{"id":964473,"name":"Regalo personalizado para padres el d\u00eda de tu boda, cuadro emotivo con retrato en acuarela y dedicatoria","label_available_product":null,"field_positions":null,"product_display_type":"radio","product_tags":"","featured_image_url":null,"featured_image_thumbnail":null,"show_first_campaign_mockup_id":null,"artworks":[{"id":1213054,"name":"[MO] I08EX0P3S - A4","description":null,"width":2550,"height":3578,"thumbnail":"users\/6835\/artworks\/6a2fa8e62f952_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2619921,"design_format":"rgb","status":0,"data":[{"id":"template-920142","name":"background","addons":[],"layers":[{"id":"layer-972379","top":0,"url":"users\/6835\/image-layers\/6a2aa80eb6661_large.webp","left":0,"name":"photo_a4_openAI","type":"clipart","width":2550,"height":3578,"locked":false,"rotate":0,"effects":[{"id":"id-495090","type":"gpt:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. Soft, painterly, luminous, airy, premium watercolor finish.","color_sketch_image_filter":"#000000"}],"visible":false,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Sube tu foto","photo_editor":"image_cropper","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-214771","top":0,"url":"users\/6835\/image-layers\/6a2f77408ca06_large.webp","left":0,"name":"[Upload] Photo","type":"clipart","width":2550,"height":3578,"locked":false,"rotate":0,"effects":[{"id":"id-495090","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. Soft, painterly, luminous, airy, premium watercolor finish.","color_sketch_image_filter":"#000000"}],"visible":true,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Sube tu foto","photo_editor":"image_cropper","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-676749","top":2523.79,"left":1275,"name":"Greeting","text":"Querida Mam\u00e1","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"Saludo","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/67eb9f569758d.woff2","size":250,"family":"SallimSignature"},"curve_radius":2110.49,"stroke_color":"#FFFFFF","stroke_width":9,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","form_placeholder":null,"autoscale_enabled":true,"autoscale_max_width":2300},{"id":"layer-258121","top":3258.43,"left":1814.1,"name":"Signature","text":"Tu hija, Sof\u00eda","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"Firma","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/67eb9f569758d.woff2","size":192,"family":"SallimSignature"},"curve_radius":1136.96,"stroke_color":"#000000","stroke_width":1,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":1239.06},{"id":"layer-863852","top":3175.96,"left":1275,"name":"Date","text":"10.07.2026","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":false,"editable":true,"required":true,"form_type":"text","form_label":"L\u00ednea de texto 2","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","max_length":35,"typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a0abadc1f9c1.woff2","size":130,"family":"timesi"},"curve_radius":816.16,"stroke_color":"#FF0000","stroke_width":1,"shadow_display":"mockup_order","form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":2300},{"id":"layer-233816","top":2647.7,"url":"text-path\/master\/heart.svg","left":127.18,"name":"Message","text":"Gracias por ser mi ejemplo, por ense\u00f1arme las cosas\nimportantes de la vida y ser siempre mi apoyo en cada decisi\u00f3n que he tenido que tomar, por darme la mejor vida,\nra\u00edces para ser fuerte y alas para volar, por tantas cosas\u2026","type":"paragraph","align":"center","color":"#000000","width":2295.65,"height":502.04,"locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"paragraph":{"lines":"Gracias por ser mi ejemplo, por ense\u00f1arme las cosas\nimportantes de la vida y ser siempre mi apoyo en cada decisi\u00f3n\nque he tenido que tomar, por darme la mejor vida,\nra\u00edces para ser fuerte y alas para volar, por tantas cosas\u2026","font_size":90},"path_type":"paragraph","form_label":"Mensaje","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":50,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a0abadc1f9c1.woff2","size":90,"family":"timesi"},"line_height":1.2,"stroke_color":"#000000","stroke_width":1,"align_vertical":"top","stroke_enabled":false,"form_input_type":"text","typography_type":"custom","form_placeholder":"Gracias por ser mi ejemplo, por ense\u00f1arme las cosas\nimportantes de la vida y ser siempre mi apoyo en cada decisi\u00f3n que he tenido que tomar, por darme la mejor vida,\nra\u00edces para ser fuerte y alas para volar, por tantas cosas\u2026","autofill_default_value":true},{"id":"layer-326008","top":3334.21,"left":1275,"name":"Address","text":"Castillo de Vi\u00f1uelas, Madrid","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":false,"editable":true,"required":true,"form_type":"text","form_label":"L\u00ednea de texto 3","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","max_length":35,"typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a0abadc1f9c1.woff2","size":130,"family":"timesi"},"curve_radius":816.16,"stroke_color":"#FF0000","stroke_width":1,"shadow_display":"mockup_order","form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":2300}],"positions":["template-layer","layer-214771","layer-676749","layer-863852","layer-326008","layer-972379","layer-233816","layer-258121"],"charge_enabled":false}]},{"id":1213091,"name":"[MO] I08EX0P3S - 30x45","description":null,"width":3615,"height":5386,"thumbnail":"users\/6835\/artworks\/6a2fa907e24d5_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2619947,"design_format":"rgb","status":0,"data":[{"id":"template-842178","name":"background","addons":[],"layers":[{"id":"layer-549312","top":0,"url":"users\/6835\/image-layers\/6a2aa80eb6661_large.webp","left":0,"name":"photo_a4_openAI","type":"clipart","width":2550,"height":3578,"locked":false,"rotate":0,"effects":[{"id":"id-495090","type":"gpt:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. Soft, painterly, luminous, airy, premium watercolor finish.","color_sketch_image_filter":"#000000"}],"visible":false,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Sube tu foto","photo_editor":"image_cropper","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-302571","top":0,"url":"users\/6835\/image-layers\/6a2f7ecb33dca_large.webp","left":0,"name":"[Upload] Photo","type":"clipart","width":3615,"height":5386,"locked":false,"rotate":0,"effects":[{"id":"id-888279","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. 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The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. 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Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. 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No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. 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Soft, painterly, luminous, airy, premium watercolor finish.","color_sketch_image_filter":"#000000"}],"visible":false,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Sube tu foto","photo_editor":"image_cropper","photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-783306","top":6033.38,"left":2988.48,"name":"Greeting","text":"Querida Mam\u00e1","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"Saludo","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/67eb9f569758d.woff2","size":648,"family":"SallimSignature"},"curve_radius":4946.92,"stroke_color":"#FFFFFF","stroke_width":23,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","form_placeholder":null,"autoscale_enabled":true,"autoscale_max_width":5391.13},{"id":"layer-255040","top":7755.3,"left":4252.11,"name":"Signature","text":"Tu hija, Sara","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"Firma","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/67eb9f569758d.woff2","size":450.04,"family":"SallimSignature"},"curve_radius":2665,"stroke_color":"#000000","stroke_width":1,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":2904.32},{"id":"layer-292293","top":6325.44,"url":"text-path\/master\/heart.svg","left":298.02,"name":"Message","text":"Gracias por ser mi ejemplo, por ense\u00f1arme las cosas\nimportantes de la vida y ser siempre mi apoyo en cada decisi\u00f3n que he tenido que tomar, por darme la mejor vida,\nra\u00edces para ser fuerte y alas para volar, por tantas cosas\u2026","type":"paragraph","align":"center","color":"#000000","width":5380.92,"height":1176.77,"locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"paragraph":{"lines":"Gracias por ser mi ejemplo, por ense\u00f1arme las cosas\nimportantes de la vida y ser siempre mi apoyo en cada\ndecisi\u00f3n que he tenido que tomar, por darme la mejor vida,\nra\u00edces para ser fuerte y alas para volar, por tantas cosas\u2026","font_size":215},"path_type":"paragraph","form_label":"Mensaje","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":50,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a0abadc1f9c1.woff2","size":215,"family":"timesi"},"line_height":1.2,"stroke_color":"#000000","stroke_width":1,"align_vertical":"top","stroke_enabled":false,"form_input_type":"text","typography_type":"custom","form_placeholder":"Gracias por ser mi ejemplo, por ense\u00f1arme las cosas\nimportantes de la vida y ser siempre mi apoyo en cada decisi\u00f3n que he tenido que tomar, por darme la mejor vida,\nra\u00edces para ser fuerte y alas para volar, por tantas cosas\u2026","autofill_default_value":true}],"positions":["template-layer","layer-520292","layer-783306","layer-307129","layer-292293","layer-255040","layer-110080"],"charge_enabled":false}]},{"id":1213123,"name":"[MO] I08EX0P3S -20x30","description":null,"width":2103,"height":3284,"thumbnail":"users\/6835\/artworks\/6a2f88af342ed_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2620028,"design_format":"rgb","status":0,"data":[{"id":"template-914139","name":"background","addons":[],"layers":[{"id":"layer-970807","top":0,"url":"users\/6835\/image-layers\/6a2aa80eb6661_large.webp","left":0,"name":"photo_a4_openAI","type":"clipart","width":2550,"height":3578,"locked":false,"rotate":0,"effects":[{"id":"id-495090","type":"gpt:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. 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The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. Soft, painterly, luminous, airy, premium watercolor finish.","color_sketch_image_filter":"#000000"}],"visible":false,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Sube tu foto","photo_editor":"image_cropper","use_hd_layer":false,"photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-799983","top":0,"url":"users\/6835\/image-layers\/6a2f87d756cfa_large.webp","left":0,"name":"20x30","type":"clipart","width":2103,"height":3284,"locked":false,"rotate":0,"effects":[{"id":"id-885053","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. Soft, painterly, luminous, airy, premium watercolor finish.","color_sketch_image_filter":"#000000"}],"visible":true,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Sube tu foto","photo_editor":"image_cropper","photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-631281","top":-0.05,"url":"users\/6835\/image-layers\/6a2f7ecb33dca_large.webp","left":-0.06,"name":"[Upload] Photo","type":"clipart","width":5977.11,"height":8905.32,"locked":false,"rotate":0,"effects":[{"id":"id-888279","type":"image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. Soft, painterly, luminous, airy, premium watercolor finish.","color_sketch_image_filter":"#000000"}],"visible":false,"fit_mode":"contain","required":true,"form_type":"photo","form_label":"Sube tu foto","photo_editor":"image_cropper","photo_replace":true,"shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-793264","top":2402.84,"left":1051.49,"name":"Greeting","text":"Queridos Pap\u00e1 y Mam\u00e1","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"Saludo","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/67eb9f569758d.woff2","size":228,"family":"SallimSignature"},"curve_radius":1740.57,"stroke_color":"#FFFFFF","stroke_width":23,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","form_placeholder":null,"autoscale_enabled":true,"autoscale_max_width":1800},{"id":"layer-319092","top":3008.69,"left":1448.1,"name":"Signature","text":"Vuestra hija, Claudia","type":"text","align":"center","color":"#000000","locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"form_type":"text","form_label":"Firma","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":100,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/67eb9f569758d.woff2","size":158.35,"family":"SallimSignature"},"curve_radius":937.68,"stroke_color":"#000000","stroke_width":1,"shadow_display":"mockup_order","stroke_enabled":true,"form_input_type":"text","typography_type":"custom","autoscale_enabled":true,"autoscale_max_width":1021.88},{"id":"layer-700856","top":2505.6,"url":"text-path\/master\/heart.svg","left":144.87,"name":"Message","text":"Gracias por ser mi ejemplo, por ense\u00f1arme las cosas importantes de la vida y por ser siempre mi apoyo en cada decisi\u00f3n que he tenido que tomar, por darme la mejor vida, ra\u00edces para ser fuerte y alas para volar, por tantas cosas\u2026","type":"paragraph","align":"center","color":"#000000","width":1809.27,"height":413.09,"locked":false,"rotate":0,"visible":true,"editable":true,"required":true,"paragraph":{"lines":"Gracias por ser mi ejemplo, por ense\u00f1arme las cosas\nimportantes de la vida y por ser siempre mi apoyo en cada\ndecisi\u00f3n que he tenido que tomar, por darme la mejor vida,\nra\u00edces para ser fuerte y alas para volar, por tantas cosas\u2026","font_size":76},"path_type":"paragraph","form_label":"Mensaje","input_hint":"\ud83d\udc49 Si desea dejar este campo en blanco, introduzca un espacio.","typography":{"size":50,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/6835\/fonts\/6a0abadc1f9c1.woff2","size":215,"family":"timesi"},"line_height":1.2,"stroke_color":"#000000","stroke_width":1,"align_vertical":"top","stroke_enabled":false,"form_input_type":"text","typography_type":"custom","form_placeholder":"Gracias por ser mi ejemplo, por ense\u00f1arme las cosas importantes de la vida y por ser siempre mi apoyo en cada decisi\u00f3n que he tenido que tomar, por darme la mejor vida, ra\u00edces para ser fuerte y alas para volar, por tantas cosas\u2026","autofill_default_value":true},{"id":"layer-341016","top":0.5,"url":"users\/6835\/image-layers\/6a04bc8659fb8_large.webp","left":0.5,"name":"framed poster 30x20cm print working file","type":"clipart","width":2102,"height":3283,"locked":false,"rotate":0,"visible":false,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-196587","top":0.5,"url":"users\/6835\/image-layers\/69e2e57d05dd6_large.webp","left":0.5,"name":"MO_frame poster 30x20cm","type":"clipart","width":2102,"height":3283,"locked":false,"rotate":0,"visible":false,"fit_mode":"contain","shadow_display":"mockup_order","direct_upload_style":"contain","direct_clipart_style":"contain"}],"positions":["template-layer","layer-799983","layer-631281","layer-793264","layer-970807","layer-700856","layer-319092","layer-341016","layer-196587"],"charge_enabled":false}]},{"id":1213141,"name":"[MO] I08EX0P3S -30x40","description":null,"width":3279,"height":4460,"thumbnail":"users\/6835\/artworks\/6a30bb19d31d0_thumbnail.webp","is_locked":null,"template_settings":null,"current_version_id":2620139,"design_format":"rgb","status":0,"data":[{"id":"template-551915","name":"background","addons":[],"layers":[{"id":"layer-348250","top":0,"url":"users\/6835\/image-layers\/6a2f8bc544473_large.webp","left":0,"name":"30x40","type":"clipart","width":3279,"height":4460,"locked":false,"rotate":0,"effects":[{"id":"id-431617","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"Create a premium semi-realistic watercolor portrait of the subjects from the uploaded photo on clean white cold-pressed paper. Match the exact number of subjects and preserve the original framing from the uploaded image.\n\nSUBJECT FRAMING \u2014 IMPORTANT:\nRespect the composition and crop of the uploaded photo.\nIf the uploaded image is full body, render full body from head to feet.\nIf the uploaded image is half body, chest-up, close-up, or cropped, preserve that same framing naturally.\nDo not invent or reconstruct missing lower body parts that are not visible in the original image unless they are partially cut off naturally by the photo edge.\n\nFLOATING COMPOSITION \u2014 ABSOLUTELY CRITICAL:\nThe artwork must NEVER fill the entire canvas.\nAlways scale the entire illustration down so it appears smaller and floating in the middle-upper area of a large white sheet of paper.\n\nThe complete artwork \u2014 including subjects, watercolor washes, splashes, and ink drips \u2014 must fit comfortably inside a centered area occupying approximately only 55\u201360% of the total canvas width and no more than 55\u201360% of the total canvas height.\n\nMaintain generous empty white margins around the entire artwork at all times. The illustration must feel isolated, airy, centered, and surrounded by breathing room. Never allow any part of the artwork to touch or visually crowd the canvas edges.\n\nABSOLUTE TOP SAFE MARGIN \u2014 VERY IMPORTANT:\nAlways preserve a completely empty white margin equal to at least the top 5% of the entire paper height. Nothing may enter this zone: no subjects, no hair, no watercolor, no splashes, no ink drips, no texture, no shading. This top area must remain blank white paper, taken from the paper of the main artwork, with no seam line.\n\nBOTTOM NEGATIVE SPACE \u2014 CRITICAL:\nThe bottom 35\u201340% of the canvas must remain intentionally empty white paper comes from the paper of the main artwork with absolutely no visual elements of any kind. No watercolor bleed, no splashes, no shadows, no drips, no texture.\n\nSINGLE SHEET OF PAPER \u2014 ABSOLUTELY CRITICAL:\nThe entire image must appear as artwork painted directly onto one continuous, uninterrupted sheet of white cold-pressed watercolor paper.\n\nAll white space surrounding the artwork must be the same physical paper surface as the paper beneath the subjects and watercolor effects. The paper must remain visually continuous across the entire canvas.\n\nDo not create any border, frame, panel, box, card, poster, canvas edge, print area, window, inset image, matting, margin line, cropping rectangle, or separate artwork region.\n\nThe illustration must not appear pasted onto the paper, printed inside a frame, placed within a box, or contained inside a defined boundary.\n\nThere must be no visible edges, outlines, separators, cut lines, rectangular boundaries, hard transitions, masking effects, clipping areas, or artificial composition borders anywhere in the image.\n\nThe watercolor portrait should emerge naturally from the paper itself, with all washes, splashes, blooms, and ink details organically fading into the same continuous white paper surface.\n\nThe empty areas above, below, left, and right of the artwork must remain uninterrupted white paper from the exact same sheet, creating the feeling of a floating illustration painted directly onto a large blank page.\n\nNO FRAMING OR CROPPED-CANVAS EFFECTS:\nDo not create a centered artwork panel.\nDo not create an inner canvas.\nDo not create a white box around the artwork.\nDo not create a print-on-paper mockup appearance.\nDo not create a visible rectangular artwork area.\nThe entire image is one seamless sheet of paper, with the illustration floating naturally within it.\n\nWATERCOLOR WASHES:\n20% detail, small hard watercolor washes wrap both sides.\n80% soft translucent watercolor washes wrap around the visible subjects \u2014 above the heads and along both sides \u2014 while remaining contained within the floating composition area.\n\nVisible watercolor blooms in multiple shades must appear around the subjects, never leaving the surrounding area completely bare white inside the composition itself. All washes appear naturally diffused like wet pigment bleeding into damp paper. Every wash softly dissolves into the paper with organic fading and irregular transparency.\n\nUse each subject\u2019s own natural color palette as the source for all surrounding washes, splashes, and ink blooms. Multiple overlapping watercolor layers in different sizes. Do not recolor, mute, or allow pigment bleeding into the subjects themselves.\n\nHAIR, BROWS, LASHES:\nRender every strand of hair, each eyebrow hair, and every individual eyelash using ultra-fine hair-thin brushstrokes \u2014 delicate, tapered, directional, and highly detailed like a single-hair detail brush. No flat color blocks. No smooth airbrushed brows or lashes.\n\nFACES AND SKIN:\nSoft semi-realistic facial detail. Skin must show subtle tonal variation built from thin layered watercolor strokes with natural luminosity. No large flat watercolor patches on skin. Maintain consistent rendering quality across all visible parts of the subjects.\n\nINK DRIPS:\nAdd a few small and large organic ink drops around the subjects. Include only minimal extremely thin vertical ink drips beneath the artwork, softly fading and dissolving quickly into the paper well before reaching the lower empty white space.\n\nBACKGROUND:\nPure white background only. No frame, no props, no mockup. 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