{"id":1067333,"name":"Personalisiertes Kissen - \"Deine Familie als Karrikatur\"","label_available_product":null,"field_positions":null,"product_display_type":"radio","enable_artwork_navigation":false,"artwork_navigation_name":null,"product_tags":null,"featured_image_url":null,"featured_image_thumbnail":null,"show_first_campaign_mockup_id":11221337,"artworks":[{"id":1404636,"name":"test","width":4312,"height":4312,"thumbnail":"users\/17906\/artworks\/6aea1119d7e62_thumbnail.webp","template_settings":null,"current_version_id":3179588,"design_format":"rgb","schema_version":2,"data":[{"id":"template-669175","name":"Default template","addons":[],"layers":[{"id":"layer-452063","top":0,"url":"users\/17906\/image-layers\/6aea046b51bf3_large.webp","left":0,"name":"Weiss 4312 x 4312","type":"static-photo","width":4312,"height":4312,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","schema_version":2,"shadow_display":"mockup_order","customization_type":"no_customization","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-491643","top":-76.16,"url":"users\/17906\/image-layers\/6aea101413f04_large.webp","left":253.96,"name":"Weiss 4312 x 4312 (6)","type":"static-photo","width":3804.08,"height":3804.08,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","schema_version":2,"shadow_display":"mockup_order","customization_type":"no_customization","reposition_enabled":false,"direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-391859","top":122.45,"url":"users\/17906\/image-layers\/6ae9ee595bca5_large.webp","left":209.21,"name":"family sketch 4312 x 4312 (1)","type":"photo","width":3893.58,"height":3893.58,"locked":false,"rotate":0,"effects":[{"id":"id-341583","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"image_filter_prompt":"# ULTRA FUNNY PREMIUM FAMILY CARICATURE \u2014 EXTREME FACIAL EXAGGERATION \u2014 SUPER VIBRANT COLORS \u2014 MANDATORY PERFECT SQUARE 1:1 FORMAT \u2014 COMPLETE BACKGROUND REMOVAL \u2014 RESERVED TOP TEXT AREA\n\n## ABSOLUTE MAIN INSTRUCTION\n\nTransform the uploaded customer photograph into an EXTREMELY FUNNY, HIGHLY EXAGGERATED, BRILLIANTLY COLORED, PROFESSIONALLY HAND-DRAWN FAMILY CARICATURE.\n\nThe final artwork must look like an exceptionally high-quality, professionally commissioned comedy caricature created by a talented commercial illustration artist.\n\nEvery original person must become an unmistakably funny, exaggerated, laughing caricature with expressive facial features, enlarged characteristic noses, rounded rosy cheeks, oversized cheerful smiles, and wonderfully humorous facial expressions.\n\nThe artistic style must feature bold black ink outlines, vibrant marker-style coloring, rich dimensional shading, brilliant highlights, and carefully controlled watercolor accents.\n\nTHIS MUST NOT LOOK LIKE A REALISTIC PORTRAIT OR A PALE TRADITIONAL WATERCOLOR PAINTING.\n\nThe result must look EXTREMELY FUNNY, BEAUTIFULLY ILLUSTRATED, AND EXPLOSIVELY COLORFUL.\n\n### SIX NON-NEGOTIABLE REQUIREMENTS\n\n1. Every person must be transformed into a strongly exaggerated, genuinely funny laughing caricature.\n2. All colors must be extremely vibrant, rich, saturated, bold, and visually powerful.\n3. The entire original photographic background must be removed completely.\n4. THE FINAL GENERATED IMAGE MUST ALWAYS HAVE AN EXACT 1:1 SQUARE ASPECT RATIO, regardless of the original customer photograph's dimensions or orientation.\n5. Reserve a clean, completely empty horizontal area across the TOP 20% of the square artwork for one personalized text line.\n6. Preserve every original person, their recognizable identity, clothing, relative positions, and important visible details.\n\n## 1. EXTREME PROFESSIONAL CARICATURE TRANSFORMATION\n\nCompletely redraw every person as a professional comedy caricature.\n\nDo not simply apply a cartoon, watercolor, or sketch filter.\n\nDramatically emphasize each person's distinctive facial characteristics.\n\nUse:\n\n- Clearly enlarged heads.\n- Comically emphasized individual noses.\n- Full, exaggerated cheeks.\n- Strong, expressive facial contours.\n- Humorously exaggerated chins.\n- Broad, expressive smiles.\n- Beautifully emphasized eyes.\n- Prominent laughter lines.\n- Playful facial asymmetry.\n- Distinctive and recognizable individual characteristics.\n\nThe exaggeration must be immediately obvious.\n\nThe final artwork must look much more humorous and caricatured than an ordinary comic portrait.\n\nHowever, exaggeration must remain professionally controlled and visually attractive.\n\nAvoid grotesque facial anatomy, frightening expressions, or randomly distorted faces.\n\nThe humor must come from expertly emphasizing each person's unique characteristics.\n\nEvery subject must remain individually recognizable.\n\n## 2. EXTREMELY FUNNY LAUGHING EXPRESSIONS\n\nEVERY PERSON MUST LOOK GENUINELY AND UNMISTAKABLY FUNNY.\n\nCreate strongly exaggerated joyful expressions featuring:\n\n- Very broad laughing mouths.\n- Mouth corners lifted upward.\n- Cheerfully raised cheeks.\n- Prominent rosy blush.\n- Bold smile lines.\n- Humorous nose exaggeration.\n- Expressive eyebrows.\n- Clearly illustrated individual teeth.\n- Naturally shaped tongues where appropriate.\n- Defined inner-mouth shadows.\n- Strong facial expression lines.\n- Playful personality and humorous asymmetry.\n\nEvery person should appear to be laughing enthusiastically or displaying a wonderfully broad, exaggerated comedic grin.\n\nDo not leave anyone with an ordinary, neutral, or barely smiling expression.\n\nDo not create realistic photographic-looking smiles.\n\nThe humor must be clearly visible even when the artwork is viewed as a small product thumbnail.\n\n### CONTROLLED PROFESSIONAL EXAGGERATION\n\nThe expressions must be extremely funny but also attractive and charming.\n\nDo not create enormous empty black mouth cavities.\n\nDo not produce frightening, grotesque, or distorted jaws.\n\nDo not create unnatural teeth or identical generic laughing faces.\n\nDifferent people may have different styles of exaggerated laughter, reflecting their individual facial structures.\n\nEvery subject must receive comparably strong caricature treatment.\n\n## 3. STRICT ORIGINAL PERSONAL IDENTITY PRESERVATION\n\nPreserve the exact number of people shown in the uploaded photograph.\n\nNever add, remove, duplicate, merge, or replace people.\n\nMaintain:\n\n- Recognizable individual facial identity.\n- Original approximate age.\n- Original skin tone.\n- Original hairstyle.\n- Original hair color.\n- Facial hair.\n- Eye color.\n- Individual eye shape.\n- Original eye state.\n- Glasses.\n- Jewelry.\n- Original clothing.\n- Original clothing colors and patterns.\n- Original accessories.\n- Original body poses.\n- Original interactions and gestures.\n- Original left-to-right arrangement.\n- Original relative subject positions.\n\nKeep children recognizable as children.\n\nKeep older family members recognizable at their original ages.\n\nDo not make all subjects look alike.\n\nPreserve each person's original open-or-closed eye state.\n\nDo not automatically close eyes because somebody is laughing.\n\nDo not open originally closed eyes.\n\nDo not introduce unintended winks or changed gaze directions.\n\nThe facial expression may become strongly exaggerated, but the person must remain recognizable as the individual from the original photograph.\n\n## 4. EXTREMELY VIBRANT AND POWERFUL COLORS\n\nTHIS IS ONE OF THE MOST IMPORTANT ARTISTIC REQUIREMENTS.\n\nUse exceptionally strong, rich, vivid, highly saturated commercial illustration colors.\n\nThe coloring must be noticeably more intense than ordinary watercolor artwork.\n\nCreate a beautiful, powerful, brilliant comic-caricature appearance.\n\nUse:\n\n- Extremely rich reds.\n- Brilliant blues.\n- Deep saturated greens.\n- Intense turquoise.\n- Vibrant orange.\n- Rich golden yellow.\n- Bright rosy pink.\n- Deep natural brown.\n- Strong charcoal shadows.\n- Brilliant white highlights.\n- Warm saturated skin-color shading.\n\nPreserve the original recognizable skin tones, hair colors, and clothing colors while increasing color intensity and contrast.\n\n### MANDATORY COLORING TECHNIQUE\n\nCombine:\n\n- Bold professional marker-style coloring.\n- Rich opaque color regions.\n- Controlled vibrant watercolor accents.\n- Strong dimensional shading.\n- Deep but clean shadows.\n- Bright highlights.\n- Clear separation between adjacent colors.\n- Professional comic-illustration finishing.\n\nColor saturation must remain strong across every person.\n\nThe colors must look lively, brilliant, clean, and visually exciting.\n\nDo not use pale traditional watercolor washes as the main coloring technique.\n\nDo not allow excessive transparency to weaken the colors.\n\nDo not cover the illustration with a dull beige or gray paper texture.\n\nDo not create muddy, faded, pastel-only, grayish, or washed-out artwork.\n\nTHE FINAL COLORS MUST LOOK EXTREMELY VIBRANT, PUNCHY, COLORFUL, AND BEAUTIFULLY SATURATED.\n\n## 5. PREMIUM BLACK INK OUTLINES\n\nUse bold, confident, expressive professional black and dark-brown ink contours.\n\nCreate:\n\n- Strong clean facial outlines.\n- Beautiful varied line thickness.\n- Expressive nose and cheek contours.\n- Clearly defined eyebrows.\n- Strong laughing-mouth outlines.\n- Carefully illustrated teeth.\n- Detailed hair strands.\n- Beautifully outlined clothing.\n- Controlled line hatching.\n- Selective expressive pencil accents.\n- Sharp professional finishing.\n\nThe outlines must clearly distinguish facial features, clothing, and individual people.\n\nUse strong dark outlines to enhance the intense colors.\n\nAvoid weak pencil lines, unfinished construction marks, chaotic scribbling, and inconsistent contour quality.\n\nThe artwork must look professionally illustrated and commercially finished.\n\n## 6. STRONG THREE-DIMENSIONAL ILLUSTRATION DEPTH\n\nAlthough the artwork must remain a hand-drawn 2D caricature, create beautiful dimensional depth through professional shading.\n\nUse:\n\n- Rich shadows beneath facial features.\n- Bright highlights on cheeks and noses.\n- Carefully shaded clothing folds.\n- Dimensional hair rendering.\n- Clear separation between overlapping people.\n- Strong light-to-shadow contrast.\n- Naturally rounded illustrated facial structures.\n\nAvoid flat, lifeless coloring.\n\nAvoid photorealistic rendering or glossy 3D character modeling.\n\nThe final illustration must look richly colored, professionally shaded, and visually polished.\n\n## 7. MANDATORY COMPLETE BACKGROUND REMOVAL\n\nREMOVE THE ENTIRE ORIGINAL PHOTOGRAPHIC BACKGROUND.\n\nDo not preserve, repaint, reconstruct, or extend the original scenery.\n\nRemove all environmental content, including:\n\n- Walls.\n- Rooms.\n- Floors.\n- Ceilings.\n- Furniture and sofas.\n- Buildings.\n- Landscapes.\n- Trees.\n- Grass.\n- Sky.\n- Roads.\n- Distant objects.\n- Environmental shadows.\n- Unrelated background elements.\n\nOnly the illustrated original people and their genuine clothing and accessories must remain.\n\nPreserve all important visible subject details.\n\nDo not remove hands, arms, clothing, hair, accessories, or body parts while eliminating the background.\n\nRemove the original environment even from small gaps between people, arms, legs, and clothing.\n\nDo not introduce replacement scenery.\n\nDo not create a new studio, home, park, garden, or decorative setting.\n\n## 8. PURE WHITE CLEAN BACKGROUND\n\nReplace the removed background with a completely uniform, pure white background.\n\nEXACT COLOR: #FFFFFF.\n\nRGB: 255, 255, 255.\n\nThe background must be:\n\n- Completely clean.\n- Fully opaque.\n- Pure white.\n- Uniform.\n- Free from textures.\n- Free from gradients.\n- Free from shadows.\n- Free from paint splashes.\n- Free from environmental objects.\n- Free from decorative elements.\n\nEvery area outside the illustrated people must remain pure white.\n\nDo not create watercolor-paper texture behind the people.\n\nDo not add artificial drop shadows beneath the group.\n\nDo not add gray halos or colored borders.\n\nThe illustrated subjects must be cleanly isolated.\n\n## 9. PROFESSIONAL BACKGROUND EXTRACTION\n\nCreate clean, accurate, professional cutout boundaries around all original people.\n\nPreserve:\n\n- Individual hair strands.\n- Hairstyles.\n- Ears.\n- Hands and fingers.\n- Arms.\n- Clothing details.\n- Jewelry.\n- Glasses.\n- Accessories.\n- Spaces between subjects.\n\nRemove background remnants between overlapping body parts.\n\nAvoid:\n\n- White halos.\n- Gray masking edges.\n- Blurred extraction.\n- Jagged contours.\n- Missing fingers.\n- Lost hair details.\n- Unwanted original scenery.\n- Artificial sticker borders.\n\nMaintain the intentional professional black ink contours around every illustrated person.\n\nThe cutout must appear naturally illustrated rather than crudely extracted.\n\n## 10. ABSOLUTELY MANDATORY PERFECT SQUARE 1:1 OUTPUT FORMAT\n\nTHIS IS AN ABSOLUTE, NON-NEGOTIABLE TECHNICAL AND COMPOSITIONAL REQUIREMENT.\n\nTHE FINAL GENERATED IMAGE MUST ALWAYS BE A PERFECT SQUARE WITH AN EXACT ASPECT RATIO OF 1:1.\n\nIMAGE WIDTH MUST EQUAL IMAGE HEIGHT.\n\nTHE OUTPUT MUST BE SQUARE REGARDLESS OF THE ORIGINAL CUSTOMER PHOTOGRAPH'S ORIENTATION, SIZE, RESOLUTION, OR ASPECT RATIO.\n\n### UNIVERSAL INPUT FORMAT CONVERSION\n\nThe uploaded customer photograph may be:\n\n- A vertical portrait photograph.\n- A horizontal landscape photograph.\n- An already square photograph.\n- A very narrow vertical photograph.\n- An extremely wide panoramic photograph.\n- A group photograph featuring multiple people.\n- A photograph with unusual dimensions or proportions.\n\nNONE OF THESE ORIGINAL FORMATS MAY DETERMINE THE FINAL OUTPUT ASPECT RATIO.\n\nThe original input format is only a visual reference for the people, their identities, clothing, and poses.\n\nThe final artwork must always be independently composed on a newly established PERFECT SQUARE 1:1 CANVAS.\n\n### MANDATORY FORMAT OVERRIDE\n\nCompletely disregard the original photograph's aspect ratio when determining the output canvas.\n\nIf the input is portrait-oriented, convert the composition into a square image.\n\nIf the input is landscape-oriented, convert the composition into a square image.\n\nIf the input is panoramic, reorganize the overall framing appropriately within a square image.\n\nIf the input is already square, maintain the square output format.\n\nUnder no circumstances may the final artwork inherit a non-square aspect ratio from the uploaded photograph.\n\nDO NOT GENERATE A LANDSCAPE RECTANGLE.\n\nDO NOT GENERATE A PORTRAIT RECTANGLE.\n\nDO NOT GENERATE A WIDE BANNER.\n\nDO NOT GENERATE A VERTICAL POSTER.\n\nDO NOT GENERATE A 3:2, 4:3, 16:9, 9:16, OR ANY OTHER NON-SQUARE OUTPUT FORMAT.\n\nTHE ONLY ACCEPTABLE FINAL OUTPUT ASPECT RATIO IS EXACTLY 1:1.\n\n### SQUARE CANVAS DIMENSIONS\n\nThe generated image must have exactly equal horizontal and vertical dimensions.\n\nExamples of valid square output dimensions:\n\n- 1024 \u00d7 1024 pixels.\n- 2048 \u00d7 2048 pixels.\n- 4096 \u00d7 4096 pixels.\n- 5000 \u00d7 5000 pixels.\n\nThese are examples of valid square dimensions, not a requirement to generate a particular pixel resolution.\n\nUse the highest available square output resolution supported by the image-generation system.\n\nAny generated image with different width and height is an incorrect result.\n\n### INTELLIGENT SQUARE RECOMPOSITION\n\nRecompose the illustrated subjects intelligently to fit naturally within the square canvas.\n\nThe square composition must be created through intelligent positioning, proportional scaling, and clean white canvas expansion.\n\nDO NOT stretch, squeeze, compress, or deform people to force them into a square image.\n\nDO NOT crop important faces, hairstyles, hands, or body parts merely to achieve the square format.\n\nDO NOT enlarge subjects so aggressively that they extend beyond the square canvas.\n\nDO NOT artificially widen or lengthen people's bodies.\n\nPreserve the original arrangement and natural visual relationships between all subjects.\n\nMaintain the original left-to-right order whenever applicable.\n\nScale and position the overall group proportionally to fit the available square composition.\n\nIf additional room is needed, expand the pure white canvas rather than distorting or cropping the illustrated subjects.\n\nIf the source photograph is very wide, reduce the scale of the illustrated group proportionally so that all people remain visible inside the square.\n\nIf the source photograph is very tall, use the square canvas width intelligently while maintaining the original visual structure.\n\nIf the source photograph shows only upper bodies, preserve an upper-body composition.\n\nDo not invent missing body parts.\n\nDo not extend or reconstruct cropped bodies unnecessarily.\n\nDo not rearrange individual family members into unrelated positions.\n\n### SQUARE COMPOSITION BALANCE\n\nThe final square artwork must look intentionally designed as a square illustration, not like a rectangular photograph awkwardly cropped into a square.\n\nThe people must remain visually prominent, expressive, and professionally balanced.\n\nUse the additional pure white space intelligently.\n\nAvoid excessive empty space around the people except for the mandatory reserved top text area.\n\nPreserve a comfortable margin around all essential subject details.\n\nKeep faces sufficiently large and detailed for excellent product-print visibility.\n\nAll subjects must remain fully recognizable.\n\n### ABSOLUTE FINAL FORMAT VALIDATION\n\nBefore completing the image, ensure:\n\n- The canvas is perfectly square.\n- The width-to-height ratio is exactly 1:1.\n- Every original person remains included.\n- No important subject features have been cropped.\n- No people have been stretched or compressed.\n- The original input orientation has not influenced the final output orientation.\n- The entire composition looks naturally balanced within a square.\n- The upper 20% remains completely empty and pure white.\n\nIF THE OUTPUT IS NOT PERFECTLY SQUARE, THE RESULT DOES NOT MEET THE REQUIRED SPECIFICATION.\n\n## 11. MANDATORY EMPTY TOP AREA FOR PERSONALIZED TEXT\n\nTHIS IS A CRITICAL DESIGN REQUIREMENT.\n\nRESERVE A CLEAN, COMPLETELY EMPTY HORIZONTAL AREA ACROSS THE TOP OF THE FINAL SQUARE IMAGE.\n\nThis space will be used later for one personalized text line added separately in the Teeinblue editor.\n\nDo not generate any actual text.\n\nDo not generate names, words, letters, numbers, or placeholder text.\n\n### TOP TEXT SAFE AREA\n\nReserve approximately the TOP 20% of the total SQUARE IMAGE HEIGHT for the personalized text.\n\nThis area must remain completely empty and pure white.\n\nNo heads, hair, arms, clothing, sketch lines, or decorative elements may enter this area.\n\nAll illustrated subjects must be positioned below the reserved top text area.\n\nThe empty area must extend horizontally across the ENTIRE WIDTH of the square canvas.\n\nKeep enough vertical clearance so that a personalized headline can be positioned comfortably above the group.\n\n### CHARACTER POSITIONING WITHIN THE SQUARE\n\nArrange the illustrated group in the lower approximately 80% of the square image.\n\nKeep the people as large, expressive, and visually prominent as possible.\n\nDo not unnecessarily reduce facial size.\n\nDo not compress the group vertically.\n\nMaintain natural anatomical proportions and the original relationships between people.\n\nUse the full available square canvas intelligently so that everyone remains clearly visible.\n\nFor large groups, prioritize complete subject visibility and recognizable faces over unnecessarily filling every corner.\n\n### TEXT POSITIONING RULE\n\nThe final image itself must contain NO TEXT.\n\nThe top area must remain blank for an external personalized text layer.\n\nDo not place any image content where the text will later appear.\n\nThe reserved white text area is part of the square canvas and must not change the required 1:1 aspect ratio.\n\n## 12. PREMIUM SQUARE PRODUCT PRINT COMPOSITION\n\nCreate a composition specifically suitable for a premium personalized SQUARE print artwork.\n\nThe illustrated group must be the main focal point.\n\nKeep the group visually centered horizontally within the square canvas.\n\nReserve the upper 20% for personalized text.\n\nAllow reasonable space near the left and right image edges.\n\nKeep important faces away from the edges and intended text area.\n\nPreserve original family relationships, poses, and gestures.\n\nAvoid unnecessary cropping of faces, hairstyles, and hands.\n\nDo not stretch or distort bodies.\n\nThe final design must look balanced, professionally arranged, and appropriate for a perfectly square product-print area.\n\n### MANDATORY PRINT SAFE AREA\n\nKeep all important illustrated subject details safely inside the square artwork boundaries.\n\nDo not place essential faces, hands, or important accessories directly against the outer canvas edges.\n\nAllow a small, natural white safety margin around the illustration wherever necessary.\n\nThe artwork should remain visually complete when displayed or printed on a square product.\n\nNo part of the original composition may be lost simply because the input photograph was rectangular.\n\n## 13. CONSISTENT MULTI-PERSON ILLUSTRATION\n\nFor any customer photo containing multiple people, preserve the exact number of original subjects.\n\nWhether the photograph contains two, five, nine, fifteen, or more people, every original person must remain visible and recognizable.\n\nNever merge individuals.\n\nNever omit background family members.\n\nNever duplicate subjects.\n\nNever swap people.\n\nEvery person's face must receive the same high-quality professional caricature transformation.\n\nApply consistent:\n\n- Exaggeration strength.\n- Line quality.\n- Color saturation.\n- Shading.\n- Facial detail.\n- Artistic finish.\n\nDo not draw some people realistically while exaggerating others heavily.\n\nAll people must look like they were drawn by the same skilled caricature artist.\n\n### MULTI-PERSON SQUARE FORMAT ADAPTATION\n\nFor wide group photographs, proportionally scale the entire group to fit inside the square canvas.\n\nDo not remove people from the left or right edges.\n\nDo not crop outer family members.\n\nDo not stack people into artificial new rows merely to fill the square.\n\nDo not randomly change the family arrangement.\n\nFor tall group photographs, preserve the vertical relationship between subjects while positioning the complete illustration within the square.\n\nMaintain the original group identity and natural interaction.\n\nThe square composition must adapt to the people, never distort the people to fit the square.\n\n## 14. STRICT NEGATIVE INSTRUCTIONS\n\nDO NOT GENERATE:\n\n- Ordinary realistic portraits.\n- Mild cartoon filters.\n- Subtle smiles.\n- Emotionless faces.\n- Weak caricature exaggeration.\n- Pale watercolor colors.\n- Washed-out clothing.\n- Muddy or grayish rendering.\n- Weak pencil outlines.\n- Grotesque facial distortion.\n- Giant unnatural mouth cavities.\n- Generic identical faces.\n- Missing people.\n- Duplicated subjects.\n- Changed clothing.\n- Changed hairstyles.\n- Original photographic backgrounds.\n- New environmental scenery.\n- Decorative backgrounds.\n- Textured white paper backgrounds.\n- Unwanted shadows.\n- Poor cutout edges.\n- Horizontal rectangular final images.\n- Vertical rectangular final images.\n- Panoramic final images.\n- Non-square output dimensions.\n- Cropping to force square proportions.\n- Stretched or compressed people.\n- Distorted anatomy caused by aspect ratio conversion.\n- Text or placeholder lettering.\n- Faces intruding into the reserved top text area.\n\nANY FINAL IMAGE THAT IS NOT EXACTLY SQUARE MUST BE CONSIDERED INCORRECT.\n\n## 15. STRICT FINAL PRIORITY\n\nFollow these requirements in this order:\n\n1. ALWAYS GENERATE A PERFECTLY SQUARE 1:1 IMAGE, REGARDLESS OF THE ORIGINAL UPLOADED PHOTOGRAPH'S ASPECT RATIO OR ORIENTATION.\n2. Preserve the exact original number and recognizable identities of all people.\n3. Create EXTREMELY FUNNY, STRONGLY EXAGGERATED LAUGHING CARICATURES.\n4. Apply EXTREMELY RICH, INTENSE, VIBRANT, HIGH-SATURATION COLORS.\n5. Maintain beautiful, professional facial exaggeration and attractive expressions.\n6. Use strong black ink outlines and polished commercial illustration shading.\n7. Preserve original clothing, hairstyles, body poses, accessories, and relative group positions.\n8. Remove the entire original photographic background.\n9. Replace the background with perfectly uniform pure white (#FFFFFF).\n10. Intelligently recompose all illustrated people inside the square canvas without cropping, stretching, or removing anybody.\n11. Reserve the TOP 20% of the square artwork as completely empty white space for one personalized text line.\n12. Keep all subjects below the text area, with faces as large and clearly visible as the composition reasonably allows.\n13. Produce clean professional illustration boundaries.\n14. Maintain consistent illustration quality across every person.\n15. Never inherit the original photograph's portrait or landscape aspect ratio.\n\n## FINAL REQUIRED RESULT\n\nCreate a PREMIUM, EXTREMELY FUNNY, HIGHLY EXAGGERATED, PROFESSIONALLY HAND-DRAWN FAMILY CARICATURE featuring every recognizable original person.\n\nThe characters must have humorously oversized heads, distinctive exaggerated noses, very broad laughing expressions, rosy cheeks, clearly illustrated teeth, confident black ink outlines, and exceptionally vibrant premium comic-style coloring.\n\nThe entire illustration must look brilliantly saturated, beautifully shaded, visually bold, charming, and genuinely hilarious.\n\nEvery original person must remain individually recognizable.\n\nThe original background must be completely removed.\n\nAll remaining background areas must be perfectly uniform pure white (#FFFFFF).\n\n### ABSOLUTE OUTPUT FORMAT REQUIREMENT\n\nTHE FINAL IMAGE MUST BE A PERFECT SQUARE.\n\nASPECT RATIO: EXACTLY 1:1.\n\nIMAGE WIDTH = IMAGE HEIGHT.\n\nTHIS RULE APPLIES TO EVERY CUSTOMER PHOTOGRAPH WITHOUT EXCEPTION.\n\nA VERTICAL INPUT PHOTOGRAPH MUST PRODUCE A SQUARE OUTPUT.\n\nA HORIZONTAL INPUT PHOTOGRAPH MUST PRODUCE A SQUARE OUTPUT.\n\nA PANORAMIC INPUT PHOTOGRAPH MUST PRODUCE A SQUARE OUTPUT.\n\nAN ALREADY SQUARE INPUT PHOTOGRAPH MUST PRODUCE A SQUARE OUTPUT.\n\nTHE ORIGINAL PHOTO ORIENTATION MUST NEVER OVERRIDE THE MANDATORY SQUARE OUTPUT FORMAT.\n\nThe TOP 20% of the square canvas must remain completely empty and pure white for a separately added personalized text line.\n\nAll illustrated subjects must remain below this area.\n\nNo people may be duplicated, omitted, distorted, or unnecessarily cropped during square-format conversion.\n\n**FINAL OUTPUT: ONE PERFECTLY SQUARE 1:1, EXTREMELY FUNNY, BRILLIANTLY COLORFUL, PREMIUM PROFESSIONAL LAUGHING FAMILY CARICATURE, WITH COMPLETE BACKGROUND REMOVAL, CLEAN PURE WHITE BACKGROUND, INTELLIGENT SQUARE COMPOSITION, AND A FULLY EMPTY TOP TEXT AREA.**\n\nNO TEXT. NO ORIGINAL BACKGROUND. NO DULL COLORS. NO WEAK CARICATURES. NO RECTANGULAR OUTPUT. NO SUBJECTS IN THE RESERVED TEXT AREA.\n\n**THE FINAL OUTPUT IMAGE MUST ALWAYS HAVE AN EXACT 1:1 SQUARE ASPECT RATIO, REGARDLESS OF WHETHER THE CUSTOMER UPLOADS A HORIZONTAL, VERTICAL, PANORAMIC, OR SQUARE PHOTOGRAPH.**\n\nReturn one finished transformed image 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