much bigger than a cat. Heads, shoulders, and hands match the same scale, and no one looks oversized, shrunken, or pasted in.\n- Put the focal person (bride, graduate, birthday person, memorial subject) in the center, slightly forward. If none, put the eldest or tallest in the center.\n- Arrange everyone in a close, overlapping cluster with heads at different heights, never a flat row. Use natural contact: heads leaning together, an arm around a shoulder, a hand on an arm, or an embrace. No gaps or cut-out look.\n- All main subjects face the viewer, or turn gently toward the center, in the same direction. Re-pose anyone angled differently in their photo, keeping exact likeness and expression.\n- Keep key props and accessories. Match lighting and style across everyone.\n- Crop to heads, torsos, and upper bodies, filling most of the frame.\n\nLIKENESS\n- Preserve each subject's exact facial likeness, expression, age, hairstyle, eye color, and accessories. Likeness comes first. Do not beautify, slim, or de-age anyone. For pets, preserve exact breed, markings, fur color, and eye color.\n\nPAINTING STYLE\n- Built from visible brushstrokes, translucent layered glazes, and flat shapes of color, with some hard dried edges and some soft wet edges. Edges are lost and found: crisp in a few places, dissolving in others. Leave bare white paper unpainted inside the subjects as highlights.\n- Fur, hair, and clothing use confident directional strokes with pigment pooling, granulation, and dry-brush texture. Clothing is simplified into bold shapes of rich color, with no stitching, buttons, patterns, or photographic fabric detail.\n- Rich, saturated, full-strength pigment with deep darks and warm earthy tones (burnt sienna, ochre, raw umber), balanced by indigo and cobalt in the shadows.\n\nFACES (most realistic area)\n- Detailed, luminous faces with clear eyes and small catchlights. Skin in warm amber, golden peach, and burnt sienna with deep warm brown and cool indigo-tinted shadows.\n- Still painted: visible glazes, fine speckle, and granulation so they read as paint, not a photograph. No outlines. Detail fades quickly away from the faces, becoming more abstract and wet.\n\nHAIR, FUR, AND CLOTHING\n- Hair is flowing wet directional strokes with loose strands and smoky, feathered ends that bleed into the paper. Dark pigment pools at the roots and around the heads. Fur is loose directional strokes with bleeding edges.\n- Dark clothing becomes dense pools of charcoal, brown, and deep indigo. Warm clothing becomes burnt orange and amber. Light clothing stays mostly bare paper with faint grey-blue shadows. Bodies merge into one connected mass of wet color.\n\nCOLOR BLEED\n- NO scene, objects, or setting, and no separate grey or neutral background wash. The only paint outside the subjects is their own colors bleeding into white paper, in the same hue as the nearest part of the subject (dark hair bleeds smoky brown, skin bleeds amber, a grey jacket bleeds charcoal).\n- Where subjects touch or overlap, their colors flow into each other.\n- The bleed is densest next to the subjects, then thins into soft, translucent washes and dissolves into clean white paper.\n\nSHAPE AND EDGES (critical)\n- A free-form vignette whose outline follows the group. NOT a rectangle, square block, or framed scene. No straight edges or corners anywhere.\n- Washes have uneven, organic outlines with cauliflower blooms, backruns, pooled dark edges, and rough dry-brush edges, widest in a few places and tiny or absent in others.\n- Many splashes, splatters, and drips of varied sizes in the painting's own colors, with several thin drips running down from the bottom, each in the color it falls from. Fine speckle across the subjects.\n- Generous bare white paper around the whole painting, especially in the corners.\n- Lower bodies and clothing hems dissolve into loose streaks of wet color and fade into white paper with no hard end line.\n\nTEXTURE AND QUALITY\n- Palette comes only from the subjects' own colors, rich and saturated. No added background colors, rainbow, or neon. No black outlines, 3D look, or airbrushed smoothness.\n- Visible paper grain, wet-on-wet bleeds, blooms, pooling, granulation.\n- No text, letters, or signature. High resolution, 2:3 vertical. No watermark, logo, or frame.","direct_upload_style":"contain","direct_clipart_style":"contain","multi_image_provider":"gemini"},{"id":"layer-744544","top":0,"url":"users\/13910\/image-layers\/6ac035aca05f1_large.webp","left":0,"name":"Big Frame","type":"static-photo","width":8100,"height":11700,"locked":true,"rotate":0,"visible":true,"fit_mode":"contain","use_hd_layer":false,"schema_version":2,"shadow_display":"mockup_order","customization_type":"no_customization","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-161481","top":9004.44,"url":"text-path\/master\/heart.svg","left":880,"name":"Paragraph","text":null,"type":"paragraph","align":"center","color":"#313131","width":6340,"height":1953.33,"locked":false,"rotate":0,"visible":true,"paragraph":{"lines":null,"font_size":700},"form_label":"Artwork Title (Optional)","max_length":60,"typography":{"size":50,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/13910\/fonts\/6ae3cecf15d22.woff2","size":700,"family":"High Spirited"},"line_height":0.8,"stroke_color":"#FFFFFF","stroke_width":10,"color_opacity":"FF","stroke_layers":[{"color":"#FFFFFF","width":10}],"align_vertical":"middle","schema_version":2,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","background_enabled":true,"customization_type":"normal"}],"is_global":false,"positions":["template-layer","layer-744544","layer-973606","layer-161481"],"charge_enabled":false}],"position":3,"platform_variant_ids":["68022178087140","68022178054372"],"global_option_ids":[]},{"id":1395225,"name":"Watercolor Portrait Canvas Mid","width":5700,"height":8100,"thumbnail":"users\/13910\/artworks\/6ae3d1747f3c3_thumbnail.webp","template_settings":{"label":"Portrait type"},"current_version_id":3127882,"design_format":"jpeg_cmyk","schema_version":2,"data":[{"id":"template-679623","name":"One photo to artwork","addons":[],"layers":[{"id":"layer-170911","top":146.18,"url":"users\/13910\/image-layers\/6ae3ce7659be9_large.webp","left":246.43,"name":"Screenshot 2026-10-28 at 9.38.04\u202fPM","type":"photo","width":5207.15,"height":7807.65,"locked":false,"rotate":0,"effects":[{"id":"id-359561","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Transform the uploaded photo into an abstract watercolor ink-bleed portrait on white textured cold-press watercolor paper. It must look like real hand-painted watercolor made with wet pigment, not a photo with a filter.\n\nCORE CONCEPT: The painting is made of the subjects' own colors (skin, hair, clothing) bleeding outward like wet ink into the paper. There is no separate background layer. Every color around a subject is that subject's own pigment, fading with distance.\n\nSUBJECT AND LIKENESS\n- Keep the original pose and composition exactly. Include every person or pet in the photo and add no one else.\n- Preserve exact facial likeness, expression, age, hairstyle, eye color, and key accessories. Do not beautify, slim, or de-age anyone.\n- Crop to head, torso, and upper body, filling most of the frame.\n\nPAINTING STYLE\n- Built from visible brushstrokes, translucent layered glazes, and flat shapes of color, with some hard dried edges and some soft wet edges. Edges are lost and found: crisp in a few places, dissolving in others. Leave bare white paper unpainted inside the subjects as highlights.\n- Fur, hair, and clothing use confident directional strokes with pigment pooling, granulation, and dry-brush texture. Clothing is simplified into bold shapes of rich color, with no stitching, buttons, patterns, or photographic fabric detail.\n- Rich, saturated, full-strength pigment with deep darks and warm earthy tones (burnt sienna, ochre, raw umber), balanced by indigo and cobalt in the shadows.\n\nFACES (most realistic area)\n- Detailed, luminous faces with clear eyes and small catchlights. Skin in warm amber, golden peach, and burnt sienna with deep warm brown and cool indigo-tinted shadows.\n- Still painted: visible glazes, fine speckle, and granulation so they read as paint, not a photograph. No outlines. Detail fades quickly away from the face, becoming more abstract and wet.\n\nHAIR AND CLOTHING\n- Hair is flowing wet directional strokes with loose strands and smoky, feathered ends that bleed into the paper. Dark pigment pools at the roots and around the head.\n- Dark clothing becomes dense pools of charcoal, brown, and deep indigo. Warm clothing becomes burnt orange and amber. Light clothing stays mostly bare paper with faint grey-blue shadows.\n\nCOLOR BLEED\n- NO scene, objects, or setting, and no separate grey or neutral background wash. The only paint outside the subjects is their own colors bleeding into white paper, in the same hue as the nearest part of the subject (dark hair bleeds smoky brown, skin bleeds amber, a grey jacket bleeds charcoal).\n- The bleed is densest next to the subject, then thins into soft, translucent washes and dissolves into clean white paper.\n\nSHAPE AND EDGES (critical)\n- A free-form vignette whose outline follows the subject. NOT a rectangle, square block, or framed scene. 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