{"id":963232,"name":"Cuadro personalizado de boda a partir de foto, retrato de pareja en acuarela, p\u00f3ster personalizado con nombres y fecha","label_available_product":null,"field_positions":null,"product_display_type":"radio","product_tags":"","featured_image_url":null,"featured_image_thumbnail":null,"show_first_campaign_mockup_id":null,"artworks":[{"id":1210615,"name":"[MO] I087368VI - A4","description":null,"width":2550,"height":3578,"thumbnail":"users\/6835\/artworks\/6a2b748117078_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2615675,"design_format":"rgb","status":0,"data":[{"id":"template-725044","name":"background","addons":[],"layers":[{"id":"layer-541648","top":0,"url":"users\/6835\/image-layers\/6a2aa80eb6661_large.webp","left":0,"name":"photo_a4_openAI","type":"clipart","width":2550,"height":3578,"locked":false,"rotate":0,"effects":[{"id":"id-495090","type":"gpt:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. Soft, painterly, luminous, airy, premium watercolor finish.","color_sketch_image_filter":"#000000"}],"visible":false,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Sube tu foto","photo_editor":"image_cropper","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-246556","top":0,"url":"users\/6835\/image-layers\/6a2aa80eb6661_large.webp","left":0,"name":"[Upload] Photo","type":"clipart","width":2550,"height":3578,"locked":false,"rotate":0,"effects":[{"id":"id-495090","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. Soft, painterly, luminous, airy, premium watercolor finish.","color_sketch_image_filter":"#000000"}],"visible":true,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Sube tu foto","photo_editor":"image_cropper","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-253914","top":2909.12,"left":1275,"name":"Name","text":"Laura & Javier","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"L\u00ednea de texto 1","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a2aa0d6788b7.woff2","size":334,"family":"strong girl"},"curve_radius":2110.49,"stroke_color":"#FFFFFF","stroke_width":6,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":2300},{"id":"layer-718485","top":3175.96,"left":1275,"name":"Date","text":"10.07.2026","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"L\u00ednea de texto 2","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","max_length":35,"typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a0abadc1f9c1.woff2","size":130,"family":"timesi"},"curve_radius":816.16,"stroke_color":"#FF0000","stroke_width":1,"shadow_display":"mockup_order","form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":2300},{"id":"layer-835484","top":3334.21,"left":1275,"name":"Address","text":"Castillo de Vi\u00f1uelas, Madrid","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"L\u00ednea de texto 3","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","max_length":35,"typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a0abadc1f9c1.woff2","size":130,"family":"timesi"},"curve_radius":816.16,"stroke_color":"#FF0000","stroke_width":1,"shadow_display":"mockup_order","form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":2300}],"positions":["template-layer","layer-246556","layer-253914","layer-718485","layer-835484","layer-541648"],"charge_enabled":false}]},{"id":1210965,"name":"[MO] I087368VI - 30x45","description":null,"width":3615,"height":5386,"thumbnail":"users\/6835\/artworks\/6a2b74a857dca_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2615682,"design_format":"rgb","status":0,"data":[{"id":"template-518592","name":"background","addons":[],"layers":[{"id":"layer-319031","top":0,"url":"users\/6835\/image-layers\/6a2b132a38361_large.webp","left":0,"name":"30x45","type":"clipart","width":3615,"height":5386,"locked":false,"rotate":0,"effects":[{"id":"id-452582","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. Soft, painterly, luminous, airy, premium watercolor finish.","color_sketch_image_filter":"#000000"}],"visible":true,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Sube tu foto","photo_editor":"image_cropper","photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-972440","top":4383.64,"left":1807.5,"name":"Name","text":"Laura & Javier","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"L\u00ednea de texto 1","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a2aa0d6788b7.woff2","size":473.49,"family":"strong girl"},"curve_radius":2991.93,"stroke_color":"#FFFFFF","stroke_width":10,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":3260.59},{"id":"layer-514417","top":4761.92,"left":1807.5,"name":"Date","text":"10.07.2026","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"L\u00ednea de texto 2","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","max_length":35,"typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a0abadc1f9c1.woff2","size":184.29,"family":"timesi"},"curve_radius":1157.03,"stroke_color":"#FF0000","stroke_width":1,"shadow_display":"mockup_order","form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":3260.59},{"id":"layer-679361","top":4986.27,"left":1807.5,"name":"Address","text":"Castillo de Vi\u00f1uelas, Madrid","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"L\u00ednea de texto 3","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","max_length":35,"typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a0abadc1f9c1.woff2","size":184.29,"family":"timesi"},"curve_radius":1157.03,"stroke_color":"#FF0000","stroke_width":1,"shadow_display":"mockup_order","form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":3260.59}],"positions":["template-layer","layer-319031","layer-972440","layer-514417","layer-679361"],"charge_enabled":false}]},{"id":1210970,"name":"[MO] I087368VI - 50x70","description":null,"width":5977,"height":8339,"thumbnail":"users\/6835\/artworks\/6a2b7ece46bb7_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2615690,"design_format":"rgb","status":0,"data":[{"id":"template-149195","name":"background","addons":[],"layers":[{"id":"layer-128287","top":0,"url":"users\/6835\/image-layers\/6a2b14dad873c_large.webp","left":0,"name":"50x70","type":"clipart","width":5977,"height":8339,"locked":false,"rotate":0,"effects":[{"id":"id-716252","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait based on the subjects in the uploaded photo, painted on a clean white cold-pressed watercolor paper surface. Keep the exact number of subjects from the reference image and preserve the original composition and framing.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nFollow the framing and crop of the uploaded image accurately.\nIf the reference photo shows the full body, render the subjects from head to feet.\nIf the reference photo is half-body, chest-up, close-up, or cropped, keep that same natural framing.\nDo not imagine, extend, or rebuild lower body parts that are not visible in the original photo, unless they are only naturally cut off by the edge of the image.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must never cover the full canvas.\nAlways reduce the scale of the entire illustration so it feels smaller and floats in the middle-upper section of a large white sheet of paper.\n\nThe complete illustration \u2014 including the subjects, watercolor washes, splashes, blooms, and ink drips \u2014 must remain comfortably contained within a centered area that occupies only about 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nKeep wide, clean white margins around the entire artwork at all times. The final image must feel open, airy, centered, isolated, and surrounded by generous breathing space. No part of the artwork should touch, approach, or visually crowd the edges of the canvas.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nMaintain a fully empty white margin equal to at least the top 5% of the entire paper height. Nothing may appear inside this zone: no subjects, no hair, no watercolor marks, no splashes, no ink drips, no texture, and no shading. This upper area must remain pure blank white paper from the same sheet as the main artwork, with no seam or separation line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe lower 35\u201340% of the canvas must stay intentionally empty as white paper from the same sheet used for the main artwork. This area must contain absolutely no visual elements of any kind: no watercolor bleed, no paint splashes, no shadows, no ink drips, and no added texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must look like one continuous illustration painted directly onto a single uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the portrait must be the same physical paper surface as the area beneath the subjects and watercolor effects. The paper texture must remain visually continuous across the whole canvas.\n\nDo not create any border, frame, panel, card, poster, canvas edge, print area, inner window, inset image, matting, margin line, cropping rectangle, or separate artwork zone.\n\nThe portrait must not look pasted onto paper, printed inside a frame, placed within a box, or restricted inside any defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular limits, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should appear to naturally emerge from the paper itself, with all washes, splashes, blooms, and ink details softly fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the impression of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not place a white box around the artwork.\nDo not make it look like a print-on-paper mockup.\nDo not create any visible rectangular artwork area.\nThe whole image must be one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\nUse 20% detailed small hard watercolor washes wrapping both sides.\nUse 80% soft translucent watercolor washes surrounding the visible subjects \u2014 above the heads and along both sides \u2014 while keeping all paint effects contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, so the area inside the composition does not remain completely bare white. All washes should look naturally diffused, like wet pigment spreading into damp paper. Every wash must dissolve softly into the paper with organic fading, uneven transparency, and irregular watercolor behavior.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, blooms, and ink effects. Include multiple overlapping watercolor layers in different sizes. Do not recolor the subjects, mute their natural tones, or allow surrounding pigment to bleed into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every hair strand, each eyebrow hair, and every individual eyelash with ultra-fine, hair-thin brushstrokes. The strokes should be delicate, tapered, directional, and highly detailed, as if painted with a single-hair detail brush. Avoid flat color blocks, smooth airbrushed brows, or simplified lashes.\n\nFACES AND SKIN:\nUse soft semi-realistic facial rendering. Skin should show subtle tonal variation created through thin layered watercolor strokes with natural luminosity. Avoid large flat watercolor patches on the skin. Maintain consistent rendering quality across all visible parts of every subject.\n\nINK DRIPS:\nAdd a small number of organic ink drops in varying sizes around the subjects. Include only minimal, extremely thin vertical ink drips beneath the artwork. These drips must fade softly and dissolve quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nUse a pure white background only. No frame, no props, no mockup. 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Keep the exact number of subjects from the reference image and preserve the original composition and framing.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nFollow the framing and crop of the uploaded image accurately.\nIf the reference photo shows the full body, render the subjects from head to feet.\nIf the reference photo is half-body, chest-up, close-up, or cropped, keep that same natural framing.\nDo not imagine, extend, or rebuild lower body parts that are not visible in the original photo, unless they are only naturally cut off by the edge of the image.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must never cover the full canvas.\nAlways reduce the scale of the entire illustration so it feels smaller and floats in the middle-upper section of a large white sheet of paper.\n\nThe complete illustration \u2014 including the subjects, watercolor washes, splashes, blooms, and ink drips \u2014 must remain comfortably contained within a centered area that occupies only about 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nKeep wide, clean white margins around the entire artwork at all times. The final image must feel open, airy, centered, isolated, and surrounded by generous breathing space. No part of the artwork should touch, approach, or visually crowd the edges of the canvas.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nMaintain a fully empty white margin equal to at least the top 5% of the entire paper height. Nothing may appear inside this zone: no subjects, no hair, no watercolor marks, no splashes, no ink drips, no texture, and no shading. This upper area must remain pure blank white paper from the same sheet as the main artwork, with no seam or separation line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe lower 35\u201340% of the canvas must stay intentionally empty as white paper from the same sheet used for the main artwork. 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Keep the exact number of subjects from the reference image and preserve the original composition and framing.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nFollow the framing and crop of the uploaded image accurately.\nIf the reference photo shows the full body, render the subjects from head to feet.\nIf the reference photo is half-body, chest-up, close-up, or cropped, keep that same natural framing.\nDo not imagine, extend, or rebuild lower body parts that are not visible in the original photo, unless they are only naturally cut off by the edge of the image.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must never cover the full canvas.\nAlways reduce the scale of the entire illustration so it feels smaller and floats in the middle-upper section of a large white sheet of paper.\n\nThe complete illustration \u2014 including the subjects, watercolor washes, splashes, blooms, and ink drips \u2014 must remain comfortably contained within a centered area that occupies only about 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nKeep wide, clean white margins around the entire artwork at all times. The final image must feel open, airy, centered, isolated, and surrounded by generous breathing space. No part of the artwork should touch, approach, or visually crowd the edges of the canvas.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nMaintain a fully empty white margin equal to at least the top 5% of the entire paper height. Nothing may appear inside this zone: no subjects, no hair, no watercolor marks, no splashes, no ink drips, no texture, and no shading. This upper area must remain pure blank white paper from the same sheet as the main artwork, with no seam or separation line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe lower 35\u201340% of the canvas must stay intentionally empty as white paper from the same sheet used for the main artwork. This area must contain absolutely no visual elements of any kind: no watercolor bleed, no paint splashes, no shadows, no ink drips, and no added texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must look like one continuous illustration painted directly onto a single uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the portrait must be the same physical paper surface as the area beneath the subjects and watercolor effects. The paper texture must remain visually continuous across the whole canvas.\n\nDo not create any border, frame, panel, card, poster, canvas edge, print area, inner window, inset image, matting, margin line, cropping rectangle, or separate artwork zone.\n\nThe portrait must not look pasted onto paper, printed inside a frame, placed within a box, or restricted inside any defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular limits, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should appear to naturally emerge from the paper itself, with all washes, splashes, blooms, and ink details softly fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the impression of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not place a white box around the artwork.\nDo not make it look like a print-on-paper mockup.\nDo not create any visible rectangular artwork area.\nThe whole image must be one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\nUse 20% detailed small hard watercolor washes wrapping both sides.\nUse 80% soft translucent watercolor washes surrounding the visible subjects \u2014 above the heads and along both sides \u2014 while keeping all paint effects contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, so the area inside the composition does not remain completely bare white. All washes should look naturally diffused, like wet pigment spreading into damp paper. Every wash must dissolve softly into the paper with organic fading, uneven transparency, and irregular watercolor behavior.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, blooms, and ink effects. Include multiple overlapping watercolor layers in different sizes. Do not recolor the subjects, mute their natural tones, or allow surrounding pigment to bleed into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every hair strand, each eyebrow hair, and every individual eyelash with ultra-fine, hair-thin brushstrokes. The strokes should be delicate, tapered, directional, and highly detailed, as if painted with a single-hair detail brush. Avoid flat color blocks, smooth airbrushed brows, or simplified lashes.\n\nFACES AND SKIN:\nUse soft semi-realistic facial rendering. Skin should show subtle tonal variation created through thin layered watercolor strokes with natural luminosity. Avoid large flat watercolor patches on the skin. Maintain consistent rendering quality across all visible parts of every subject.\n\nINK DRIPS:\nAdd a small number of organic ink drops in varying sizes around the subjects. Include only minimal, extremely thin vertical ink drips beneath the artwork. These drips must fade softly and dissolve quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nUse a pure white background only. No frame, no props, no mockup. 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Keep the exact number of subjects from the reference image and preserve the original composition and framing.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nFollow the framing and crop of the uploaded image accurately.\nIf the reference photo shows the full body, render the subjects from head to feet.\nIf the reference photo is half-body, chest-up, close-up, or cropped, keep that same natural framing.\nDo not imagine, extend, or rebuild lower body parts that are not visible in the original photo, unless they are only naturally cut off by the edge of the image.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must never cover the full canvas.\nAlways reduce the scale of the entire illustration so it feels smaller and floats in the middle-upper section of a large white sheet of paper.\n\nThe complete illustration \u2014 including the subjects, watercolor washes, splashes, blooms, and ink drips \u2014 must remain comfortably contained within a centered area that occupies only about 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nKeep wide, clean white margins around the entire artwork at all times. The final image must feel open, airy, centered, isolated, and surrounded by generous breathing space. No part of the artwork should touch, approach, or visually crowd the edges of the canvas.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nMaintain a fully empty white margin equal to at least the top 5% of the entire paper height. Nothing may appear inside this zone: no subjects, no hair, no watercolor marks, no splashes, no ink drips, no texture, and no shading. This upper area must remain pure blank white paper from the same sheet as the main artwork, with no seam or separation line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe lower 35\u201340% of the canvas must stay intentionally empty as white paper from the same sheet used for the main artwork. This area must contain absolutely no visual elements of any kind: no watercolor bleed, no paint splashes, no shadows, no ink drips, and no added texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must look like one continuous illustration painted directly onto a single uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the portrait must be the same physical paper surface as the area beneath the subjects and watercolor effects. The paper texture must remain visually continuous across the whole canvas.\n\nDo not create any border, frame, panel, card, poster, canvas edge, print area, inner window, inset image, matting, margin line, cropping rectangle, or separate artwork zone.\n\nThe portrait must not look pasted onto paper, printed inside a frame, placed within a box, or restricted inside any defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular limits, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should appear to naturally emerge from the paper itself, with all washes, splashes, blooms, and ink details softly fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the impression of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not place a white box around the artwork.\nDo not make it look like a print-on-paper mockup.\nDo not create any visible rectangular artwork area.\nThe whole image must be one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\nUse 20% detailed small hard watercolor washes wrapping both sides.\nUse 80% soft translucent watercolor washes surrounding the visible subjects \u2014 above the heads and along both sides \u2014 while keeping all paint effects contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, so the area inside the composition does not remain completely bare white. 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