{"id":1010184,"name":"Unser gro\u00dfer Tag - Personalisiertes Poster zur Hochzeit im Wasserfarben Stil","label_available_product":"produkt","field_positions":null,"product_display_type":"radio","enable_artwork_navigation":false,"product_tags":"Poster, =2, Partner, Partnerin, Jahrestag, OpenAI, Foto, Deutschland","featured_image_url":null,"featured_image_thumbnail":null,"show_first_campaign_mockup_id":null,"artworks":[{"id":1285560,"name":"Familienportrait Wasserfarben copy copy","description":null,"width":3543,"height":4724,"thumbnail":"users\/2419\/artworks\/6a9545bbe80af_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2776543,"design_format":"rgb","status":0,"schema_version":1,"data":[{"id":"template-646321","name":"Default template","addons":[],"layers":[{"id":"layer-864527","top":-11.65,"url":"users\/2419\/image-layers\/6a953866d2554_large.webp","left":0,"name":"Poster 2o x 30 leer  copy","type":"clipart","width":3560.5,"height":4747.33,"locked":false,"rotate":0,"effects":[{"id":"id-650728","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Transform the uploaded photograph into a refined, traditional watercolor painting, using the provided reference image as the primary style reference.\n\nThe most important stylistic characteristic is the large, loose, clearly defined watercolor color areas. The painting must NOT look stippled, dotted, speckled, textured, or made from hundreds of small brush marks.\n\nIMPORTANT \u2013 WATERCOLOUR PAINTING STYLE\n\nCreate the watercolor using large, broad, flowing pigment washes and clearly separated color masses.\n\nThink of the painting as being built from large transparent watercolor shapes, not from small individual brushstrokes.\n\nUse broad washes of color, large irregular painted areas, soft transitions and a limited number of deliberate watercolor shapes. Each color area should feel like a confident, expressive brush wash covering a relatively large portion of the image.\n\nDO NOT use a stippled or dotted watercolor technique.\n\nDO NOT create hundreds of tiny watercolor marks.\n\nDO NOT create a grainy, speckled, pointillist, sponge-painted or heavily textured appearance.\n\nDO NOT fill surfaces with many tiny overlapping brush dabs.\n\nInstead, use large continuous washes of pigment, with occasional soft bleeding at their edges.\n\nThe painting should have visible areas of untouched white watercolor paper between many of the color shapes. White paper should actively become part of the composition.\n\nUse generous white space, especially in areas where the original photograph contains light surfaces, highlights, clothing, skin, sky or background light. Do not cover everything with paint.\n\nThe watercolor should feel light, airy and spacious, with paint concentrated only where it is needed.\n\nImagine an experienced watercolor artist painting with large wet brushes and confident broad strokes, leaving parts of the paper completely untouched.\n\nThe result should resemble a classic hand-painted watercolor illustration, with large transparent washes, soft pigment edges, subtle color bleeding and plenty of visible white paper.\n\nPEOPLE \u2013 EXTREMELY IMPORTANT\n\nThe people must remain 1:1 recognizable from the uploaded photograph.\n\nThe photograph is the absolute reference for the people. Do not redesign or reinterpret them.\n\nPreserve exactly:\n\nfacial identity\nfacial proportions\nfacial structure\neyes\nnose\nmouth\njawline\ncheeks\neyebrows\nears\nhairstyle\nhairline\nhair length\nhair color\nbody proportions\nposture\npose\nexpression\nclothing\nclothing colors\nclothing shape and cut\naccessories\nshoes\njewelry\nglasses and other personal details\n\nDo not beautify the people.\n\nDo not make them younger, prettier, slimmer, more elegant or more attractive.\n\nDo not enlarge the eyes, reshape the nose, change the jaw, smooth the face or create idealized facial features.\n\nThe exact individual characteristics of the people must remain recognizable.\n\nThe artistic transformation should affect the medium and rendering technique only, not their identity or appearance.\n\nPEOPLE: PAINTERLY BUT CLEAR\n\nThe people should be painted with slightly more detail than the background, but they must still follow the same broad watercolor language.\n\nUse larger watercolor shapes to describe the faces, hair and clothing, with a few carefully placed smaller details only where necessary for recognition.\n\nAvoid excessive micro-detail.\n\nFaces should be readable through subtle watercolor value changes and a few precise delicate lines, rather than through hundreds of tiny brush marks.\n\nHair should be represented through larger grouped watercolor shapes and flowing masses, while retaining the exact hairstyle and silhouette from the photograph.\n\nClothing should consist primarily of large, elegant watercolor areas, with only selected folds and details indicated by subtle washes or fine lines.\n\nOUTLINES\n\nAdd very delicate, light and understated outlines around important shapes.\n\nThe outlines should resemble fine pencil lines or extremely thin watercolor brush contours.\n\nThey should be subtle and partially disappear into the painted areas.\n\nNever use thick black outlines.\n\nNever use comic-style line art.\n\nNever use hard digital contours.\n\nThe outlines should simply help preserve the recognizable shape of the people and important objects.\n\nBACKGROUND\n\nMake the background much looser and more abstract than the people.\n\nSimplify the background into large, irregular watercolor washes and broad color fields.\n\nUse big areas of green, blue, beige, gray and other colors appropriate to the original photograph, but merge them naturally into loose atmospheric shapes.\n\nThe background must NOT be painted with small dots, tiny dabs or countless little brushstrokes.\n\nInstead, create a small number of large, expressive watercolor masses.\n\nLet some background colors fade gradually into the white paper.\n\nLeave large areas of clean, untouched white paper between and around some of the color washes.\n\nThe background should feel almost unfinished in places \u2014 intentionally loose, airy and spontaneous \u2014 while the people remain clearly recognizable.\n\nUse soft irregular edges, transparent washes and occasional natural watercolor blooms, but keep the overall shapes large and simple.\n\nCOLOR APPLICATION\n\nUse a limited, harmonious watercolor palette derived naturally from the original photograph.\n\nColors should be transparent and layered rather than opaque.\n\nBuild the image with:\n\nlarge color wash \u2192 soft overlapping wash \u2192 a few delicate details \u2192 untouched white paper.\n\nAvoid:\n\ntiny mark \u2192 tiny mark \u2192 tiny mark \u2192 tiny mark.\n\nThe overall visual language must clearly communicate large watercolor washes rather than stippling.\n\nWHITE PAPER \/ NEGATIVE SPACE\n\nWhite space is an essential part of the painting.\n\nDo not attempt to paint every part of the photograph.\n\nAllow the natural white of the watercolor paper to remain visible in large areas.\n\nUse white paper for highlights, separation between color masses, light areas of the background and areas where the painting can naturally dissolve.\n\nThe image should have a beautiful balance between painted color masses and untouched white paper.\n\nDo not replace white paper with pale gray or thousands of tiny translucent marks.\n\nActual clean white paper must remain visible.\n\nFINAL VISUAL IMPRESSION\n\nThe finished image should look like a beautifully hand-painted watercolor artwork, not a photograph with a watercolor filter.\n\nIt should have:\n\nlarge broad watercolor washes\nlarge simplified color shapes\ngenerous white paper areas\nsoft transparent pigments\ndelicate subtle outlines\nslightly more detail on the people\nloose atmospheric background\nnatural watercolor bleeding\nelegant imperfections\n\nAnd absolutely avoid:\n\nstippled watercolor\ndotted texture\npointillism\ntiny brush dabs\nsponge texture\ngrainy paint\nexcessive micro-detail\ndense color coverage\nphotographic rendering\n\nThe dominant visual characteristic must be LARGE, LOOSE, FLAT-ISH WATERCOLOR COLOR MASSES separated by generous white space, with delicate outlines and clearly recognizable people.\n\nThe final result should feel airy, elegant, painterly and handcrafted, closely matching the broad, loose watercolor character of the provided reference image. ","is_layer_output_size":true,"color_sketch_image_filter":"#000000"}],"visible":false,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Foto hochladen:","photo_hint":"Bitte pr\u00fcfe deine Vorschau sorgf\u00e4ltig \u2013 sie ist verbindlich f\u00fcr den Druck. Lade ein scharfes, hochformatiges Bild (max. 2 MB) hoch und platziere es vollst\u00e4ndig innerhalb der vorgegebenen Form. Bei Problemen lade das Bild erneut hoch oder nutze einen anderen Browser. Support: kontakt@love-faith.de | Hinweis: Dieses Produktdesign wird mithilfe von KI erstellt.","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-536869","top":0,"url":"users\/2419\/image-layers\/6a953fa11c153_large.webp","left":0,"name":"Foto n eu ","type":"clipart","width":3543,"height":4385,"locked":false,"rotate":0,"effects":[{"id":"id-277811","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Transform the uploaded photograph into a refined, traditional watercolor painting, using the provided reference image as the primary style reference.\n\nThe most important stylistic characteristic is the large, loose, clearly defined watercolor color areas. The painting must NOT look stippled, dotted, speckled, textured, or made from hundreds of small brush marks.\n\nIMPORTANT \u2013 WATERCOLOUR PAINTING STYLE\n\nCreate the watercolor using large, broad, flowing pigment washes and clearly separated color masses.\n\nThink of the painting as being built from large transparent watercolor shapes, not from small individual brushstrokes.\n\nUse broad washes of color, large irregular painted areas, soft transitions and a limited number of deliberate watercolor shapes. Each color area should feel like a confident, expressive brush wash covering a relatively large portion of the image.\n\nDO NOT use a stippled or dotted watercolor technique.\n\nDO NOT create hundreds of tiny watercolor marks.\n\nDO NOT create a grainy, speckled, pointillist, sponge-painted or heavily textured appearance.\n\nDO NOT fill surfaces with many tiny overlapping brush dabs.\n\nInstead, use large continuous washes of pigment, with occasional soft bleeding at their edges.\n\nThe painting should have visible areas of untouched white watercolor paper between many of the color shapes. White paper should actively become part of the composition.\n\nUse generous white space, especially in areas where the original photograph contains light surfaces, highlights, clothing, skin, sky or background light. Do not cover everything with paint.\n\nThe watercolor should feel light, airy and spacious, with paint concentrated only where it is needed.\n\nImagine an experienced watercolor artist painting with large wet brushes and confident broad strokes, leaving parts of the paper completely untouched.\n\nThe result should resemble a classic hand-painted watercolor illustration, with large transparent washes, soft pigment edges, subtle color bleeding and plenty of visible white paper.\n\nPEOPLE \u2013 EXTREMELY IMPORTANT\n\nThe people must remain 1:1 recognizable from the uploaded photograph.\n\nThe photograph is the absolute reference for the people. Do not redesign or reinterpret them.\n\nPreserve exactly:\n\nfacial identity\nfacial proportions\nfacial structure\neyes\nnose\nmouth\njawline\ncheeks\neyebrows\nears\nhairstyle\nhairline\nhair length\nhair color\nbody proportions\nposture\npose\nexpression\nclothing\nclothing colors\nclothing shape and cut\naccessories\nshoes\njewelry\nglasses and other personal details\n\nDo not beautify the people.\n\nDo not make them younger, prettier, slimmer, more elegant or more attractive.\n\nDo not enlarge the eyes, reshape the nose, change the jaw, smooth the face or create idealized facial features.\n\nThe exact individual characteristics of the people must remain recognizable.\n\nThe artistic transformation should affect the medium and rendering technique only, not their identity or appearance.\n\nPEOPLE: PAINTERLY BUT CLEAR\n\nThe people should be painted with slightly more detail than the background, but they must still follow the same broad watercolor language.\n\nUse larger watercolor shapes to describe the faces, hair and clothing, with a few carefully placed smaller details only where necessary for recognition.\n\nAvoid excessive micro-detail.\n\nFaces should be readable through subtle watercolor value changes and a few precise delicate lines, rather than through hundreds of tiny brush marks.\n\nHair should be represented through larger grouped watercolor shapes and flowing masses, while retaining the exact hairstyle and silhouette from the photograph.\n\nClothing should consist primarily of large, elegant watercolor areas, with only selected folds and details indicated by subtle washes or fine lines.\n\nOUTLINES\n\nAdd very delicate, light and understated outlines around important shapes.\n\nThe outlines should resemble fine pencil lines or extremely thin watercolor brush contours.\n\nThey should be subtle and partially disappear into the painted areas.\n\nNever use thick black outlines.\n\nNever use comic-style line art.\n\nNever use hard digital contours.\n\nThe outlines should simply help preserve the recognizable shape of the people and important objects.\n\nBACKGROUND\n\nMake the background much looser and more abstract than the people.\n\nSimplify the background into large, irregular watercolor washes and broad color fields.\n\nUse big areas of green, blue, beige, gray and other colors appropriate to the original photograph, but merge them naturally into loose atmospheric shapes.\n\nThe background must NOT be painted with small dots, tiny dabs or countless little brushstrokes.\n\nInstead, create a small number of large, expressive watercolor masses.\n\nLet some background colors fade gradually into the white paper.\n\nLeave large areas of clean, untouched white paper between and around some of the color washes.\n\nThe background should feel almost unfinished in places \u2014 intentionally loose, airy and spontaneous \u2014 while the people remain clearly recognizable.\n\nUse soft irregular edges, transparent washes and occasional natural watercolor blooms, but keep the overall shapes large and simple.\n\nCOLOR APPLICATION\n\nUse a limited, harmonious watercolor palette derived naturally from the original photograph.\n\nColors should be transparent and layered rather than opaque.\n\nBuild the image with:\n\nlarge color wash \u2192 soft overlapping wash \u2192 a few delicate details \u2192 untouched white paper.\n\nAvoid:\n\ntiny mark \u2192 tiny mark \u2192 tiny mark \u2192 tiny mark.\n\nThe overall visual language must clearly communicate large watercolor washes rather than stippling.\n\nWHITE PAPER \/ NEGATIVE SPACE\n\nWhite space is an essential part of the painting.\n\nDo not attempt to paint every part of the photograph.\n\nAllow the natural white of the watercolor paper to remain visible in large areas.\n\nUse white paper for highlights, separation between color masses, light areas of the background and areas where the painting can naturally dissolve.\n\nThe image should have a beautiful balance between painted color masses and untouched white paper.\n\nDo not replace white paper with pale gray or thousands of tiny translucent marks.\n\nActual clean white paper must remain visible.\n\nFINAL VISUAL IMPRESSION\n\nThe finished image should look like a beautifully hand-painted watercolor artwork, not a photograph with a watercolor filter.\n\nIt should have:\n\nlarge broad watercolor washes\nlarge simplified color shapes\ngenerous white paper areas\nsoft transparent pigments\ndelicate subtle outlines\nslightly more detail on the people\nloose atmospheric background\nnatural watercolor bleeding\nelegant imperfections\n\nAnd absolutely avoid:\n\nstippled watercolor\ndotted texture\npointillism\ntiny brush dabs\nsponge texture\ngrainy paint\nexcessive micro-detail\ndense color coverage\nphotographic rendering\n\nThe dominant visual characteristic must be LARGE, LOOSE, FLAT-ISH WATERCOLOR COLOR MASSES separated by generous white space, with delicate outlines and clearly recognizable people.\n\nThe final result should feel airy, elegant, painterly and handcrafted, closely matching the broad, loose watercolor character of the provided reference image. ","is_layer_output_size":true,"color_sketch_image_filter":"#000000"}],"visible":true,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Foto hochladen:","photo_hint":"Bitte pr\u00fcfe deine Vorschau sorgf\u00e4ltig \u2013 sie ist verbindlich f\u00fcr den Druck. Lade ein scharfes, hochformatiges Bild (max. 2 MB) hoch und platziere es vollst\u00e4ndig innerhalb der vorgegebenen Form. Bei Problemen lade das Bild erneut hoch oder nutze einen anderen Browser. Support: kontakt@love-faith.de | Hinweis: Dieses Produktdesign wird mithilfe von KI erstellt.","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-240720","top":3404,"url":"users\/2419\/image-layers\/6a9542b790476_large.webp","left":278.36,"name":"white-watercolor-paper-texture-background","type":"clipart","width":3374.29,"height":4724,"locked":false,"rotate":90,"visible":true,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-453517","top":4277.17,"left":1751.5,"name":"namen","text":"Marina & Jonas","type":"text","align":"center","color":"#3C2F2A","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"Namen:","max_length":40,"typography":{"size":265.55,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/2419\/fonts\/6750679269517.woff2","size":275,"family":"Philosophy Script"},"curve_radius":1762.76,"stroke_color":"#FF0000","stroke_width":1,"color_opacity":"FF","shadow_display":"mockup_order","form_input_type":"text","form_visibility":true,"typography_type":"custom","form_placeholder":"Name eingeben ...","autoscale_enabled":true,"autoscale_max_width":2003.69,"form_visibility_value":true},{"id":"layer-411659","top":4503.64,"left":1751.5,"name":"Datum","text":"25 | MAI | 2026","type":"text","align":"center","color":"#3C2F2A","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"Datum:","max_length":11,"typography":{"size":265.55,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/2419\/fonts\/664715fc241b9.woff2","size":119.19,"family":"bitstream-iowan-old-style-bt-586c36a8d7712"},"curve_radius":1519.25,"stroke_color":"#FF0000","stroke_width":1,"color_opacity":"FF","shadow_display":"mockup_order","form_input_type":"text","form_visibility":true,"typography_type":"custom","form_placeholder":"Datum eingeben ...","autoscale_enabled":true,"autoscale_max_width":1726.9,"form_visibility_value":true}],"positions":["layer-864527","layer-453517","layer-411659","layer-536869","layer-240720"],"charge_enabled":false}],"global_options":[],"global_option_ids":[]},{"id":1285619,"name":"Familienportrait Wasserfarben copy copy copy","description":null,"width":4724,"height":7087,"thumbnail":"users\/2419\/artworks\/6a9545c155c22_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2776553,"design_format":"rgb","status":0,"schema_version":1,"data":[{"id":"template-565866","name":"Default template","addons":[],"layers":[{"id":"layer-734624","top":0,"url":"users\/2419\/image-layers\/6a953fa11c153_large.webp","left":0,"name":"Foto n eu ","type":"clipart","width":4736.58,"height":5862.24,"locked":false,"rotate":0,"effects":[{"id":"id-277811","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Transform the uploaded photograph into a refined, traditional watercolor painting, using the provided reference image as the primary style reference.\n\nThe most important stylistic characteristic is the large, loose, clearly defined watercolor color areas. The painting must NOT look stippled, dotted, speckled, textured, or made from hundreds of small brush marks.\n\nIMPORTANT \u2013 WATERCOLOUR PAINTING STYLE\n\nCreate the watercolor using large, broad, flowing pigment washes and clearly separated color masses.\n\nThink of the painting as being built from large transparent watercolor shapes, not from small individual brushstrokes.\n\nUse broad washes of color, large irregular painted areas, soft transitions and a limited number of deliberate watercolor shapes. Each color area should feel like a confident, expressive brush wash covering a relatively large portion of the image.\n\nDO NOT use a stippled or dotted watercolor technique.\n\nDO NOT create hundreds of tiny watercolor marks.\n\nDO NOT create a grainy, speckled, pointillist, sponge-painted or heavily textured appearance.\n\nDO NOT fill surfaces with many tiny overlapping brush dabs.\n\nInstead, use large continuous washes of pigment, with occasional soft bleeding at their edges.\n\nThe painting should have visible areas of untouched white watercolor paper between many of the color shapes. White paper should actively become part of the composition.\n\nUse generous white space, especially in areas where the original photograph contains light surfaces, highlights, clothing, skin, sky or background light. Do not cover everything with paint.\n\nThe watercolor should feel light, airy and spacious, with paint concentrated only where it is needed.\n\nImagine an experienced watercolor artist painting with large wet brushes and confident broad strokes, leaving parts of the paper completely untouched.\n\nThe result should resemble a classic hand-painted watercolor illustration, with large transparent washes, soft pigment edges, subtle color bleeding and plenty of visible white paper.\n\nPEOPLE \u2013 EXTREMELY IMPORTANT\n\nThe people must remain 1:1 recognizable from the uploaded photograph.\n\nThe photograph is the absolute reference for the people. Do not redesign or reinterpret them.\n\nPreserve exactly:\n\nfacial identity\nfacial proportions\nfacial structure\neyes\nnose\nmouth\njawline\ncheeks\neyebrows\nears\nhairstyle\nhairline\nhair length\nhair color\nbody proportions\nposture\npose\nexpression\nclothing\nclothing colors\nclothing shape and cut\naccessories\nshoes\njewelry\nglasses and other personal details\n\nDo not beautify the people.\n\nDo not make them younger, prettier, slimmer, more elegant or more attractive.\n\nDo not enlarge the eyes, reshape the nose, change the jaw, smooth the face or create idealized facial features.\n\nThe exact individual characteristics of the people must remain recognizable.\n\nThe artistic transformation should affect the medium and rendering technique only, not their identity or appearance.\n\nPEOPLE: PAINTERLY BUT CLEAR\n\nThe people should be painted with slightly more detail than the background, but they must still follow the same broad watercolor language.\n\nUse larger watercolor shapes to describe the faces, hair and clothing, with a few carefully placed smaller details only where necessary for recognition.\n\nAvoid excessive micro-detail.\n\nFaces should be readable through subtle watercolor value changes and a few precise delicate lines, rather than through hundreds of tiny brush marks.\n\nHair should be represented through larger grouped watercolor shapes and flowing masses, while retaining the exact hairstyle and silhouette from the photograph.\n\nClothing should consist primarily of large, elegant watercolor areas, with only selected folds and details indicated by subtle washes or fine lines.\n\nOUTLINES\n\nAdd very delicate, light and understated outlines around important shapes.\n\nThe outlines should resemble fine pencil lines or extremely thin watercolor brush contours.\n\nThey should be subtle and partially disappear into the painted areas.\n\nNever use thick black outlines.\n\nNever use comic-style line art.\n\nNever use hard digital contours.\n\nThe outlines should simply help preserve the recognizable shape of the people and important objects.\n\nBACKGROUND\n\nMake the background much looser and more abstract than the people.\n\nSimplify the background into large, irregular watercolor washes and broad color fields.\n\nUse big areas of green, blue, beige, gray and other colors appropriate to the original photograph, but merge them naturally into loose atmospheric shapes.\n\nThe background must NOT be painted with small dots, tiny dabs or countless little brushstrokes.\n\nInstead, create a small number of large, expressive watercolor masses.\n\nLet some background colors fade gradually into the white paper.\n\nLeave large areas of clean, untouched white paper between and around some of the color washes.\n\nThe background should feel almost unfinished in places \u2014 intentionally loose, airy and spontaneous \u2014 while the people remain clearly recognizable.\n\nUse soft irregular edges, transparent washes and occasional natural watercolor blooms, but keep the overall shapes large and simple.\n\nCOLOR APPLICATION\n\nUse a limited, harmonious watercolor palette derived naturally from the original photograph.\n\nColors should be transparent and layered rather than opaque.\n\nBuild the image with:\n\nlarge color wash \u2192 soft overlapping wash \u2192 a few delicate details \u2192 untouched white paper.\n\nAvoid:\n\ntiny mark \u2192 tiny mark \u2192 tiny mark \u2192 tiny mark.\n\nThe overall visual language must clearly communicate large watercolor washes rather than stippling.\n\nWHITE PAPER \/ NEGATIVE SPACE\n\nWhite space is an essential part of the painting.\n\nDo not attempt to paint every part of the photograph.\n\nAllow the natural white of the watercolor paper to remain visible in large areas.\n\nUse white paper for highlights, separation between color masses, light areas of the background and areas where the painting can naturally dissolve.\n\nThe image should have a beautiful balance between painted color masses and untouched white paper.\n\nDo not replace white paper with pale gray or thousands of tiny translucent marks.\n\nActual clean white paper must remain visible.\n\nFINAL VISUAL IMPRESSION\n\nThe finished image should look like a beautifully hand-painted watercolor artwork, not a photograph with a watercolor filter.\n\nIt should have:\n\nlarge broad watercolor washes\nlarge simplified color shapes\ngenerous white paper areas\nsoft transparent pigments\ndelicate subtle outlines\nslightly more detail on the people\nloose atmospheric background\nnatural watercolor bleeding\nelegant imperfections\n\nAnd absolutely avoid:\n\nstippled watercolor\ndotted texture\npointillism\ntiny brush dabs\nsponge texture\ngrainy paint\nexcessive micro-detail\ndense color coverage\nphotographic rendering\n\nThe dominant visual characteristic must be LARGE, LOOSE, FLAT-ISH WATERCOLOR COLOR MASSES separated by generous white space, with delicate outlines and clearly recognizable people.\n\nThe final result should feel airy, elegant, painterly and handcrafted, closely matching the broad, loose watercolor character of the provided reference image. ","color_sketch_image_filter":"#000000"}],"visible":false,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Foto hochladen:","photo_hint":"Bitte pr\u00fcfe deine Vorschau sorgf\u00e4ltig \u2013 sie ist verbindlich f\u00fcr den Druck. Lade ein scharfes, hochformatiges Bild (max. 2 MB) hoch und platziere es vollst\u00e4ndig innerhalb der vorgegebenen Form. Bei Problemen lade das Bild erneut hoch oder nutze einen anderen Browser. Support: kontakt@love-faith.de | Hinweis: Dieses Produktdesign wird mithilfe von KI erstellt.","photo_editor":"image_placement","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-472530","top":-40,"url":"users\/2419\/image-layers\/6a9543ed456d1_large.webp","left":0,"name":"wediing 3","type":"clipart","width":4724,"height":6298.67,"locked":false,"rotate":0,"effects":[{"id":"id-307132","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Transform the uploaded photograph into a refined, traditional watercolor painting, using the provided reference image as the primary style reference.\n\nThe most important stylistic characteristic is the large, loose, clearly defined watercolor color areas. The painting must NOT look stippled, dotted, speckled, textured, or made from hundreds of small brush marks.\n\nIMPORTANT \u2013 WATERCOLOUR PAINTING STYLE\n\nCreate the watercolor using large, broad, flowing pigment washes and clearly separated color masses.\n\nThink of the painting as being built from large transparent watercolor shapes, not from small individual brushstrokes.\n\nUse broad washes of color, large irregular painted areas, soft transitions and a limited number of deliberate watercolor shapes. Each color area should feel like a confident, expressive brush wash covering a relatively large portion of the image.\n\nDO NOT use a stippled or dotted watercolor technique.\n\nDO NOT create hundreds of tiny watercolor marks.\n\nDO NOT create a grainy, speckled, pointillist, sponge-painted or heavily textured appearance.\n\nDO NOT fill surfaces with many tiny overlapping brush dabs.\n\nInstead, use large continuous washes of pigment, with occasional soft bleeding at their edges.\n\nThe painting should have visible areas of untouched white watercolor paper between many of the color shapes. White paper should actively become part of the composition.\n\nUse generous white space, especially in areas where the original photograph contains light surfaces, highlights, clothing, skin, sky or background light. Do not cover everything with paint.\n\nThe watercolor should feel light, airy and spacious, with paint concentrated only where it is needed.\n\nImagine an experienced watercolor artist painting with large wet brushes and confident broad strokes, leaving parts of the paper completely untouched.\n\nThe result should resemble a classic hand-painted watercolor illustration, with large transparent washes, soft pigment edges, subtle color bleeding and plenty of visible white paper.\n\nPEOPLE \u2013 EXTREMELY IMPORTANT\n\nThe people must remain 1:1 recognizable from the uploaded photograph.\n\nThe photograph is the absolute reference for the people. 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