{"id":145419,"uuid":"d3170f64-7d58-434a-bb0f-43500401946c","name":"Personalized Jesus Canvas \u2013 I Can Do All Things Through Christ (Philippians 4:13)","preview_url":"users\/333482\/platform-products\/145419\/6ae8e87d40160.jpg","preview_thumbnail":"users\/333482\/platform-products\/145419\/6ae8e87d40160_thumbnail.webp","artworks":[{"id":1402970,"name":"All things HIM","width":7650,"height":5250,"thumbnail":"users\/333482\/artworks\/6ae8e87e57846_thumbnail.webp","template_settings":null,"current_version_id":3163976,"design_format":"jpeg","schema_version":2,"data":[{"id":"template-862114","name":"Default template","addons":[],"layers":[{"id":"layer-619302","top":498.62,"url":"users\/333482\/image-layers\/6ae8a638efa3a_large.webp","left":597.46,"name":"Photo","type":"photo","width":2835.17,"height":4252.76,"locked":false,"rotate":0,"effects":[{"id":"id-694492","type":"gpt:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"gpt_resolution":"2048","image_filter_prompt":"Image 1 is a photo of one person. Use Image 1 only to learn who the person is: their face, hair, body build and clothes. Ignore everything else in Image 1 completely: their pose, stance, head tilt, head angle, hip angle, where their hands are, where they look, the framing, the camera angle, how close the camera is, how large their head looks, the lighting, the color of the light, the sharpness and the background. Image 2 is a style and scene reference. The person in Image 2 is a stranger: ignore their face, age, hair, body width, shoulder width, clothes and tied jacket completely, but copy their pose, their position in the picture and the size of their head exactly. Do not copy their head angle: the head angle is set below. The figure in the cream robe on the right is Jesus.\n\nPaint a new picture of the person from Image 1 finishing a hard climb on a mountain trail with Jesus beside them, in the style of Image 2: a painterly oil painting, as if painted by hand by a skilled artist, in warm golden-hour light. The whole picture, people included, is painted with the same oil paint and brushwork. The people must never look like a photograph placed on a painted background, and no part of the person keeps the sharpness, contrast, lighting, skin texture or camera look of the photo. Paint clothes and hair with visible, confident brushstrokes and soft edges that blend into the surrounding light. Paint the person as a portrait painter would, never as a photo filter: use Image 1 only to learn what the person looks like, then paint them fresh in oil, in exactly the same way as Jesus is painted. The features stay accurate. No paint spatter, blotches, speckles or grain on any face or hand. Take only the style, scene, light, pose, props and the figure of Jesus from Image 2.\n\nFace paint and light, very important: the person's face must look like it was painted by the same hand, in the same sunset, as Jesus's face. Relight the person's face completely: it receives the same warm golden-orange sunset light as Jesus's face, with warm orange-gold tones in the skin, warm brown shadows, and a soft glowing rim of light along the edge of the hair and cheek. The skin is never a neutral, pink, gray or flat photo color. Paint the skin with visible, loose brushstrokes and simplified, softly blended planes, exactly like Jesus's skin: no pores, no fine skin texture, no photographic skin detail and no sharp micro-contrast. The eyes are painted with soft, small highlights, never sharp photographic catchlights. Glasses, if any, are painted with soft, simple lines and soft reflections, never as crisp photographic frames. Teeth, if the smile shows them, are painted softly in warm tones, never bright white or photo-sharp. Close-up and selfie photos show sharp skin detail such as pores, stubble and fine lines: never copy that photo detail. The face is painted at the same distance and with the same softness and care as Jesus's face, so that the two faces look like they belong in the same oil painting.\n\nLikeness is the most important thing. The person must be instantly recognizable to their own family. Copy their face exactly from Image 1, as it really is, not an idealized or typical face for their age: face shape, width and fullness, cheeks, jaw, chin, nose, mouth, lips, smile, eyes and their size, eyebrows, ears and their size, and wrinkles. Never make the face thinner, longer or more handsome than in the photo. Keep their gender, hairstyle, hair length, fringe, hair color, gray hair, eye color, skin tone and body build. Hair and facial hair: copy exactly what Image 1 shows, nothing more. If they are clean-shaven in Image 1, paint them clean-shaven, with no beard, goatee, mustache or stubble. If they are bald or balding in Image 1, keep the same bald area, with hair only where the photo shows it. Never add hair or facial hair that is not in the photo. Keep their age exactly as in the photo, with the same lines, wrinkles and age spots, painted as soft brushed marks rather than photo-sharp detail; never make them look younger or older. Keep glasses exactly as in the photo, with the same frame shape, thickness and color, and keep any jewelry, necklace or watch the photo shows. Ignore the background and anyone else in the photo.\n\nBody build: the person's body width comes only from Image 1, never from Image 2. Match the width of their shoulders, neck, chest, arms, waist, hips and legs to what Image 1 shows. If the person looks slight or narrow-shouldered in Image 1, paint them slight and narrow, with narrow shoulders, slim arms, slim hips and slim legs. If the person looks broad or heavier in Image 1, paint them broad or heavier. Never make them slimmer or heavier than in the photo. If Image 1 shows only the upper body, work out the legs and hips from the visible upper body and their gender, so a slight upper body gets slim hips and legs and a broad upper body gets broad hips and legs.\n\nCopy Jesus from Image 2 exactly: long brown hair, short beard, a kind and gentle face, a long cream robe with a soft tan sash and a soft drape over one shoulder, and sandals. No halo. Do not give Jesus any feature of the person from Image 1.\n\nKeep the person's clothing style and colors, but remove all logos, printed graphics and text, leaving plain garments. Remove all rips, holes, tears, frayed patches and distressing, so every garment looks whole and neat. Their clothes fit their own body closely and naturally, never baggy and never padded, so they do not add width. Clothes, skin and hair are clean and dry, with no wet patches, sweat, stains, dust, speckles, sand, mud or dirt. If the photo does not show their legs or feet, give them plain everyday pants in a regular cut that fits their own legs, not wide or baggy (or a plain skirt if their clothing suggests it). Always give them sturdy leather hiking boots that suit their outfit. Leave out anything they are holding or carrying in the photo, such as cups, drinks, phones, flowers, bags or pets. The only exception is a plain wooden walking staff, as in Image 2. No backpack, no straps, nothing on their back or shoulders, and no jacket tied around the waist unless Image 1 shows one. Their hands are natural and match their age and gender, with smooth skin, no prominent veins and no bulging tendons.\n\nHeight and proportions: the person's head is exactly the same size as the head of the person in Image 2, and the same size as Jesus's head, never larger. Jesus's head stays the size it is in Image 2. Selfies and close-up photos make the head look large: always shrink the head to this size, whatever size it is in Image 1. The person stands at their natural height, with true adult proportions: the head is about one seventh of their total standing height, with a natural neck and natural shoulder width for their build. Repaint the whole person, face included, at the same small scale and with the same brushwork as Jesus.\n\nScene: copy the scene of Image 2: a steep, rocky mountain trail along a ridge, rocks behind, a hazy valley far below, a few wildflowers between the rocks, and the same warm golden sky. The sky is painted with smooth, soft, blended brushwork: no swirls, no wavy lines, no ripples, no streaks and no radiating lines anywhere, especially around the heads. Wind moves the robe, hair and grass. The worn trail runs along the ridge and never leads up into the sky. Both are firmly on the ground, with soft shadows under their feet. Nobody floats.\n\nPose: copy the pose, the hand placement and the distance between the two figures from Image 2 exactly, whatever pose the person has in Image 1. The person stands in front on the left with a narrow, natural stance. Their left leg, on the right side of the picture, is always raised with the boot planted up on a boulder step, as if they have just pushed up the last stretch of a hard climb, and their right foot stands on the rock below. Their right hand, on the left side of the picture, grips the walking staff held upright in front of them. Their other arm and hand are placed as in Image 2, never in a pocket. Jesus stands close behind and beside them on the right, upright on both feet, not sitting, with his hands resting on the person exactly as in Image 2, steadying them like a close friend. His body never presses against them and his arms never wrap around them. They never hold hands. Both arms of each person are visible and connected naturally, and all hands have five natural fingers.\n\nLight: ignore the lighting and colors of Image 1 completely. Match the colors and light of Image 2, with warm golden-orange sunset light on both faces and shoulders and a soft glowing rim of light on their hair. Shadows are warm brown, never gray or blue. The person's clothes keep their own colors. No light rays from above, no halo, no glowing beams.\n\nFace angle and gaze: never copy the head angle of Image 1. Their head is upright and level, not tilted. The person's chest and shoulders face the viewer, and their head is turned toward Jesus, toward the right side of the picture, by about 20 to 30 degrees, so their face is in a clear, gentle three-quarter view: never straight on to the viewer like a photo, and never in profile. Both eyes stay visible, with the far side of the face slightly narrower than the near side, and no hat, shadows or objects across the face. Their eyes look toward the viewer, with a warm, proud, grateful smile. Because the head angle is different from the photo, the whole face is redrawn and repainted at this new angle, keeping the likeness. Jesus's face is in three-quarter profile, and he looks at the person with a warm, proud smile. Both look happy and strong, never solemn. The mood is warm, triumphant and loving.\n\nComposition: a tall portrait painting that fills the whole picture, edge to edge. Paint every corner with the scene: sky in the top corners, rocks and grass in the bottom corners. Copy the framing of Image 2: the two people stand in the same place and at the same height as the two people in Image 2, with the same amount of sky above their heads, the same amount of rock below their feet, and the same space beside them. This framing sets position and height only. The width of the person's body follows Image 1, not Image 2. Do not move closer to them or further away than Image 2. The walking staff and both feet are fully in frame. Nothing is cut off.\n\nNo text, no signature, no watermark, no frame, no border, no arch, no window, no doorway, no halo, no heavenly clouds, no photographic skin, no dark or empty corners, no vignette.","image_filter_ref_img":"users\/333482\/images\/261102_HSpaM4Wv74R9KyE7.png","color_sketch_image_filter":"#000000","image_filter_enable_ref_img":true}],"visible":true,"fit_mode":"contain","required":true,"min_width":600,"form_label":"Upload your photo","min_height":600,"photo_hint":"\ud83d\udcf7 <b>Tips for the best result:<\/b><br>\n\u2705 A clear, well-lit photo of one person<br>\n\u2705 Face clearly visible, looking towards the camera<br>\n\u2705 Head and shoulders or full length both work<br>\n\u2702\ufe0f Crop out anyone else in the photo<br>\n\u274c No sunglasses, hats or heavy shadows on the face<br>\n\u23f3 Preview takes about 30 seconds.","photo_editor":"image_cropper","use_hd_layer":false,"photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","min_size_enable":true,"customization_type":"normal","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-121825","top":0,"url":"users\/333482\/image-layers\/6ae8a52623f42_large.webp","left":0,"name":"BG","type":"static-photo","width":7650,"height":5250,"locked":false,"rotate":0,"visible":true,"fit_mode":"contain","use_hd_layer":false,"schema_version":2,"shadow_display":"mockup_order","customization_type":"no_customization","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-305324","top":4392.47,"left":5430.22,"name":"Name","text":"Robert Thompson","type":"text","align":"center","color":"#F3EAD8","width":2839.84,"locked":false,"rotate":0,"visible":true,"required":true,"form_label":"Enter Name","max_length":40,"typography":{"size":300,"family":"Playfair Display","variant":"regular"},"custom_font":{"size":100},"shadow_blur":13,"curve_radius":1113.37,"shadow_color":"#000000","show_in_cart":true,"stroke_color":"#36281e","stroke_width":4,"color_opacity":"FF","stroke_layers":[{"color":"#36281e","width":4}],"letter_spacing":-25,"schema_version":2,"shadow_display":"mockup_order","shadow_enabled":true,"stroke_enabled":false,"form_input_type":"text","shadow_offset_x":0,"shadow_offset_y":3,"typography_type":"google","autoscale_enabled":true,"background_enabled":true,"customization_type":"normal"},{"id":"layer-540474","name":"Additional option confirm ","type":"additional-option","locked":false,"options":[],"visible":true,"required":true,"form_label":"Confirm your details","display_type":"radio","show_in_cart":true,"default_value":null,"global_option":3199,"schema_version":2,"additional_option":2711555,"customization_type":"global_option","additional_option_source":"category"}],"positions":["layer-121825","template-layer","layer-619302","layer-305324","layer-540474"],"charge_enabled":false}],"position":0,"platform_variant_ids":["44603354906711","44603354939479","44603354972247","44603355005015"],"global_option_ids":[3199]},{"id":1403040,"name":"All things HER","width":7650,"height":5250,"thumbnail":"users\/333482\/artworks\/6ae8e7098a52d_thumbnail.webp","template_settings":null,"current_version_id":3163947,"design_format":"jpeg","schema_version":2,"data":[{"id":"template-392318","name":"Default template","addons":[],"layers":[{"id":"layer-578180","top":498.62,"url":"users\/333482\/image-layers\/6ae8aa546093b_large.webp","left":597.46,"name":"Photo","type":"photo","width":2835.17,"height":4252.76,"locked":false,"rotate":0,"effects":[{"id":"id-694492","type":"gpt:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"gpt_resolution":"2048","image_filter_prompt":"Image 1 is a photo of one person. Use Image 1 only to learn who the person is: their face, hair, body build and clothes. Ignore everything else in Image 1 completely: their pose, stance, head tilt, head angle, hip angle, where their hands are, where they look, the framing, the camera angle, how close the camera is, how large their head looks, the lighting, the color of the light, the sharpness and the background. Image 2 is a style and scene reference. The person in Image 2 is a stranger: ignore their face, age, hair, body width, shoulder width, clothes and tied jacket completely, but copy their pose, their position in the picture and the size of their head exactly. Do not copy their head angle: the head angle is set below. The figure in the cream robe on the right is Jesus.\n\nPaint a new picture of the person from Image 1 finishing a hard climb on a mountain trail with Jesus beside them, in the style of Image 2: a painterly oil painting, as if painted by hand by a skilled artist, in warm golden-hour light. The whole picture, people included, is painted with the same oil paint and brushwork. The people must never look like a photograph placed on a painted background, and no part of the person keeps the sharpness, contrast, lighting, skin texture or camera look of the photo. Paint clothes and hair with visible, confident brushstrokes and soft edges that blend into the surrounding light. Paint the person as a portrait painter would, never as a photo filter: use Image 1 only to learn what the person looks like, then paint them fresh in oil, in exactly the same way as Jesus is painted. The features stay accurate. No paint spatter, blotches, speckles or grain on any face or hand. Take only the style, scene, light, pose, props and the figure of Jesus from Image 2.\n\nFace paint and light, very important: the person's face must look like it was painted by the same hand, in the same sunset, as Jesus's face. Relight the person's face completely: it receives the same warm golden-orange sunset light as Jesus's face, with warm orange-gold tones in the skin, warm brown shadows, and a soft glowing rim of light along the edge of the hair and cheek. The skin is never a neutral, pink, gray or flat photo color. Paint the skin with visible, loose brushstrokes and simplified, softly blended planes, exactly like Jesus's skin: no pores, no fine skin texture, no photographic skin detail and no sharp micro-contrast. The eyes are painted with soft, small highlights, never sharp photographic catchlights. Glasses, if any, are painted with soft, simple lines and soft reflections, never as crisp photographic frames. Teeth, if the smile shows them, are painted softly in warm tones, never bright white or photo-sharp. Close-up and selfie photos show sharp skin detail such as pores, stubble and fine lines: never copy that photo detail. The face is painted at the same distance and with the same softness and care as Jesus's face, so that the two faces look like they belong in the same oil painting.\n\nLikeness is the most important thing. The person must be instantly recognizable to their own family. Copy their face exactly from Image 1, as it really is, not an idealized or typical face for their age: face shape, width and fullness, cheeks, jaw, chin, nose, mouth, lips, smile, eyes and their size, eyebrows, ears and their size, and wrinkles. Never make the face thinner, longer or more handsome than in the photo. Keep their gender, hairstyle, hair length, fringe, hair color, gray hair, eye color, skin tone and body build. Hair and facial hair: copy exactly what Image 1 shows, nothing more. If they are clean-shaven in Image 1, paint them clean-shaven, with no beard, goatee, mustache or stubble. If they are bald or balding in Image 1, keep the same bald area, with hair only where the photo shows it. Never add hair or facial hair that is not in the photo. Keep their age exactly as in the photo, with the same lines, wrinkles and age spots, painted as soft brushed marks rather than photo-sharp detail; never make them look younger or older. Keep glasses exactly as in the photo, with the same frame shape, thickness and color, and keep any jewelry, necklace or watch the photo shows. Ignore the background and anyone else in the photo.\n\nBody build: the person's body width comes only from Image 1, never from Image 2. Match the width of their shoulders, neck, chest, arms, waist, hips and legs to what Image 1 shows. If the person looks slight or narrow-shouldered in Image 1, paint them slight and narrow, with narrow shoulders, slim arms, slim hips and slim legs. If the person looks broad or heavier in Image 1, paint them broad or heavier. Never make them slimmer or heavier than in the photo. If Image 1 shows only the upper body, work out the legs and hips from the visible upper body and their gender, so a slight upper body gets slim hips and legs and a broad upper body gets broad hips and legs.\n\nCopy Jesus from Image 2 exactly: long brown hair, short beard, a kind and gentle face, a long cream robe with a soft tan sash and a soft drape over one shoulder, and sandals. No halo. Do not give Jesus any feature of the person from Image 1.\n\nKeep the person's clothing style and colors, but remove all logos, printed graphics and text, leaving plain garments. Remove all rips, holes, tears, frayed patches and distressing, so every garment looks whole and neat. Their clothes fit their own body closely and naturally, never baggy and never padded, so they do not add width. Clothes, skin and hair are clean and dry, with no wet patches, sweat, stains, dust, speckles, sand, mud or dirt. If the photo does not show their legs or feet, give them plain everyday pants in a regular cut that fits their own legs, not wide or baggy (or a plain skirt if their clothing suggests it). Always give them sturdy leather hiking boots that suit their outfit. Leave out anything they are holding or carrying in the photo, such as cups, drinks, phones, flowers, bags or pets. The only exception is a plain wooden walking staff, as in Image 2. No backpack, no straps, nothing on their back or shoulders, and no jacket tied around the waist unless Image 1 shows one. Their hands are natural and match their age and gender, with smooth skin, no prominent veins and no bulging tendons.\n\nHeight and proportions: the person's head is exactly the same size as the head of the person in Image 2, and the same size as Jesus's head, never larger. Jesus's head stays the size it is in Image 2. Selfies and close-up photos make the head look large: always shrink the head to this size, whatever size it is in Image 1. The person stands at their natural height, with true adult proportions: the head is about one seventh of their total standing height, with a natural neck and natural shoulder width for their build. Repaint the whole person, face included, at the same small scale and with the same brushwork as Jesus.\n\nScene: copy the scene of Image 2: a steep, rocky mountain trail along a ridge, rocks behind, a hazy valley far below, a few wildflowers between the rocks, and the same warm golden sky. The sky is painted with smooth, soft, blended brushwork: no swirls, no wavy lines, no ripples, no streaks and no radiating lines anywhere, especially around the heads. Wind moves the robe, hair and grass. The worn trail runs along the ridge and never leads up into the sky. Both are firmly on the ground, with soft shadows under their feet. Nobody floats.\n\nPose: copy the pose, the hand placement and the distance between the two figures from Image 2 exactly, whatever pose the person has in Image 1. The person stands in front on the left with a narrow, natural stance. Their left leg, on the right side of the picture, is always raised with the boot planted up on a boulder step, as if they have just pushed up the last stretch of a hard climb, and their right foot stands on the rock below. Their right hand, on the left side of the picture, grips the walking staff held upright in front of them. Their other arm and hand are placed as in Image 2, never in a pocket. Jesus stands close behind and beside them on the right, upright on both feet, not sitting, with his hands resting on the person exactly as in Image 2, steadying them like a close friend. His body never presses against them and his arms never wrap around them. They never hold hands. Both arms of each person are visible and connected naturally, and all hands have five natural fingers.\n\nLight: ignore the lighting and colors of Image 1 completely. Match the colors and light of Image 2, with warm golden-orange sunset light on both faces and shoulders and a soft glowing rim of light on their hair. Shadows are warm brown, never gray or blue. The person's clothes keep their own colors. No light rays from above, no halo, no glowing beams.\n\nFace angle and gaze: never copy the head angle of Image 1. Their head is upright and level, not tilted. The person's chest and shoulders face the viewer, and their head is turned toward Jesus, toward the right side of the picture, by about 20 to 30 degrees, so their face is in a clear, gentle three-quarter view: never straight on to the viewer like a photo, and never in profile. Both eyes stay visible, with the far side of the face slightly narrower than the near side, and no hat, shadows or objects across the face. Their eyes look toward the viewer, with a warm, proud, grateful smile. Because the head angle is different from the photo, the whole face is redrawn and repainted at this new angle, keeping the likeness. Jesus's face is in three-quarter profile, and he looks at the person with a warm, proud smile. Both look happy and strong, never solemn. The mood is warm, triumphant and loving.\n\nComposition: a tall portrait painting that fills the whole picture, edge to edge. Paint every corner with the scene: sky in the top corners, rocks and grass in the bottom corners. Copy the framing of Image 2: the two people stand in the same place and at the same height as the two people in Image 2, with the same amount of sky above their heads, the same amount of rock below their feet, and the same space beside them. This framing sets position and height only. The width of the person's body follows Image 1, not Image 2. Do not move closer to them or further away than Image 2. The walking staff and both feet are fully in frame. Nothing is cut off.\n\nNo text, no signature, no watermark, no frame, no border, no arch, no window, no doorway, no halo, no heavenly clouds, no photographic skin, no dark or empty corners, no vignette.","image_filter_ref_img":"users\/333482\/images\/261102_07BwKtdbjdLMlITx.png","color_sketch_image_filter":"#000000","image_filter_enable_ref_img":true}],"visible":true,"fit_mode":"contain","required":true,"min_width":600,"form_label":"Upload your photo","min_height":600,"photo_hint":"\ud83d\udcf7 <b>Tips for the best result:<\/b><br>\n\u2705 A clear, well-lit photo of one person<br>\n\u2705 Face clearly visible, looking towards the camera<br>\n\u2705 Head and shoulders or full length both work<br>\n\u2702\ufe0f Crop out anyone else in the photo<br>\n\u274c No sunglasses, hats or heavy shadows on the face<br>\n\u23f3 Preview takes about 30 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