{"id":1015596,"name":"Custom Pet Portrait - Line Art","label_available_product":null,"field_positions":null,"product_display_type":"radio","enable_artwork_navigation":false,"product_tags":null,"featured_image_url":null,"featured_image_thumbnail":null,"show_first_campaign_mockup_id":10715474,"artworks":[{"id":1295909,"name":"SF-FINE-LINE","description":null,"width":7904,"height":10498,"thumbnail":"users\/47856\/artworks\/6ab62cfae5658_thumbnail.webp","is_locked":null,"template_settings":{"label":"FINE-LINE","display_type":"radio","show_in_cart":true},"current_version_id":2805345,"design_format":"rgb","status":0,"schema_version":2,"data":[{"id":"template-203486","url":"users\/47856\/images\/260910_QQkVAsqdVyp1eXBU_large.webp","name":"SF-FINE-LINE","addons":[],"layers":[{"id":"layer-834033","top":-2.72,"url":"users\/47856\/image-layers\/6aa2339eb0b96_large.webp","left":0,"name":"SF-FINE-LINE","type":"photo","width":7904,"height":10503.45,"locked":false,"rotate":0,"effects":[{"id":"id-654267","type":"background_remover","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"color_sketch_image_filter":"#000000"},{"id":"id-135367","type":"gemini:image_filter","color_sketch":"#000000","light_sketch":true,"enable_contour":true,"gemini_resolution":"4K","image_filter_prompt":"Generate a modern minimalist line-art portrait of the animal or animals from the base image.\n\nPRIORITY ORDER \u2014 if any two instructions in this prompt ever conflict, resolve them in this order:\n1. LIKENESS. The drawing must be recognisably THIS individual animal from its outline alone \u2014 its exact ear shape and set, head and muzzle proportions, eye shape and spacing, coat length in the silhouette, mouth state and expression.\n2. The minimalist line-art rules below.\n3. Restraint and elegance.\nRestraint decides which DECORATIVE lines to leave out. It never removes a line that carries likeness. When in doubt about a decorative line, leave it out. When in doubt about a likeness line, keep it.\n\nWHAT THE OUTPUT IS \u2014 read this before anything else.\nStart by filling the ENTIRE canvas with pure white, from the top edge to the bottom edge and from the left edge to the right edge, covering 100% of the image area. Then draw the animal's head and neck as black ink lines on top of that white.\nEvery pixel of the finished image is either pure white or solid black line. There are no other colours, tones or textures anywhere in the image.\nThe output is a completely new drawing created from scratch. It is NOT an edited, filtered, traced or partially modified version of the reference photograph. Do not preserve, keep, retain or leave visible ANY region of the original photo \u2014 not the top, not the sides, not the middle, and above all not the lower portion. The lower third of the image is pure white, exactly like the upper third.\nThe reference photo is used only to observe the animal's shape, proportions and expression. Nothing from the photograph appears in the output \u2014 not one pixel.\nThis is the drawing itself, not a picture of a drawing. Do not show a sheet of paper as a physical object: no paper edges, no page borders, no visible sheet corners, no drop shadow, no surface or table beneath, no photographed or scanned paper texture, no grey or tinted area anywhere.\nNo photographic content of any kind: no photographic fur, no real paws, no grass, ground, floor, foliage, scenery or sky, no photographic texture, no depth of field, no blur, no lighting or shadow from the original photo.\nThe drawing shows only the head and neck \u2014 no body, no legs, no paws, no ground.\n\nTHIS IS A MINIMALIST FINE-ART DRAWING, NOT A COLOURING PAGE.\nThe finished piece must look like an elegant, restrained gallery illustration made of very few lines \u2014 not a detailed outline drawing waiting to be coloured in. Most of the image is empty white space. But the few lines that exist are exactly the lines that make this animal recognisable.\n\nFIRST, DETERMINE THE SUBJECT COUNT\nLook at the reference photo and count how many pets are the intended subject.\n- If there is ONE pet: create a single-subject portrait of that animal, following all instructions below.\n- If there are TWO OR MORE pets clearly and deliberately present: create a group portrait including every one of them, following all instructions below including the MULTIPLE ANIMALS section.\n- Ignore any animal that is incidental, background, blurred, partially out of frame, or clearly not the subject. Do not invent or add an animal that is not in the photo.\n\nThen study the reference photo closely and lock these features exactly as they appear in THIS photo, FOR EACH ANIMAL INDIVIDUALLY. Observe and reproduce the real values \u2014 never assume typical values for the breed or species. Where a feature is uncommon for the breed, reproduce what the photo shows and never revert to the breed's more common or expected version.\n\nBecause this drawing uses very few lines and no colour, the outline and proportions carry the entire likeness. A generic line drawing of an animal is a failure \u2014 the shape must be unmistakably THIS animal.\n\nSTRUCTURAL LIKENESS \u2014 the four proportions that carry identity in this style. Before drawing, observe and match these exactly for each animal:\n1. The width of the head relative to its height.\n2. The length of the muzzle relative to the whole head, and its thickness.\n3. The spacing between the eyes relative to the head width, and the height of the eyes relative to the ears above and the nose below.\n4. The exact set, angle, length and shape of each ear, including any asymmetry.\nA drawing that gets these four right is recognisable with almost no other detail. A drawing that gets them wrong is generic no matter how refined the lines are.\n\nEAR CARRIAGE AND SHAPE \u2014 the single most important feature, and in this minimal style one of the very few likeness cues available. For each animal, reproduce the exact position, angle, length, thickness, set and fold of each ear as photographed \u2014 whether fully erect, semi-erect with folded tips, hanging\/floppy, rose-folded, cropped, tufted, or feathered. If one ear sits differently from the other, or is tilted, lower, or turned, preserve that exact asymmetry. The outer edge of each ear must trace this animal's real ear shape precisely. Draw each ear with its outer contour and at most one inner line \u2014 no fold lines, fur strokes or texture inside the ear. Never straighten, raise, lower, crop, round, point, prick or symmetrize the ears. Never substitute the ear shape typical for the breed or species.\n\nHEAD AND MUZZLE OUTLINE \u2014 for each animal, reproduce the exact skull width and shape, muzzle length and thickness, stop depth, jawline, cheek line and neck line from the photo. The complete outer contour \u2014 ears, brow, muzzle, chin, neck \u2014 must be an accurate outline of THIS animal. Where the muzzle's width or length is not readable from the outer contour alone, one clean line down each side of the muzzle may define it. For cats, reproduce the exact face shape as photographed \u2014 wedge, round, or flat \u2014 the true muzzle length, and the real whisker-pad shape. Do not lengthen, shorten, narrow, flatten or idealize the head, and never default to a generic breed outline.\n\nHEAD ANGLE \u2014 reproduce the head angle exactly as photographed. If the animal faces the camera directly, draw it facing directly forward, square to the viewer \u2014 do not turn, rotate, tilt or angle the head into a three-quarter or side view. If the animal is photographed at a three-quarter or side angle, keep that exact angle. The head orientation in the drawing always matches the photo.\n\nCOAT LENGTH IN THE SILHOUETTE \u2014 the coat cannot be shown by texture in this style, so it must be shown by the outline. A short, smooth coat gives a tight, clean outer line that follows the skull closely. A long, thick or double coat gives a fuller outer line \u2014 cheeks, ruff and neck stand further from the skull, and the line undulates softly and gently, in slow soft waves, never in points. Feathered or fringed ears show that fringing as gentle softness in the ear's outer edge. A curly or wiry coat gives a softly irregular outline. The owner must be able to tell from the silhouette alone that this is a long-haired or short-haired animal.\n\nDISTINCTIVE FEATURES AND MARKINGS \u2014 for each animal, capture the defining structural traits of this individual: a particular jowl, a snub nose, a long snout, a heavy ruff, a fine head, a pronounced brow. Markings are handled by their type:\n- EDGE-DEFINED markings \u2014 a mask edge, a blaze, a bold patch, a cheek patch, a chest bib, a distinct colour break with a clear boundary \u2014 are drawn as ONE clean, minimal line tracing the real edge of the marking in its real position and shape. These are likeness lines. They are never left out to save the line budget. Draw the edge only, never a fill.\n- DIFFUSE patterns \u2014 tabby striping, brindle, merle, ticking, roan, gradual shading \u2014 cannot be drawn in this style and are left out entirely. Do not attempt them with hatching or multiple strokes.\n\nEYES \u2014 for each animal, reproduce the photographed eye shape, size, spacing and set exactly. Draw each eye with no more than three strokes: an upper lid line, a lower lid line, and one solid black shape inside. That black shape is the size and form of the visible dark area of the real eye \u2014 nearly filling the eye on a dark-eyed dog, a vertical slit or oval on a cat, a smaller round pupil only where the photo shows a light iris with a small pupil. No white highlight dot, no catchlight, no eyelashes, no rendered iris, no thick outline, no shading around the eye. Keep the eyes the true size and true narrowness of the real eyes \u2014 never enlarged, rounded or sweetened. If an eye is partly closed or absent, reproduce it as photographed. The eyes carry the character through accuracy, not through detail.\n\nNOSE \u2014 for each animal, render the nose as one simple, clean shape in the correct position, matching the real nose's basic form and size. No nostril detail beyond a single small mark each, no shading, no texture.\n\nWHISKERS \u2014 for each animal, suggest the whiskers with three or four fine, soft, gently curving single lines per side, following their real direction. Never a dense array, never uniform or symmetrical. If they would clutter the drawing, leave them out.\n\nAGE AND CONDITION \u2014 for each animal, reproduce its real age and build as photographed. If it is a puppy or kitten, keep the juvenile head proportions \u2014 do not draw it as an adult. Preserve a real thin, heavy, or aged appearance in the outline. Preserve any permanent distinguishing feature visible in the outline, such as a notch or torn ear, exactly as photographed \u2014 never repair, tidy, or \"correct\" it.\n\nMOUTH AND EXPRESSION \u2014 for each animal, reproduce the photographed mouth state exactly. This is a locked feature, not a design choice, and restraint never changes it.\n- If the mouth is closed, draw the lip line as one clean stroke following exactly the line it makes in the photo. Do not curve it upward into a smile. Do not add a smile the photo does not show.\n- If the mouth is open or panting with the tongue visible, draw it open: the lower jaw line drops to the same degree as the photo, and the tongue is its own single closed curve, extending exactly as far as in the photo. Never close a photographed open mouth to make the drawing cleaner, and never shorten or omit a visible tongue.\n- Convey the real expression \u2014 alert, relaxed, sleepy, panting, neutral \u2014 through the accuracy of these lines alone. Do not make the animal look happier, sweeter or more appealing than the photo.\n\nRender the essential structure of each animal in the reference photo. Do not idealize or substitute a breed-typical version \u2014 the proportions and the ear and muzzle outline must match THIS animal, so its owner recognises it immediately.\n\nMULTIPLE ANIMALS \u2014 apply this section ONLY if the photo contains two or more subject pets. If there is only one pet, ignore this section entirely.\n- Include every subject animal from the photo. Do not omit one, and do not duplicate one.\n- DO NOT MIX THE ANIMALS. Each animal keeps only its own outline and features. Never apply one animal's ear shape, head shape, muzzle length, coat length, build, age, mouth state or expression to another. If one has erect ears and another floppy, keep them clearly different. If one has a long muzzle and another a short one, keep that difference obvious. The animals must not converge toward a shared shape and must not become look-alikes unless they genuinely are in the photo.\n- Work through the animals one at a time from left to right as they appear in the photo, completing each one's own outline before moving to the next.\n- Keep each animal's outline complete and separate where they touch or overlap, so the shapes remain individually readable and never merge into a single form.\n- Keep the animals at their true relative scale and at the same distance from the viewer \u2014 do not push one further back or shrink it to fit the composition. If one is genuinely larger, keep it larger; if they are close in size, keep them close in size.\n- The line budget applies to each animal individually \u2014 two animals means two restrained drawings, not one dense one.\n- Every animal is drawn with the same line weight and the same level of finish. None is left sketchy, faint, cropped, turned away, or treated as a secondary subject.\n\nCOMPOSITION AND FRAMING\nVertical portrait, 3:4 aspect ratio, with the subject or group centered both horizontally and vertically. Generous negative space is essential to this minimalist style.\n\nIf ONE animal: a head-and-neck portrait, centered.\nIf TWO OR MORE animals: arrange them together as a single centered group, side by side and close together, heads at slightly different heights so every face is clearly visible and no animal is hidden behind another. Head-and-neck crop for each.\n\nMandatory clear margin on all four sides \u2014 this overrides subject size:\n- Leave a clear empty margin of at least 12% of the image height ABOVE the highest ear tip of ANY animal. Ear tips must never touch or be cropped by the top edge.\n- Leave a clear empty margin of at least 10% of the image width on the LEFT and RIGHT. Treat the group as a single object when applying this margin: the leftmost and rightmost points of the OUTERMOST animals \u2014 including cheeks, ear edges, ruff and whisker lines \u2014 must sit inside the 10% side margin. No part of any drawing may run into, touch, or be cut off by the left or right edge.\n- Leave a clear margin at the BOTTOM \u2014 the neck lines end cleanly and sit clear of the corners. The entire area below the drawing is pure white, all the way down to the bottom edge and into both bottom corners.\n- The pure white background must be fully visible as a clean, generous, continuous border framing the drawing on every side.\n\nSize the subject \u2014 or scale the WHOLE GROUP \u2014 to fit WITHIN these margins. Minimalist line art depends on generous empty space around a smaller subject. If the ears are tall or wide, or the group is broad, scale everything DOWN. Do not enlarge to fill the frame. Better clearly contained with lots of breathing room than large and clipped.\n\nEye line in the upper third. Every ear complete, every muzzle full, every head fully inside the frame with generous space on all sides. Nothing clipped by any edge or corner.\n\nSTYLE \u2014 MODERN MINIMALIST LINE ART\nA clean, elegant, minimalist line-art portrait \u2014 the kind of modern, gallery-wall illustration made of a few confident strokes. Sophisticated, contemporary, refined, soft and understated.\n\nRendering:\n- LINE BUDGET: roughly 20 to 30 separate strokes for the entire drawing, aiming toward the lower end. The outer contour and the ears account for most of them. Inside the face, draw ONLY: the two eyes, the nose, the mouth line (and the tongue if the mouth is open), at most two or three short strokes for the brow, one line per edge-defined marking, and the two muzzle-side lines only if needed to show muzzle width. Nothing else. Leave the forehead, the centre of the face, the cheeks and the chest completely empty white space. Likeness lines are never cut to hit the budget; decorative lines are always cut first.\n- Do not draw fur clumps, fur tufts, fur strands, or the texture of the coat anywhere. Coat length is shown only through the outer silhouette, as described above \u2014 soft undulation for long coats, a tight line for short coats \u2014 never as repeated strokes, points or clumps.\n- Do not draw contour lines, muscle lines, wrinkle lines or shading lines across the forehead, cheeks, jaw or chest. These areas stay empty.\n- Each stroke is smooth and unbroken from its start to its end. This is not one-continuous-line art \u2014 strokes are separate, each one placed deliberately.\n- LINE QUALITY: every line is solid black at full strength along its entire length \u2014 never grey, faded, broken, dotted, wobbly or doubled. Fine, elegant, controlled ink lines of near-uniform thickness, with only a subtle natural variation in weight \u2014 very slightly heavier along the lower jaw and beneath the ears, very slightly finer along the top of the skull. The variation is barely perceptible and refined, never bold or dramatic. The line weight is fine but clearly visible: heavy enough to remain crisp and legible when the whole image is viewed small, never hairline-thin.\n- SOFT STROKE QUALITY: every line is gentle and flowing, with smooth curves and softly rounded, gently tapering ends. Never draw fur as sharp spikes, needles, barbs, thorns, zigzags or hard angular points. The overall feel is soft and calm, never sharp, spiky or aggressive.\n- The two neck lines taper softly to nothing at the base. No line joins them across the bottom. The drawing is not closed into a shape at the neck.\n- The drawing is pure black line on white. Do not add colour fills, tinted shapes, blocks of colour, coloured accents, or any colour of any kind.\n- Confident, smooth, deliberate lines \u2014 no sketchy hatching, no cross-hatching, no rough scribble, no heavy black masses, no shading.\n\nBackground:\n- A pure, flat, solid WHITE background \u2014 RGB 255,255,255 \u2014 filling 100% of the image, edge to edge and corner to corner, top to bottom. Not off-white, not cream, not ivory, not beige, not grey, not tinted, not textured, not gradient.\n- Completely empty except for the line drawing. Generous negative space. No scene, no pattern, no texture, no shading, and no shadow beneath or behind the animal.\n- The background is created new. It does not come from the reference photo. Whatever appeared behind or beneath the animal in the original photograph \u2014 grass, pavement, furniture, indoor room, sky, vehicle, foliage, studio backdrop or blur \u2014 is completely absent from the output, in every region of the image including the entire lower portion.\n\nFinish:\n- A chic, modern, minimalist line illustration \u2014 elegant, airy, soft and design-led, suited to a contemporary gallery wall.\n- Clean, refined linework, smooth and precise, in pure black on pure white, with far more empty space than line \u2014 and every line that exists earning its place by making this animal recognisable.\n\nEXCLUDE\nDo not draw any collar, harness, bandana, lead, leash, clip, chain, ring, name tag, bell, or hardware visible in the reference photo. Every neck is drawn bare.\n\nNo colouring-book, colouring-page, outline-drawing, activity-book or children's-book look. No dense internal linework. No fur clumps, fur tufts, fur strands or coat texture. No contour lines, wrinkle lines or muscle lines across the forehead, cheeks, jaw or chest. No repeated parallel strokes. No hatching to suggest tabby, brindle or any pattern.\n\nNo added smile. No closing of a photographed open mouth. No shortening or removing a photographed tongue. No changing the expression in either direction.\n\nNo turning or rotating of the head. No three-quarter or side view unless the animal is photographed that way.\n\nNo large, round, glossy or enlarged eyes. No white catchlight dots or highlight spots in the eyes. No eyelashes, no rendered iris, no heavy eye outline, no shading around the eyes. No uniform small dot pupils regardless of the real eye.\n\nNo grey, faded, broken, dotted, wobbly or doubled lines. No hairline-thin lines. No one-continuous-line loop style.\n\nNo grass, lawn, turf, ground, floor, pavement, soil, foliage or scenery anywhere in the image, and specifically none in the lower portion or the bottom corners. No partially retained photograph. No region of the image left unedited. No band, strip or patch of photographic content at any edge.\n\nNo sheet of paper shown as an object. No paper edges, page borders, visible corners, drop shadow, table or surface beneath, and no photographed or scanned paper texture. No grey, off-white or tinted area anywhere in the image, including at the edges and corners.\n\nNo sharp spikes, needles, barbs, thorns, zigzags or hard angular points anywhere in the linework. No aggressive, jagged or prickly edges.\n\nNo cartoon, comic, mascot, sticker, clip-art or animated-film look. No thick bold outlines. No exaggerated or stylised features. The drawing is refined fine-art illustration, never cartoon.\n\nNo paws, legs, body, ground or scenery. No photographic fur, texture, blur or depth of field. No coloured fills, coloured shapes or coloured accents.\n\nNo text, letters, numbers, words, watermarks, signatures, logos or borders anywhere in the image. No human figures, hands, clothing, costumes, hats, glasses or jewellery. Do not add any animal that is not a subject in the reference photo. No dense sketching, no cross-hatching, no pencil shading, no heavy black fills, no realistic fur detail. No photorealism, no 3D render, no busy or dark background, no gradient. Do not straighten or change ear carriage. Do not shorten a long coat's silhouette into a short one. Do not default to a generic breed outline \u2014 the head proportions and the ear and muzzle shape must match this specific animal. The style is minimal, but every animal's real structure, proportions and mouth state are always preserved.","color_sketch_image_filter":"#000000"}],"visible":true,"fit_mode":"contain","required":true,"form_label":"Their photo","photo_hint":"One clear photo of their face, front on, in daylight, with both ears in the frame. Phone photos are fine.","photo_editor":"static","photo_replace":true,"schema_version":2,"shadow_display":"mockup_order","customization_type":"normal","direct_upload_style":"contain","direct_clipart_style":"contain"},{"id":"layer-794094","top":9176.62,"left":3952.49,"name":"Text layer","text":null,"type":"text","align":"center","color":"#292626","width":5089.97,"locked":false,"rotate":0,"visible":true,"form_label":"Name on the portrait (optional)","max_length":25,"typography":{"size":683.96,"family":"Roboto","variant":"regular"},"custom_font":{"url":"users\/47856\/fonts\/6a8c49da1f32a.woff2","size":500,"family":"EBGaramond-SemiBold"},"curve_radius":4207.88,"stroke_color":"#FFFFFF","stroke_width":8,"color_opacity":"FF","schema_version":2,"shadow_display":"mockup_order","stroke_enabled":false,"form_input_type":"text","typography_type":"custom","form_placeholder":"Their name","autoscale_enabled":true,"background_enabled":true,"customization_type":"normal","reposition_enabled":false,"form_input_textcase":"capitalize","autofill_default_value":false}],"positions":["template-layer","layer-834033","layer-794094"],"charge_enabled":false}],"global_options":[],"global_option_ids":[]}],"campaign_products":[{"id":1829042,"campaign_id":1015596,"product_id":354824,"created_at":"2026-09-10T04:09:45.000000Z","updated_at":"2026-09-10T04:09:45.000000Z","position":0,"platform_title":"Framed Canvas","campaign_variants_position":null,"product":{"id":354824,"user_id":47856,"fulfillment_id":20,"fulfillment_linked_id":"framed-canvas","title":"Framed Canvas - ver","description":"

Elevate your space with our framed canvas prints, featuring rich texture that adds depth for a captivating art experience:<\/p>\n