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Follow this EXACT fixed composition\/framing for every generation, regardless of the pet's breed or fur color:\n\nFRAMING (must be precise and consistent):\n- The tips of the ears start at approximately 2-5% from the top edge of the frame \u2014 ears should almost touch the top border.\n- The head (including ears) takes up roughly 30-40% of the total frame height.\n- There is a short, visible neck\/chest area between the bottom of the head and the paws \u2014 roughly 40-50% of the frame height, NOT more. Keep this gap short and compact, not a tall stretched chest.\n- Both front paws rest on a solid white ledge positioned at approximately 90-95% down the frame height, very close to the bottom edge.\n\n\nFUR RENDERING (most important instruction): Use only 3-4 broad, simple brush strokes\/color patches per fur area \u2014 one base tone, one mid shadow tone, one highlight tone, and dark tabby stripe patches. Each brush stroke should remain a distinct, separate, chunky mark with visible edges where it meets the next stroke \u2014 like quick confident digital painting with a large flat brush, not fine detailed rendering. DO NOT blend strokes into smooth gradients. DO NOT add fine individual fur hairs or dense cross-hatching. Keep the number of visible strokes LOW \u2014 this should look like it was painted in under 2 minutes with big deliberate brush marks, not carefully rendered with many small layered passes. Flat, simplified, graphic \u2014 closer to concept-art block-in than finished painting.\n\nLINE WORK: Thin black outline only around eyes, nose, mouth, and the top edge of the paws. No outline around the fur mass itself \u2014 the simple brush patches define the fur shape.\n\nEYES: Large round eyes, simple two-tone iris (one light patch, one dark patch, no complex gradient), single white highlight dot, thin black outline.\n\nNOSE & MOUTH: Small simple nose shape, thin black outline, simple mouth line.\n\n\nPOSE: Strictly front-facing, symmetrical, centered, no tilt, peeking over a ledge with both simplified front paws resting side by side at the bottom edge, minimal brush strokes, thin black outline on top edge only.\n\nIDENTITY: Keep fur pattern, coloring, eye color, and ear shape recognizable as the uploaded pet, but translated into these few, simple, chunky brush strokes rather than detailed rendering.\n\nBACKGROUND: Flat solid muted white. \n\nAVOID:  no inconsistent head-to-body ratio between generations, no dense detailed fur texture, no smooth gradients, no fine hair strands, no photorealistic shading, no heavy layering, no black border or frame around the entire image, no outline box surrounding the canvas edges, no text, no watermark, no logo. 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Render fur as large simplified flat colour shapes with only 1-2 soft flat shadow tones for depth. Exaggerate proportions slightly: head noticeably larger and rounder relative to the body, big simplified round eyes with a single small flat highlight dot, simplified small triangular or rounded nose, simple minimal mouth line \u2014 clean, gentle, thick-ish outlines throughout. Warm rounded forms, limited palette of cool grey, cream and naturalistic fur tones. Transform the pet from the uploaded photo into this style, shown alone, sitting upright in a strictly front-facing, symmetrical pose \u2014 head level and centered, looking directly at the viewer, not tilted or turned to a three-quarter angle. Pose: peeking over a ledge, both front paws resting evenly side by side on a pale cream shelf at the lower edge of the frame. Preserve the animal's identity precisely: species, fur pattern and markings, eye colour, ear shape, and overall expression must stay clearly recognisable as this specific animal in its true coat colours, even in this simplified cartoon form. Flat, even, empty pale cream ground, seamlessly matching the shelf tone so the pet can be cut out cleanly and composited onto the background layer. The design carries no text at all. 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Follow this EXACT fixed composition\/framing for every generation, regardless of the pet's breed or fur color:\n\nFRAMING (must be precise and consistent):\n- The tips of the ears start at approximately 2-5% from the top edge of the frame \u2014 ears should almost touch the top border.\n- The head (including ears) takes up roughly 30-40% of the total frame height.\n- There is a short, visible neck\/chest area between the bottom of the head and the paws \u2014 roughly 40-50% of the frame height, NOT more. Keep this gap short and compact, not a tall stretched chest.\n- Both front paws rest on a solid white ledge positioned at approximately 90-95% down the frame height, very close to the bottom edge.\n\n\nFUR RENDERING (most important instruction): Use only 3-4 broad, simple brush strokes\/color patches per fur area \u2014 one base tone, one mid shadow tone, one highlight tone, and dark tabby stripe patches. Each brush stroke should remain a distinct, separate, chunky mark with visible edges where it meets the next stroke \u2014 like quick confident digital painting with a large flat brush, not fine detailed rendering. DO NOT blend strokes into smooth gradients. DO NOT add fine individual fur hairs or dense cross-hatching. Keep the number of visible strokes LOW \u2014 this should look like it was painted in under 2 minutes with big deliberate brush marks, not carefully rendered with many small layered passes. Flat, simplified, graphic \u2014 closer to concept-art block-in than finished painting.\n\nLINE WORK: Thin black outline only around eyes, nose, mouth, and the top edge of the paws. No outline around the fur mass itself \u2014 the simple brush patches define the fur shape.\n\nEYES: Large round eyes, simple two-tone iris (one light patch, one dark patch, no complex gradient), single white highlight dot, thin black outline.\n\nNOSE & MOUTH: Small simple nose shape, thin black outline, simple mouth line.\n\n\nPOSE: Strictly front-facing, symmetrical, centered, no tilt, peeking over a ledge with both simplified front paws resting side by side at the bottom edge, minimal brush strokes, thin black outline on top edge only.\n\nIDENTITY: Keep fur pattern, coloring, eye color, and ear shape recognizable as the uploaded pet, but translated into these few, simple, chunky brush strokes rather than detailed rendering.\n\nBACKGROUND: Flat solid muted white. \n\nAVOID:  no inconsistent head-to-body ratio between generations, no dense detailed fur texture, no smooth gradients, no fine hair strands, no photorealistic shading, no heavy layering, no black border or frame around the entire image, no outline box surrounding the canvas edges, no text, no watermark, no logo. 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Follow this EXACT fixed composition\/framing for every generation, regardless of the pet's breed or fur color:\n\nFRAMING (must be precise and consistent):\n- The tips of the ears start at approximately 2-5% from the top edge of the frame \u2014 ears should almost touch the top border.\n- The head (including ears) takes up roughly 30-40% of the total frame height.\n- There is a short, visible neck\/chest area between the bottom of the head and the paws \u2014 roughly 40-50% of the frame height, NOT more. Keep this gap short and compact, not a tall stretched chest.\n- Both front paws rest on a solid white ledge positioned at approximately 90-95% down the frame height, very close to the bottom edge.\n\n\nFUR RENDERING (most important instruction): Use only 3-4 broad, simple brush strokes\/color patches per fur area \u2014 one base tone, one mid shadow tone, one highlight tone, and dark tabby stripe patches. 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Follow this EXACT fixed composition\/framing for every generation, regardless of the pet's breed or fur color:\n\nFRAMING (must be precise and consistent):\n- The tips of the ears start at approximately 2-5% from the top edge of the frame \u2014 ears should almost touch the top border.\n- The head (including ears) takes up roughly 30-40% of the total frame height.\n- There is a short, visible neck\/chest area between the bottom of the head and the paws \u2014 roughly 40-50% of the frame height, NOT more. Keep this gap short and compact, not a tall stretched chest.\n- Both front paws rest on a solid white ledge positioned at approximately 90-95% down the frame height, very close to the bottom edge.\n\n\nFUR RENDERING (most important instruction): Use only 3-4 broad, simple brush strokes\/color patches per fur area \u2014 one base tone, one mid shadow tone, one highlight tone, and dark tabby stripe patches. 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